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Ezékiel 12:12

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12 És a fejedelem, ki közöttök van, vállát megrakván a sötétben, kimegyen; a falat átlyukasztják, hogy így vigyék ki õt, orczáit befedi, hogy ne lássa szemeivel [épen] õ a földet.

From Swedenborg's Works

 

Apocalypse Explained #62

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62. And having turned, I saw seven golden lampstands, signifies a new heaven and a new church, which are in the good of love. This is evident from the signification of "having turned to see," as being to understand from illustration (See just before, n. 61); and from the signification of "seven," as being what is full and all, and as being predicated where the holy things of heaven and the church are treated of (See above, n. 20, 24); and from the signification of "lampstands," as being the new heaven and the new church (as will be seen in what follows); and from the signification of "gold," as being the good of love (See Arcana Coelestia 113, 1551-1552, 5658, 6914, 6917, 9510, 9874, 9881). That "seven lampstands" signify heaven and the church is evident from the last verse of this chapter, where it is said, "The seven lampstands which thou sawest are the seven churches." That "the seven churches" signify all who are of the church of the Lord, thus the church in general, may be seen above n. 20; they also signify heaven, because heaven and the church make one; moreover, those that have the church in them have heaven in them; for the reason that the good of love and of faith makes the church with man, and makes heaven with him, as it does with angels; consequently, those that had the church, that is, the goods and truths of the church, in them in the world, come into heaven after death. (That this is so, see The Doctrine of the New Jerusalem, n. 12; and in the work on Heaven and Hell, (Heaven and Hell 57, 221-227). The "seven lampstands" here mean the new heaven and the new church, for these are treated of at the end of Revelation (See chapter 21), and thus the conclusion of all things therein; and because that which is last is also first, the prediction respecting these is presented at the beginning. Moreover, it is also customary in the Word to mention in the beginning things that are to take place at the end, because intermediates are thus included; for, in the spiritual sense, the first is the end for the sake of which, as that is both first and last, and to it all other things look (See in The Doctrine of the New Jerusalem 98).

[2] That "lampstand" signifies heaven and the church is evident from the description of the lampstand which was in the tabernacle, for by the tabernacle the whole heaven in the complex was represented; and by the lampstand therein, the spiritual heaven, which is the second heaven (See Arcana Coelestia n. 3478, 9457, 9481, 9485, 9548-9577, 9783). That this is so is clearly evident from John's seeing "in the midst of the seven lampstands one like unto the Son of man;" "the Son of man" is the Lord in respect to His Divine Human, from which is Divine truth, which is the All in all things of heaven and the church. In the spiritual heaven also lampstands appear in much magnificence; by these that heaven is represented. These it has been given me to see. From this it can be seen what is meant in the Word, in the spiritual sense, by "lampstands" and by "lamps," in the following passages. In Revelation:

I will remove thy lampstand out of its place, except thou repent (Revelation 2:5).

"To remove thy lampstand" is to take away from them heaven or the church. In Zechariah:

The angel said to the prophet, What seest thou? And I said, I have seen, and behold a lampstand all of gold, its bowl on the top of it, and its seven lamps thereon, with seven pipes to the lamps (Zechariah 4:2, 3).

Here Zerubbabel is treated of, who was to lay the foundation of the house of God, and to finish it. By Zerubbabel is represented the Lord, that He was about to come and restore heaven and the church: these are the "lampstands" and the holy truths there are "the seven lamps."

[3] Because a lampstand takes its representative meaning from the lamps, and the lamps from light, which in heaven is Divine truth, so the Lord is also called "a lamp," as in Revelation:

The holy Jerusalem hath no need of the sun, neither of the moon, to shine in it; the glory of God shall lighten 1 it, and the Lamb is the lamp thereof (Revelation 21:23; 22:5).

From this also it is that David, and the kings after him, are called:

Lamps of Israel (2 Samuel 21:17; 1 Kings 11:36; 15:4; 2 Kings 8:19);

for the Lord in respect to His royalty was represented by David, likewise by the kings of Judah and Israel. (For the representation by "David," see Arcana Coelestia 1888, 9954; and by "kings," n. 31, above.) The lampstands that were seen were of gold; because "gold" signifies the good of love, and all that proceeds from the Lord is from Divine love; consequently the Divine of the Lord in the heavens is love to Him and love towards the neighbor, which is charity (as may be seen in the work on Heaven and Hell 13-19). This is why the lampstand here, as well as the lampstand in the tabernacle, was of gold.

Footnotes:

1. The Greek has "did lighten," as also found in Apocalypse Revealed 897, 919, 940; though elsewhere we also find "will lighten" and "lightens."

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

From Swedenborg's Works

 

Arcana Coelestia #9874

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9874. 'Enclosed in gold shall they be in their settings' means that all of them in general and each in particular must emanate from the good belonging to the love that is received from the Lord and shown to the Lord. This is clear from the meaning of 'gold' as the good of love, dealt with in 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510; and from the meaning of 'being enclosed in it in their settings' as emanating from that good. For every single stone was surrounded by and so enclosed in gold, and since 'gold' means the good of love what is enclosed means that which exists or emanates from that good. The like is meant in verse 11 of the present chapter by the sockets of gold which surrounded the two shoham stones placed on the shoulder-pieces of the ephod.

[2] The implications of all this are that the breastplate and its twelve stones represented every good and truth in the heavens and so represented all heaven, as shown above. Moreover not only the heavens but also every community in the heavens, indeed each angel within a community, is surrounded by a Divine sphere, which consists of Divine Good and Truth emanating from the Lord, see where this is dealt with in 9490-9492, 9498, 9499, 9534. And since the good and truth of this sphere is received by the angels, so also every single thing present with them emanates from there; for each angel is heaven in the smallest form it takes. The actual good emanating from the Lord is what the gold around the stones and enclosing them represents.

[3] The truth that this good is the good of love that is received from the Lord and shown to the Lord may be recognized from the consideration that all good belongs to love, for what a person loves he calls good and also feels to be such. From this it is evident that heavenly good is the good of love to the Lord, for this love is what joins angel and man to the Lord; through this love they are brought to Him and enjoy all the good of heaven. It is well known in the Church that this good comes from the Lord, for the teaching of the Church is that all good originates in God and none at all in oneself. From this it is evident that the good of love shown to the Lord must come from the Lord, and that good from any other source is not good.

  
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Thanks to the Swedenborg Society for the permission to use this translation.