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Memorable Occurrences in Swedenborg's Writings

This list of Memorable Occurrences in Swedenborg's Writings was originally compiled by W. C. Henderson in 1960 but has since been updated.

From Swedenborg's Works

 

Conjugial Love #76

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76. The second account:

The next day the same angel came to me and said, "Would you like me to take and accompany you to the peoples who lived in the silver age or period, so that we may hear from them about the marriages of their time?" He also said that these people, too, could not be approached except under the Lord's guidance.

I was in the spirit as before, and I went with my guide. And we came first to a hill in the border region between the east and the south. Then, as we stood upon its slope, he showed me a far extended stretch of land, and we saw in the distance an elevation like that of a mountain. Between it and the hill on which we stood was a valley, and beyond that a level area, and after that a gently rising incline.

We descended from the hill to cross the valley, and here and there on each side we saw blocks of wood and stone carved into the shapes of people and various kinds of animals, birds and fish. So I asked the angel, "What are these? Are they idols?"

And he answered, "Not at all. They are figures representative of various moral virtues and spiritual truths. Among the peoples of this age there was a knowledge of correspondences. Since every person, animal, bird and fish corresponds to some quality, therefore each carving represents some aspect of a virtue or truth, and a group of them taken together represents the whole virtue or truth in a general, extended form. They are what in Egypt were called hieroglyphics."

[2] We continued through the valley, and as we entered the level area, suddenly we saw horses and chariots - horses with variously decorated harnesses and halters, and chariots variously shaped, some carved out like eagles, some like whales, and some like stags with horns, or like unicorns. At the end we also saw some wagons, and stables around at the sides. But when we drew near, both the horses and the chariots disappeared, and instead of them we saw people in couples and pairs, walking, talking and reasoning together.

The angel then said to me, "The various horses, chariots and stables - as they seem at a distance - are appearances expressive of the rational intelligence of the people of this age. For by correspondence a horse symbolizes an understanding of truth; a chariot, its accompanying doctrine; and stables, sources of instruction. You know that in this world, all things take on appearances according to correspondences."

[3] We went on by these things, however, and we ascended by a long incline, until at last we saw a city, which we entered. As we wandered through it, from the streets and public squares we observed its houses. They were all palaces, built out of marble. In front they had steps of alabaster, with columns of jasper on each side of the steps. We also saw temples made of precious stone the color of sapphire and lapis lazuli.

The angel said to me, "They have houses made of different kinds of stone because stones symbolize natural truths, and precious stones symbolize spiritual truths. The people who lived in the silver age all had their intelligence from spiritual truths and so from natural truths. Silver also has a similar symbolism."

[4] As we surveyed the city, we saw married couples here and there in pairs; and since they were husbands and wives, we waited to see if we would be invited in somewhere. Even as we had this in mind, moreover, as we were passing by, two of them called us back into their house. So we went up the steps and went in. Then, speaking with them on my behalf, the angel explained the reason for our coming to that heaven, saying that we had come to be instructed concerning marriages among ancient peoples - "you here being some of them," he said.

They then replied, "We come from peoples in Asia, and the focus of our age was the pursuit of truths, by which we acquired intelligence. This pursuit was the focus of our soul and mind. But the focus of our physical senses was on representations of truths in forms, and a study of correspondences combined the sensory interests of our bodies with the perceptions of our minds, gaining for us intelligence."

[5] Hearing this, the angel asked them to tell us something about marriages among them.

So the husband said, "There is a correspondence between the spiritual marriage, which is a marriage of truth with good, and natural marriage, which is the marriage of a man with one wife. And because we have studied correspondences, we see that the church with its truths and goods can by no means exist except in people who live with one wife in a state of truly conjugial love. For a marriage of good and truth in a person is the church in him.

"Consequently, we who are here all say that a husband is a form of truth, and his wife a form of good, and that good cannot love any other truth than its own truth, nor can truth love any other good in return than its own good. If it were to love another, the inner marriage that forms the church would die, and the marriage would become merely external - the kind of marriage that idolatry corresponds to, not the church. Therefore we call marriage with one wife a sacred union, but if it were contracted with more than one among us, we would call it a sacrilege."

[6] Saying this, he showed us into an anteroom outside the bedroom, which had a number of works of art on the walls and little images apparently cast out of silver. I then asked what they were.

They said, "They are pictures and forms representing the many qualities, attributes and delights which have to do with conjugial love. These ones here represent the unity of souls; these other ones, the conjunction of minds; the ones there, the harmony of hearts; those over there, the delights arising as a result."

While we were looking, we saw on the wall a kind of rainbow, consisting of three colors, purple, blue, and bright white. And we saw how the purple color passed through the blue and tinted the white with a purplish blue hue, and that the latter color flowed back through the blue into the purple and raised it into a kind of flaming radiance.

