As this story begins, the Children of Israel have escaped Egypt, and are camped near Mount Sinai. Moses, their leader, as climbed up the mountain, and is receiving the Ten Commandments from Jehovah. The people get impatient, and think that perhaps Moses will not return, and they ask his brother Aaron, the High Priest, to make them new gods.

Aaron complies - which is surprising - given that he has been involved in the Exodus since the beginning, supporting Moses. But he does, and collects golden earrings, melts them down , and fashions them into a golden idol shaped like a calf. He builds an altar before the calf, and proclaims a feast to Jehovah.

God sees what is happening, and is angry, telling Moses that he will destroy these people, and start over again, using Moses to start a new church. Moses persuades God not to do this, reminding him of the faith of Abraham, Isaac, and Jacob. Yet, as Moses descends from the mountain, carrying the Ten Commandments etched by the hand of God on two tables of stone, and sees the extent of the forbidden idolatry, he too is angry. He shatters the tables of stone, grinds the calf into dust, mixes the dust into water, and makes the people drink it.

What's the inner meaning of this story?

It's explained in detail in Arcana Coelestia, starting in section 10395. Every detail is important. Very briefly, though:

If we don't realize, or recognize, that the Word contains truths from God, we can react by "gathering to Aaron" - just being religiously observant in an external, perfunctory way.

Detached from internal worship, we gravitate to developing false ideas - idols - that we use in religious teachings and worship. Not knowing Moses's whereabouts means a total unawareness of the internal truths of the Word.

When Aaron gathers the earrings, that signifies the external church cherry-picking truths from the literal sense of the Word to support a man-made religion that reinforces what it loves.

We can think ways that churches that have done this, and on a personal level, there's a strong tendency for us to do this, too - to think shallowly, to extract things from the Word and mold them into idols, or justifications for the things we want to do.

The two tables of stone are inscribed on both sides. There are internals and externals of religion. We need both. This is the reason why the internal meaning of the Word is so important to us all; it contains the inner truths that we need to understand, and live by, and learn to love.

This is much too brief a summary to do the story justice; it's one of they key turning points in the religious history of humankind, and it has profound meaning for us as individuals, and for our churches and nations.

8339. 'With timbrels and with dances' means praise from joy and gladness. This is clear from the meaning of 'timbrel' as that which has regard to an affection for spiritual good, or to the good of truth, and means the delight or joy belonging to it, dealt with just above in 8337; and from the meaning of 'dance' as that which has regard to an affection for spiritual truth, and means the delightful feeling or gladness belonging to it, dealt with below. In ancient times not only musical instruments and singing served to bear witness to gladness of heart but also dancing. Joyful feelings in the heart or interior things erupted into various activities in the body, such as singing and also dancing. Since in ancient times the glad feelings excelling all others were spiritual ones, that is, feelings springing from affections belonging to spiritual kinds of love, which were affections for goodness and truth, people were allowed, when they engaged in singing and musical harmony, to dance as well and so in dancing also to bear witness to their joy. This explains why 'dancing' is mentioned in the Word, meaning the glad feelings that belong to affections for truth, or to faith grounded in good or charity, as in Jeremiah,

Again you will adorn your timbrels, ¹ and will go forth in the dance of the merrymakers. Their life ² will become like a watered garden, and they will not sorrow any more. Then will the virgin rejoice in the dance, and the young men and the old together. Jeremiah 31:4, 12-13.

In the same prophet,

The joy of our heart has ceased ³ , our dance has been turned into mourning. Lamentations 5:15

In David,

You have turned for me my mourning into dancing. Psalms 30:11.

In the same author,

Let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:3; 150:4.

Also the gentiles played and danced when they worshipped their gods, as is clear in Exodus 32:6, 19.

[2] The words 'joy and gladness' are used because 'joy' in the Word has reference to good and 'gladness' to truth. This is why 'joy' and 'gladness' are mentioned many times in the Word both together, as in Isaiah,

Behold, joy and gladness consist in slaying oxen ... Isaiah 22:13.

In the same prophet,

They will obtain joy and gladness, and sorrow and sighing will flee away. Isaiah 35:10.

In the same prophet, Joy and gladness will be found in Zion, confession and the voice of song. Isaiah 51:3, 11.

In Jeremiah,

The voice of joy and the voice of gladness, and the voice of the bridegroom and the voice of the bride. Jeremiah 33:11.

In Zechariah,

The fast of the tenth [month] will be to the house of Judah one of joy and gladness. Zechariah 8:19.

In David,

You shall cause me to hear joy and gladness. Psalms 51:8.

In these places both are mentioned because 'joy' has reference to good and 'gladness' to truth; if this were not so the use of one word would have been sufficient. This holy way of speaking is used in the Word in order that the heavenly marriage, that is, the marriage of goodness and truth, might be present in every detail there, 683, 793, 801, 2173, 2516, 2712, 4138 (end), 5138, 5502, 7945.

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