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The White Horse #2

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2. In the prophetical parts of the Word a horse is mentioned very often, 1 but until now no one has known 'horse' means understanding, and 'horseman' one who understands, perhaps because it seems extraordinary and astonishing that that is what is meant by 'horse' in a spiritual sense, and consequently in the Word. But that it constantly means this can be agreed from very many instances in the Word, from which I should like to refer to only a few at this point.

In Israel's prophetic utterance 2 about Dan we find:

Dan will be a serpent on the road, a darting snake 3 on the path, that will bite the horse's heels, and the horseman will fall backwards. Genesis 49:17-18.

What this prophetic statement about one of the tribes of Israel means no one is going to understand unless he knows what 'serpent' signifies, and also 'horse' and 'horseman." Yet is there anyone who does not see that it holds something spiritual within it? This being so, what the individual details signify may be seen in Arcana Caelestia 6398-6401, where this prophetical utterance is explained.

In Habakkuk we find:

O Lord [...] You ride on Your horses and Your chariots are salvation [...] You caused Your horses to tread in the sea. Habakkuk 3:8, 15.

It is obvious that 'horses' here signify something spiritual, because these things are being said about God. What else would it be, 'God rode on [his] horses, and caused [his] horses to tread in the sea?'

In Zechariah we find, with a similar significance:

'On that day, HOLY TO THE LORD will be on the horse-bells', Zechariah 14:20. 4

In the same authority:

On that day I will strike every horse with bewilderment and the horseman with madness, declares the Lord, I will open my gaze on the house of Judah, and I will strike with blindness every horse of the peoples. Zechariah 12:4-5.

What is being talked about here is the Church when it has been laid waste, which happens when there is no longer an understanding of anything true. This is what is being indicated by 'horse' and 'horseman;' what else would it be, [...] every horse about to be struck with bewilderment [...] and the horse of the peoples with blindness?' What, otherwise, would this have to do with the Church?

In Job we find:

'Because God has made her 5 forget wisdom, neither has He imparted to her understanding; having raised herself on high, she mocks the horse and its rider' Job 39:17-19.

That understanding is signified here by 'horse' is manifestly obvious; similarly in David, where the expression 'to ride upon the word of truth' is used, Psalms 45:5; and besides in very many other places.

Moreover, who is likely to know why it is that Elijah and Elisha were called 'the chariots of Israel and its horsemen;' and why there appeared to Elisha's servant a mountain full of horses and fiery chariots, unless it is known what 'chariots' and horsemen' signify, and what Elijah and Elisha represented? For Elisha said to Elijah, My father, my father, the chariots of Israel and its horsemen,' 2 Kings 2:11-12; and King Joash said to Elisha, 'My father, my father [...] the chariots of Israel and its horsemen,' 2 Kings 13:14.

Concerning the servant of Elisha we read:

'The Lord opened the eyes of Elisha's servant, and he looked and saw the mountain full of horses and fiery chariots all around Elisha' 2 Kings 6:17.

Elijah and Elisha were called the chariots of Israel and its horsemen because each represented the Lord in his capacity as the Word. 'Chariots' represent doctrine derived from the Word, and 'horsemen' represent understanding. That Elijah and Elisha represented the Lord in this capacity may be seen in Arcana Caelestia: 5247, 7643, 8029, 9327, and that 'chariots' signify doctrine derived from the Word: 5321, 8215.

Footnotes:

1. The text has simply equus (horse) at this point, but there is a 'parallel passage' in Arcana Caelestia 2761, stating equus et eques (horse and horseman): the sense of what follows in the current passage suggests that Swedenborg intends equus et eques here.

2. The Revd John Elliott points out that 'Israel here of course means the patriarch Jacob."

3. Biblical translations are based on the Schmidt Latin translation (1696) as apparently used by Swedenborg, though here, as sometimes elsewhere, Swedenborg does misquote (in this case inserting jaculus after the second serpens). Lewis and Shorts Latin Dictionary, always an interesting source, glosses jaculus as follows: 'sc. serpens, a serpent that darts from a tree on its prey."

4. The Revd John Elliott: As I understand it, this is not a statement on the horse-bells to the effect that the bells are holy but that they ring out the holiness of things attributable to the Lord. (A bit like the bells rung in a catholic mass which draw the worshippers' attention to the just-consecrated host or wine that is being elevated.)'

5. Her: The Hebrew pronoun in Job 39:17-18, which refers to a bird, is feminine. Although Swedenborg rendered it eum (him) in 2762 and here in De Equo Albo, eam (her) occurs in other places of his works where this verse is quoted.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia #3992

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3992. 'I will pass through all your flock today' means that [the good of truth] recognizes the nature of all that good. This is clear from the meaning of 'flock' as good, dealt with in 343, 3518, and from the meaning of 'passing through it all' as knowing and perceiving the nature of it.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia #9865

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9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.

  
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Thanks to the Swedenborg Society for the permission to use this translation.