459. And idols of gold, silver, brass, stone, and wood. This symbolically means that thus they engage in worship founded on nothing but falsities.

Idols in the Word symbolize falsities in worship, and therefore worshiping them symbolizes worship founded on falsities. Worshiping idols of gold, silver, brass, stone, and wood, then, symbolizes worship founded on falsities of every kind, and when taken in combination, worship founded on nothing but falsities. Moreover, the materials, figures, and garments of the idols among ancient peoples represented the falsities of religion on which they founded their worship. Idols of gold symbolized falsities regarding matters pertaining to God; idols of silver, falsities regarding matters pertaining to the spirit; idols of brass, falsities regarding charity; idols of stone, falsities regarding faith; and idols of wood, falsities regarding good works.

All of these falsities are held by people who do not repent, that is, who do not refrain from evils as being sins against God.

[2] Idols, which were carved and cast images, have this symbolic meaning in the spiritual sense in the following passages:

Everyone has been made stupid by knowledge; every metalsmith is has been put to shame by a carved image; for his cast image is a falsehood, and there is no breath in them. They are futile, a work of errors; in the time of their visitation they shall perish. (Jeremiah 10:14-15; 51:17-18)

(Carved images are) the work of the hands of the workman... They do not speak... They are both foolish and stupid; the wood is a worthless teacher... They are all the work of skillful men. (Jeremiah 10:3-5, 8-10)

What profit is the carved image, that its maker has carved it, ...and a teacher of lies, that the maker of the lie trusts in it...? ...in it there is no breath. (Habakkuk 2:18-19)

In that day a man will cast away to the moles and bats his idols of silver and his idols of gold, which they made for themselves to worship... (Isaiah 2:18, 20)

...they made for themselves cast images of their silver, idols according to their skill, all of it the work of craftsmen. (Hosea 13:2)

I will sprinkle clean water on you, that you may be cleansed... from all your uncleanness and from all your idols. (Ezekiel 36:25)

Clean waters are truths; idols are falsities in worship.

You shall judge unclean the covering of your graven images of silver, and the attire of your cast images of gold. You will throw them away as a menstrual cloth; you will call it excrement. (Isaiah 30:22)

[3] Falsities in religion and thus in worship are precisely what are symbolically meant by the gods of gold, silver, bronze, iron, wood, and stone that Belshazzar, king of Babylon, praised (i.e., worshiped) when with his great men, wives and concubines he drank wine from the vessels of gold and silver taken from the temple in Jerusalem, on which account he was driven from mankind and became as a beast (Daniel 5:1-5ff.).

And so also in many other places, as in Isaiah 10:10-11; 21:9; 31:7; 40:19-20; 41:29; 42:17; 48:5, Leviticus 26:30.

Properly speaking, idols symbolize falsities in worship springing from people's own intelligence. How a person fashions them and afterward adapts them so that they appear to be true is fully described in Isaiah 44:9-20.

792. 18:22 "The sound of harpists and musicians, flutists and trumpeters, shall not be heard in you anymore." This symbolically means that they will not have in them any affection for spiritual truth and goodness, nor any affection for celestial truth and goodness.

A sound means tone, and every tone corresponds to some affection relating to love, since it originates from love. For this reason, the sounds of harps, music, flutes and trumpets, because of their correspondence, symbolize affections.

Affections, however, are of two types: spiritual and celestial. Spiritual affections are affections connected with wisdom, while celestial affections are affections connected with love. They differ from each other in the same way as the heavens, which have been distinguished into two kingdoms, celestial and spiritual, as we have said several times before.

The sounds of some musical instruments, therefore, relate to spiritual affections, and the sounds of others to celestial affections - the sound or tone of harpists and musicians relating to spiritual affections, and the sound or tone of flutists and trumpeters relating to celestial affections. For instruments whose tones sound in distinct intervals, like stringed instruments, belong to the spiritual class of affections, while instruments whose tones are continuous, like wind instruments, belong to the celestial class of affections. Thus the sound or tone of harpists and musicians symbolizes an affection for spiritual truth and goodness, while the sound or tone of flutists and trumpeters symbolizes an affection for celestial truth and goodness.

That the sound of a harp, owing to its correspondence, symbolizes confession from an affection for spiritual truth, may be seen in nos. 276, 661.

[2] The meaning here is that no affections for spiritual truth and goodness and no affections for celestial truth and goodness are found in people who are caught up in the evils and falsities of the Roman Catholic religion, because we are told that "the sound of harpists and musicians, flutists and trumpeters, shall not be heard in you anymore." None are found because in their case none are possible; for they do not have any truth from the Word, and lacking truth, they do not have any goodness. Goodness is possible only in people who desire truths. But the only people who desire truths from a spiritual affection are those who turn to the Lord. After death they are instructed by angels and receive truths in accordance with their desire.

The external affections they have when they hear masses said and in other devotions, being without truths from the Lord through the Word, are nothing but merely natural, sensual and carnal affections. And because that is their character, and they have no internal affections from the Lord, it is no wonder that they are brought in that dark and blind state to a worship of men, living and dead, and to the sacrifices of demons, called plutos, to atone for their souls.