Late on the first Easter Sunday, after the Lord had risen from the sepulcher, ten of the disciples gathered for the evening in the upper room of a house in Jerusalem (John 20). They were afraid and probably confused. Since their leader had been crucified by the Roman power, as organized by their own Jewish leaders, they feared that now his followers might also be hunted down and punished. They closed and locked the doors. Were any of the women there? The story does not say, but Peter and John were, who saw and talked with the angels that morning, and the stories of the women were known. Some time must have been spent wondering and perhaps arguing - was He really alive? How could they know it was really Him? This kind of thing, coming back to life after you’re dead, this doesn’t happen in this real world, there must be some mistake!

Then two of the followers, not of the twelve, but the two that had gone to the village of Emmaus, came in, excited and bursting with their news. They had seen Him! They had walked with Him for seven miles and He had told them wondrous things! They had only recognized Him when He broke bread and ate with them. "Don’t doubt us, it really was Jesus!"

And then as they all talked and argued, there He was, standing with them in the room. "Peace be unto you," He said, and He showed them His hands and feet and His side, where he was wounded. He calmed them, and told them that just as he had come down to mankind, so they must go out and teach to all people all the true things that He had taught in the years He was with them.

It was these truths about how to live one’s life that were saving, not the disciples themselves. These saving truths have the power to remit or retain sins, because they were from the Lord, the disciples only transmitted them from the Lord to those who would listen and take them to heart. Then He breathed on them - representing His holy spirit - so that they would not only want to pass these truths on to people, but would also be given the words to say whenever the times came. And then He was gone again.

Thomas was not there that night. We don’t know why. And Thomas, when he heard the story, just could not swallow it. "Except I see in His hands the print of the nails, and put my finger into the print of the nails, and thrust my hand into His side, I will not believe", he said. (John 20:25.)

The next verse tells us that the next Sunday they gathered again, and that Thomas was present this time. As before, the Lord was suddenly there, saying again, "Peace be unto you", and then directly to Thomas, "Reach hither thy finger… and reach hither thy hand… and be not faithless but believing". Now Thomas's response was, "my Lord and my God". It seems as if the Lord came this time just to convince Thomas, because it was Thomas who needed Him.

I think He does work this way. I am reminded of another story, from the gospel of Mark (Mark 9:17-27) where a father comes to Jesus with a young son who is possessed by a devil, and asks Jesus to cure him, and is asked in turn: "Do you believe I can do this?" In Mark 9:24 the father responds. Crying out, he said with tears, "I believe, help thou my unbelief."

I think many people have this conflict between lingering doubts and a desire to have the doubts taken away. If we carry on and make our decisions in life as if the doubts were indeed gone, then indeed they will lose their strength and actually will be gone.

These are the only details given of these two meetings in Jerusalem. Chronologically the next post-Easter stories are the ones that take place in Galilee.

John does go on to say at the end of his gospel "...many other signs truly did Jesus in the presence of His disciples which are not written in this book. But these are written that ye might believe that Jesus is the Christ, the son of God...." (John 20:30-31). Perhaps there were more post-Easter stories that weren't written down, but the ones we do have are strong. For the disciples who were involved, there was an unstoppable impact from the life and teachings of the Lord, and His crucifixion, and physical death, and now - in these stories - His resurrection. Hearing the Lord's charges to them, these Galilean fishermen and their colleagues launch out into the wide world, and work to achieve the Great Commission, enduring hardships and persecution, and succeeding - probably beyond their wildest dreams!

8261. 'Then Moses and the children of Israel sang this song to Jehovah' means that those belonging to the spiritual Church ascribed glory to the Lord because of their deliverance. This is clear from the meaning of 'singing a song' as ascribing glory, dealt with below - ascribing it to the Lord, since 'Jehovah' is used in the Word to mean the Lord, 1343, 1736, 2921, 3023, 3035, 5041, 5663, 6280, 6281, 6905, 6945, 6956; and from the representation of 'Moses and the children of Israel' as those who belong to the spiritual Church. For Moses together with the people represents that Church - Moses its head, since he also represents Divine Truth, and the people or the children of Israel the Church itself. For the representation of 'the children of Israel' as those who belong to the spiritual Church, see 6426, 6637, 6862, 7035, 7062, 7198, 7201, 7215, 7223. The fact that they ascribed glory to the Lord because of their deliverance is evident from what was shown in the previous chapter. There it was shown that those belonging to the spiritual Church were saved solely through the Lord's Coming into the world, and that until then they had been held back on the lower earth, where they were molested by spirits steeped in falsities arising from evil and were delivered by the Lord after He had made Divine the Human within Himself. For the salvation of those belonging to the spiritual Church solely through the Lord's Coming into the world, see 2661, 2716, 2833, 2834, 6372; and for their being held back until then on the lower earth, and their deliverance by the Lord once He had made Divine the Human within Himself, 6854, 6914, 7035, 7091(end), 7828, 7932, 8018, 8054.