[7] Then the husband said to me, "Do you understand it?"

And I said, "Instruct me."

So he said, "The purple by its correspondence symbolizes the conjugial love of the wife; the bright white, the intelligence of the husband; the blue, the beginning of conjugial love in the husband's perception from the wife; and the purplish blue, which tinted the white, conjugial love then in the husband. This latter color's flowing back through the blue into the purple and raising it into a kind of flaming radiance symbolizes the conjugial love of the husband flowing back to the wife. Things like these are represented on these walls whenever we reflect on conjugial love, its mutual, progressive and simultaneous union, and then look closely at the rainbows exhibited there."

At this I said, "Things like this today are more than mysteries, for they are of a representational type, representing the secrets of the conjugial love of one man with one wife."

He replied, "So they are, but to us here they are not secrets, and therefore not mysteries."

[8] When he said this, a chariot appeared in the distance drawn by white ponies, and seeing it, the angel said, "That chariot is a signal for us to depart."

Then as we were going down the steps, our host gave us a cluster of white grapes with leaves from the vine still attached, and suddenly the leaves turned silver. And we took them away with us as a memento that we had spoken with people of the silver age.

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

True Christian Religion #508

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508. The sixth experience.

One day a magnificent church building appeared to me; it was square in plan with a roof like a crown, with arches above and a raised parapet running around. Its walls were all windows made of crystal, its door of a pearly substance. Inside on the south side towards the west there was a platform, on which the open Word lay at the right surrounded by a blaze of light, so bright as to spread round and light up the whole platform. In the middle of the church was a shrine with a curtain in front of it; but this was now raised and there stood a golden cherub with a sword which he brandished in all directions in his hand.

[2] When I caught sight of all this, as I meditated, the meaning of each of the details came flooding into my mind. The church meant the new church; the door of a pearly substance, entry into it; the windows of crystal the truths which enlighten it; the platform the priesthood and their preaching; the Word on it, open and lighting up the top of the platform, the revelation of its internal, or spiritual, sense; the shrine in the middle of the church the link of that church with the heaven of angels; the golden cherub there the Word in its literal sense; the sword brandished in his hand meant that this sense can be twisted in different ways, so long as it is made to refer to some truth. The lifting of the curtain in front of the cherub meant that now the Word was laid open.

[3] Later, when I got closer, I saw there was an inscription over the door: NOW IT IS PERMITTED. This meant that now it is permitted to enter with the understanding into the mysteries of faith. Seeing this inscription led me to think that it is extremely dangerous to enter with the understanding into the dogmas of faith which have been put together out of one's own intelligence and the falsities it produces, and even more so to seek to support them by quoting the Word. This has the effect of shutting off the understanding at the top and little by little also at the bottom, to such an extent that theology is not only disliked but actually wiped out, like the writing on a paper being destroyed by book-worms, or the wool of a piece of cloth by grubs. His understanding then concerns itself only with political affairs which affect his life in the country where he lives, and with civil affairs relating to his official duties, and with domestic affairs of his household; and in all of these he constantly embraces nature, being led by the enticement of its pleasures to love it, as an idolater does the golden image in his lap.

[4] Now since the dogmas of present-day Christian churches are put together not from the Word, but from people's own intelligence and the false ideas that come from that, and also by means of some ideas supported from the Word, for this reason the Lord's Divine providence has seen to it that among Roman Catholics the Word has been taken away from laymen, while among Protestants it remains open, though shut off by their frequent saying that the understanding must be kept in obedience to their faith.

[5] But in the new church the opposite happens; here it is permitted with the understanding to approach and penetrate all its secrets, and also to support them from the Word. The reason is that its doctrines are a series of truths revealed by the Lord through the Word; and proving them by rational argument causes the understanding to be opened up above more and more. This lifts it into the light enjoyed by the angels of heaven; and that light is in essence truth, and it makes the acknowledgment of the Lord as the God of heaven and earth shine out in all its glory. This is what the inscription 'NOW IT IS PERMITTED' over the door means; and the removal of the curtain of the shrine in front of the cherub has the same meaning. It is a rule in the new church that falsities shut off the understanding, and truths open it up.

[6] After this I saw what looked like a child overhead, holding a paper in his hand. As he approached me, he grew in size until he was a man of average height. He was an angel from the third heaven; all there look at a distance like children. When he reached me, he held the paper out to me. But since it was written in the rounded script customary in that heaven, I gave it back and asked them to expound the meaning of what was written on it in words I could comprehend in my thinking.

'What is written here,' he replied, 'is: FROM NOW ON ENTER INTO THE MYSTERIES OF THE WORD WHICH HAVE SO FAR BEEN HIDDEN: FOR EACH ONE OF ITS TRUTHS IS A MIRROR IN WHICH WE SEE THE LORD.'

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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