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Secrets of Heaven #863

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863. Noah opened the window of the ark that he had made symbolizes the second state, when religious truth appeared to them. This can be seen from the final words of the last verse (saying that the heads of the mountains appeared) and their meaning; from the symbolism of a window; and from the fact that this is the first moment of light. A window, dealt with above at §655, symbolizes the intellectual side of things and consequently religious truth, which is the same thing.

As for the intellectual realm or the religious truth that the window symbolizes, I must make the same remark as before [§§854, 859]: No religious truth is at all possible unless it develops out of the goodness that goes with love or with charity, just as nothing truly belongs to the intellect unless it rises out of something in the will. If you take away volition, there is no comprehension, as demonstrated several times already [§§112, 585, 590, 628]. So if you take away charity, there is no faith.

But since the human will is undiluted greed, the Lord made a miraculous provision to prevent us from plunging the contents of the intellect — religious truth — into our selfish desires. He divided what belongs to the intellect from our will by the specific means of conscience, which he infuses with charity. Without this miraculous act of providence, no one could ever have been saved.

  
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Secrets of Heaven #590

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590. The fact that regret has to do with wisdom, and heartfelt grief with love, cannot be explained clearly to people's understanding. It can only be explained in terms of human experience and so in terms of appearances.

Every concept in our thinking contains something of both intellect and will; to put it another way, it contains something of thought and of love for that thought. If an idea does not draw to some extent on the will, or on love in the will, it is not an idea, because without love we cannot think. There is a kind of marriage, perpetual and inviolable, between thought and will. So the contents of the will or the objects of love in the will are present within the ideas that make up our thinking, or are at least attached to them. From this human experience it seems more or less possible to know (or rather to grasp in some measure) what lies at the heart of the Lord's mercy: wisdom and love.

As a result, the prophets (especially Isaiah) almost everywhere use two terms for every concept, one involving a spiritual quality and the other a heavenly one. 1 The spiritual aspect of the Lord's mercy is wisdom and its heavenly aspect is love.

Footnotes:

1. For examples of the use in the prophets of two terms, one involving a spiritual quality and the other a heavenly, see the passages quoted in §612, which include Psalms 15:1-2; 25:21; 37:37; Isaiah 58:2; the passages quoted in §983, which include Jeremiah 3:14-16; 23:3; and the passages quoted in §1259, which include Isaiah 9:2-3; 11:10-12; 14:32; 25:7. See also note 1 in §100. (For Swedenborg's inclusion of Psalms among the prophetical books of the Bible, see note 1 in §64.) [LHC]

  
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Secrets of Heaven #100

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100. We can see in Isaiah too that a garden symbolizes intelligence and Eden love:

Jehovah will comfort Zion, he will comfort all its wastelands, and he will make its wilderness like Eden and its desert like a garden of Jehovah. Joy and gladness will be found in it; acclamation and the voice of song. (Isaiah 51:3)

The prophet uses wilderness, joy, and acclamation to express the heavenly (or loving) aspects of faith; desert, gladness, and the voice of song express further spiritual (or intellectual) aspects. The first set of words relates to Eden, the second to the garden. This particular prophet fairly consistently uses two words for a single idea, one word symbolizing heavenly things, and the other, spiritual things. 1

For more on the meaning of the Garden of Eden, see the explanation of verse 10, below [§108].

Footnotes:

1. Here Swedenborg explicitly describes a feature of his biblical exegesis that will frequently recur: the interpretation of the elements of sense pairs in Hebrew poetry (here, for example, wilderness and desert, joy and gladness, acclamation and the voice of song) as relating to the heavenly (or good) and the spiritual (or true), respectively. For the fullest exposition of this method of interpretation, see Sacred Scripture 81, 84-88 (repeated with variations in True Christianity 248, 250-253); see also Secrets of Heaven 793, 5502. The currently accepted analysis of these word pairs as a component of the poetical conventions of Hebrew verse entered Christian scholars' discussion of the Bible during Swedenborg's lifetime. See Hrushovski-Harshav 2007, 598-600, for further discussion. [SS, JSR, LHC]

  
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