716. And ten horns.- That this signifies much power is evident from the signification of horn, as denoting the power of truth against falsity and evil, and, in the opposite sense, the power of falsity against truth and good (concerning which see above, n. 316, 567); and from the signification of ten, as denoting all men and things, also many men and things (concerning which also see above, n. 675); it is therefore plain that the ten horns signify much power. That the dragon had much power is evident from what follows, namely, that because of him the male child which the woman brought forth was caught up unto God; that his tail drew down from heaven the third part of the stars; also, that he fought with Michael and his angels; and afterwards, that he stirred up Gog and Magog, and the nations in great number, to war against the saints.

[2] The dragon had such power, because by him are meant those who have separated faith from the goods of charity, which are works, and have confirmed this by means of the sense of the letter of the Word, which they have thus twisted from its genuine sense, and as it were drawn down from heaven; and because, at the end of the church, which the Apocalypse treats of, there is no charity, the dragon then has power. For at the end of the church every one desires to live for himself, for the world, and according to his own natural bent, and few wish to live for the Lord, for heaven, and eternal life; and the principle concerning faith alone, which is faith separated from charity, favours that life, and like the current of a river draws in and bears all away to such belief and to such a life. This is why the dragon, which signifies such persons and such things, appeared to have ten horns.

[3] It has been previously said that falsities from evil have no power, but it must be understood that falsities have no power against truth from good; for truth from good is from the Lord, and all power belongs to the Lord through His Divine Truth. But falsities from evil have the power that is signified by the ten horns of the dragon, because they prevail against those who are in falsities from evil, for they act as one. And a man is hereditarily in evil and thence in falsities from his parents, and afterwards from actual life, especially at the end of the church, and those falsities from evil cannot be driven out from him in a moment, but only by degrees; for if they were to be expelled in a moment, a man would die, because they constitute his life. Because such is the state of man at the end of the church, therefore falsities of evil prevail, although they have not the least power against truth from good. The Lord by means of His Divine Truth could cast out the falsities of evil in a man instantly, but this would result in his being immediately cast into hell; these must first be removed, and as far as they are removed, so far room is given for truths from good to be implanted, and the man is reformed. Such as are here meant by the dragon are also meant by the goat that fought with the ram (Daniel viii.), and also by the goats inMatthew 25; for the goats there signify those who are in faith separated from charity, and the ram and the sheep, those who are in charity.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.