62. And having turned, I saw seven golden lampstands, signifies a new heaven and a new church, which are in the good of love. This is evident from the signification of "having turned to see," as being to understand from illustration (See just before, n. 61); and from the signification of "seven," as being what is full and all, and as being predicated where the holy things of heaven and the church are treated of (See above, n. 20, 24); and from the signification of "lampstands," as being the new heaven and the new church (as will be seen in what follows); and from the signification of "gold," as being the good of love (See Arcana Coelestia 113, 1551-1552, 5658, 6914, 6917, 9510, 9874, 9881). That "seven lampstands" signify heaven and the church is evident from the last verse of this chapter, where it is said, "The seven lampstands which thou sawest are the seven churches." That "the seven churches" signify all who are of the church of the Lord, thus the church in general, may be seen above n. 20; they also signify heaven, because heaven and the church make one; moreover, those that have the church in them have heaven in them; for the reason that the good of love and of faith makes the church with man, and makes heaven with him, as it does with angels; consequently, those that had the church, that is, the goods and truths of the church, in them in the world, come into heaven after death. (That this is so, see The Doctrine of the New Jerusalem, n. 12; and in the work on Heaven and Hell, (Heaven and Hell 57, 221-227). The "seven lampstands" here mean the new heaven and the new church, for these are treated of at the end of Revelation (See chapter 21), and thus the conclusion of all things therein; and because that which is last is also first, the prediction respecting these is presented at the beginning. Moreover, it is also customary in the Word to mention in the beginning things that are to take place at the end, because intermediates are thus included; for, in the spiritual sense, the first is the end for the sake of which, as that is both first and last, and to it all other things look (See in The Doctrine of the New Jerusalem 98).

[2] That "lampstand" signifies heaven and the church is evident from the description of the lampstand which was in the tabernacle, for by the tabernacle the whole heaven in the complex was represented; and by the lampstand therein, the spiritual heaven, which is the second heaven (See Arcana Coelestia n. 3478, 9457, 9481, 9485, 9548-9577, 9783). That this is so is clearly evident from John's seeing "in the midst of the seven lampstands one like unto the Son of man;" "the Son of man" is the Lord in respect to His Divine Human, from which is Divine truth, which is the All in all things of heaven and the church. In the spiritual heaven also lampstands appear in much magnificence; by these that heaven is represented. These it has been given me to see. From this it can be seen what is meant in the Word, in the spiritual sense, by "lampstands" and by "lamps," in the following passages. In Revelation:

I will remove thy lampstand out of its place, except thou repent (Revelation 2:5).

"To remove thy lampstand" is to take away from them heaven or the church. In Zechariah:

The angel said to the prophet, What seest thou? And I said, I have seen, and behold a lampstand all of gold, its bowl on the top of it, and its seven lamps thereon, with seven pipes to the lamps (Zechariah 4:2, 3).

Here Zerubbabel is treated of, who was to lay the foundation of the house of God, and to finish it. By Zerubbabel is represented the Lord, that He was about to come and restore heaven and the church: these are the "lampstands" and the holy truths there are "the seven lamps."

[3] Because a lampstand takes its representative meaning from the lamps, and the lamps from light, which in heaven is Divine truth, so the Lord is also called "a lamp," as in Revelation:

The holy Jerusalem hath no need of the sun, neither of the moon, to shine in it; the glory of God shall lighten ¹ it, and the Lamb is the lamp thereof (Revelation 21:23; 22:5).

From this also it is that David, and the kings after him, are called:

Lamps of Israel (2 Samuel 21:17; 1 Kings 11:36; 15:4; 2 Kings 8:19);

for the Lord in respect to His royalty was represented by David, likewise by the kings of Judah and Israel. (For the representation by "David," see Arcana Coelestia 1888, 9954; and by "kings," n. 31, above.) The lampstands that were seen were of gold; because "gold" signifies the good of love, and all that proceeds from the Lord is from Divine love; consequently the Divine of the Lord in the heavens is love to Him and love towards the neighbor, which is charity (as may be seen in the work on Heaven and Hell 13-19). This is why the lampstand here, as well as the lampstand in the tabernacle, was of gold.

Footnotes:

5658. 'Our silver in its full weight' means truths commensurate with each one's state. This is clear from the meaning of 'silver' as truth, dealt with in 1551, 2954; and from the meaning of 'weight' as the state of something as regards good, dealt with in 3104, so that truths commensurate with each one's state means commensurate with the good they are able to receive. Many places in the Word make reference to weights or to measures, but no weight nor any measure is meant in the internal sense. Rather states so far as the good involved in some reality is concerned are meant by 'weights', while states so far as the truth involved in it is concerned are meant by 'measures'. The same applies to the properties of gravity and spatial magnitude; gravity in the natural world corresponds to good in the spiritual world, and spatial magnitude to truth. The reason for this is that in heaven, where correspondences originate, neither the property of gravity nor that of spatial magnitude exists because space has no existence there. Objects possessing these properties do, it is true, seem to exist among spirits, but those objects are appearances that have their origins in the states of goodness and truth in the heaven above those spirits.

[2] It was very well known in ancient times that 'silver' meant truth; therefore the ancients divided up periods of time ranging from the earliest to the latest world epochs into the golden ages, the silver ones, the copper ones, and the iron ones, to which they also added the clay ones. They applied the expression 'golden ages' to those periods when innocence and perfection existed, when everyone was moved by good to do what was good and by righteousness to do what was right. They used 'silver ages' however to describe those times when innocence did not exist any longer, though there was still some sort of perfection, which did not consist in being moved by good to do what was good but in being moved by truth to do what was true. 'Copper ages' and 'iron ages' were the names they gave to the times that were even more inferior than the silver ones.

[3] What led those people to give periods of time these names was not comparison but correspondence. For the ancients knew that 'silver' corresponded to truth and 'gold' to good; they knew this from being in communication with spirits and angels. For when a discussion takes place in a higher heaven about what is good, this reveals itself among those underneath them in the first or lowest heaven as what is golden; and when a discussion takes place about what is true this reveals itself there as what is silvery. Sometimes not only the walls of the rooms where they live are gleaming with gold and silver but also the very air within them. Also, in the homes of those angels belonging to the first or lowest heaven who are moved by good to live among what is good, tables made of gold, lampstands made of gold, and many other objects are seen; but in the homes of those who are moved by truth to live among what is true, similar objects made of silver are seen. But who at the present day knows that correspondence was what led the ancients to call ages golden ones and silver ones? Indeed who at the present day knows anything at all about correspondence? Anyone who does not know this about the ancients, and more so anyone who thinks pleasure and wisdom lie in contesting whether such an idea is true or untrue, cannot begin to know the countless facets there are to correspondence.