4281. That by “the hollow of Jacob’s thigh was out of joint in his wrestling with him,” is signified that this conjunction was wholly injured and displaced in Jacob’s posterity, is evident from the signification of being “out of joint” in the sense in question, as being to be displaced, and thus to be injured. That the “hollow of the thigh” denotes conjunction, is manifest from what was said above (n. 4280); and because in the Word “Jacob” denotes not only Jacob, but also all his posterity, as is evident from many passages in the Word (Numbers 23:7, 10, 21, 2 23:23; 24:5, 1 24:17, 19; Deuteronomy 33:10; Isaiah 40:27; 43:1, 22; 44:1-2, 21; 48:12; 59:20; Jeremiah 10:16, 25; 30:7, 10, 18; 31:7, 11; 46:27-28; Hosea 10:11 Amos 7:2; Micah 2:12; 3:8; Psalms 14:7; 24:6; 59:13; 78:5; 99:4 and elsewhere).

[2] That Jacob and his posterity were of such a character that with them celestial and spiritual love could not be conjoined with natural good (that is, the internal or spiritual man with the external or natural man), is manifest from everything which is related of that nation in the Word; for they did not know, nor were they willing to know, what the internal or spiritual man is, and therefore this was not revealed to them; for they believed that nothing exists in man except that which is external and natural. In all their worship they had regard to nothing else, insomuch that Divine worship was to them no otherwise than idolatrous; for when internal worship is separated from external, it is merely idolatrous. The church that was instituted with them was not a church, but only the representative of a church; for which reason that church is called a representative church. That a representative of a church is possible with such people may be seen above (n. 1361, 3670, 4208).

[3] For in representations the person is not reflected upon, but the thing which is represented; and therefore Divine, celestial, and spiritual things were represented not only by persons, but also by inanimate things, as by Aaron’s garments, the ark, the altar, the oxen and sheep that were sacrificed, the lampstand with its lamps, the bread of arrangement upon the golden table, the oil with which they were anointed, the frankincense, and other like things. Hence it was that their kings, the evil as well as the good, represented the Lord’s royalty; and the high priests, the evil as well as the good, represented the things that belong to the Lord’s Divine priesthood, when they discharged their office in an outward form according to the statutes and precepts. In order therefore that the representative of a church might come forth among them, such statutes and laws were given them by manifest revelation as were altogether representative; and therefore so long as they were in them and observed them strictly, so long they were able to represent; but when they turned aside from them, as to the statutes and laws of other nations, and especially to the worship of another god, they then deprived themselves of the faculty of representing. For this reason they were driven by outward means, such as captivities, disasters, threats, and miracles, to laws and statutes truly representative; but not by internal means, as are those who have internal worship in external. These things are signified by the “hollow of Jacob’s thigh being out of joint,” taken in the internal historical sense, which regards Jacob and his posterity.

10332. 'To compose designs, to work in gold, and in silver, and in bronze' means in order to represent the interior and the exterior forms of good and truth that constitute an understanding animated by the will, thus that constitute faith springing from love. This is clear from the meaning of 'composing designs', or inventing devices, as that which is a product of the understanding, dealt with in 9598, 9688; from the meaning of 'working' as that which is a product of the will, dealt with in 9282, for what a person does is a product of his will, in this instance of the will operating through the understanding, since it says 'to compose designs, to work ...'; from the meaning of 'gold' as good, and of 'silver' as truth, dealt with in 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9881, 9874; and from the meaning of 'bronze' as the good of the natural or external man, dealt with in 425, 1551. Consequently interior and exterior forms of good and truth are meant by 'gold, silver, and bronze', interior good by 'gold', interior and exterior truth by 'silver', and external good by 'bronze'. The reason why that which is representative of these forms of good and truth is what is meant is that the representative Church is the subject, and all the things that Bezalel was going to make were representative.

[2] From all this it is evident that 'to compose designs, to work in gold, in silver, and in bronze' means in order to represent interior and exterior forms of good and truth that constitute an understanding animated by the will. The reason why they are also those that constitute faith springing from love is that truths belong to faith, and truths have connection with the understanding, while forms of good belong to love, and forms of good have connection with the will. The expressions 'an understanding animated by the will' and 'faith springing from love' are used because the understanding is nothing at all unless it is animated by the will. For what a person understands but does not also will is not an understanding that is his own but that of another within him; and as a consequence that understanding fades away. But it is different when the understanding is animated by the will; it is then that of the person himself, because the will is the person himself. The like applies to the faith and love; for as has been stated, the truths of faith have connection with the understanding, and forms of the good of love with the will.