14. Where the Lord speaks with His disciples about the end of the age, which is the final period of the church, at the end of His predictions concerning its successive changes in state, He says:

Immediately after the tribulation of those days the sun will be darkened, and the moon will not give its light; the stars will fall from heaven, and the powers of the heavens will be shaken. Then the sign of the Son of man will appear in heaven, and then all the tribes of the earth will mourn; and they will see the Son of man coming on the clouds of heaven with power and great glory. And He will send out His angels with a great sound of a trumpet, and they will gather together His elect from the four winds, from one end of heaven to the other. (Matthew 24:29-31)

[2] This, in the spiritual sense, does not mean that the sun and moon will be darkened, that the stars will fall from heaven, and that a sign of the Lord will appear in the sky. Nor does it mean that people will see Him on the clouds, or at the same time angels with trumpets. Rather each of these predictions has some spiritual meaning having to do with the church, regarding whose state at its end these predictions were made.

Indeed, in the spiritual sense the sun that will be darkened means the Lord in relation to love. The moon that will not give its light means the Lord in relation to faith. The stars that will fall from heaven mean concepts of goodness and truth that will perish. The sign of the Son of man in heaven means an appearance of Divine truth. The tribes of the earth that will mourn mean an absence of any truth as a matter of faith, and of any goodness as a matter of love. The coming of the Son of man on the clouds of heaven with power and glory means the Lord’s presence in the Word and a revelation of Him. The clouds symbolize the Word’s literal sense, and glory the Word’s spiritual sense. The angels with a great sound of a trumpet symbolize heaven and Divine truth coming from it. Gathering the elect from the four winds, from one end of heaven to the other, symbolizes a renewal of the church as regards love and faith.

[3] That this prediction does not mean a darkening of the sun and moon and a falling of the stars to earth is quite clear from the Prophets, in which similar predictions occur regarding the state of the church when the Lord would come into the world. As in Isaiah:

Behold, the day of Jehovah is coming, cruel..., one of wrathful anger.... ...the stars of heaven and their constellations will not give their light; the sun will be darkened in its rising, and the moon will not cause its light to shine. I will visit upon the world its malice.... (Isaiah 13:9-11, cf. 24:21, 23)

In Joel:

(Behold, ) the day of Jehovah is coming..., a day of gloom and pitch darkness.... The sun and moon will darken, and the stars diminish their brightness. (Joel 2:1-2, 10, cf. 2:31, 3:15)

In Ezekiel:

...I will cover the heavens and darken the stars; I will cover the sun with a cloud, and the moon shall not cause her light to shine. All the shining lights of the heavens I will darken..., and bring darkness upon (the) land.... (Ezekiel 32:7-8)

The day of Jehovah means the Lord’s advent, which occurred when there was no longer any goodness and truth left in the church, and no knowledge of the Lord.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.