[2] The reason why 'singing a song' means ascribing glory, so that 'a song' means an ascription of glory, is that in the Ancient Church, and subsequently in the Jewish Church, songs were prophetic. Their theme was the Lord, in particular His coming into the world, His destruction of the devil's crew, which was prowling around then more than at any other time, and His deliverance of faithful believers from attacks by them. And because the prophetic words of the songs contained such exploits in the internal sense, an ascription of glory to the Lord was therefore meant by them, that is, praise of Him from gladness of heart was meant. For gladness of heart is expressed primarily through singing, the gladness in singing being so to speak a spontaneous eruption into sound. So it is that in songs Jehovah, that is, the Lord, is called Mighty Man, Man of War, God of Hosts, Conqueror, Might, Fortress, Shield, and Salvation; and the devil's crew, which was destroyed, is called the enemy, who was struck, swallowed up, drowned, and cast into hell.

[3] Even in former times those who had no conception of an internal sense thought that when in their external sense songs referred to things of a worldly nature - such as enemies, battles, victories, defeats, drownings - those things were the real meaning. But people who knew that all prophetic utterances embodied realities of a heavenly and Divine nature, and that these were represented within things of a worldly nature, also knew that those utterances were referring to the damnation of the faithless and the salvation of the faithful by the Lord when He came into the world. And in those times when these people who had knowledge of this contemplated it, and were consequently affected by it, they experienced an inner gladness, whereas the others' gladness was purely outward. At the same time the angels too who resided with people ascribed glory to the Lord. Therefore those who sang and those who listened to songs experienced heavenly gladness as a result of the holy and blissful influence from heaven, gladness in which it seemed to them as though they were transported into heaven. Such was the effect the songs of the Church had among the ancients. Such also is the effect they have at the present day, for the affections of spiritual angels are especially stirred by songs which refer to the Lord, His kingdom, and His Church. The songs of the Church had that effect because, for one thing, they inspired gladness of heart, which then burst from within right out into the outermost fibres of the body, making them quiver with a glad and at the same time holy feeling, and, for another thing, because in the heavens glory is ascribed to the Lord by choirs, thus by very many harmonizing with one another. Hence also angelic speech is harmonic; it falls into rhythmic measures. Regarding choirs, see 2595, 2596, 3350, 5182, 8115; regarding angelic speech, that it falls into rhythmic measures, 1648, 1649, 7191(end). So it was that when the ancients who belonged to the Church ascribed glory to the Lord they did so through songs, psalms, and various kinds of musical instruments. For the ancients who belonged to the Church experienced a joy surpassing all other joys when they called to mind the Lord's Coming and the salvation of the human race by Him.

[4] The fact that prophetic songs contained internally an ascription of glory to the Lord is clear from songs in the Word, as in Isaiah,

I Jehovah have called You in righteousness, and I will hold Your hand; I will guard You, and give You to be a covenant of the people, ¹ a light of the nations, to open the blind eyes, to bring the bound out of the prison, out of the dungeon-house him who sits in darkness. Sing to Jehovah a new song, His praise, O end of the earth! Let the wilderness and its cities lift up their voice. Let the inhabitants of the rock sing. Let them give glory to Jehovah. Jehovah will go forth as a Mighty Man, as a Man of Wars He will arouse zeal; He will prevail over His enemies. Isaiah 42:6-9ff.

This refers, as is self-evident, to the Lord, to His future coming to deliver those in spiritual captivity. Therefore it says, 'Sing to Jehovah a new song' and 'Let the inhabitants of the rock sing'. A similar example occurs in the same prophet,

I have given You as a covenant of the people - to restore the land; to share out the devastated inheritances; to say to the bound, Go out; to those who are in darkness, Reveal yourselves. They will feed along the ways, and on all slopes will their pastures be. Sing, O heavens! And be exultant, O earth! And resound, O mountains, with song! For Jehovah has comforted His people, and will have mercy on His afflicted. Isaiah 49:8-10, 13ff.

This too refers to the Coming of the Lord and the deliverance of the bound.

[5] In David,

Sing to Jehovah a new song; bless His name; declare His glory among the nations. All the gods of the peoples are idols, ² but Jehovah made the heavens. Glory and honour are before Him; strength and beauty are in His sanctuary. Give to Jehovah glory and strength; give to Jehovah the glory of His name. Say among the nations, Jehovah reigns; the world also is firmly established, and will not be moved. Jehovah comes He comes to judge the earth. Psalms 96:1-end.

In the same author,

Jehovah caused me to come up out of the pit of vastation, out of the muddy clay, and He set my feet upon a rock. And He put into my mouth a new song, praise to our God; many will see and be confident. Psalms 40:2-3.

From these quotations too it is clear that 'a song' means an ascription of glory to the Lord because of deliverance. For songs included both gladness of heart and exaltation of the Lord - gladness of heart because of the Lord's Coming and salvation then, and exaltation because of victory over spiritual enemies. Gladness of heart coupled with exaltation of the Lord is what is meant by an ascription of glory.

[6] The fact that gladness of heart was meant by 'songs' is evident in David,

Confess Jehovah with the harp, make melody to Him on a ten-stringed lyre. Sing to Him a new song, play skillfully with a loud note. For He gathers the waters of the sea together as a heap; He places the depths in storehouses. Psalms 33:2-7.

In Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. They will not drink wine with singing. Isaiah 24:8-9.

And in Amos,

I will turn your feasts into mourning, and all your songs into lamentation. Amos 8:10.

The fact that exaltation of Jehovah, that is, the Lord, was effected by means of songs may be seen in David,

David the servant of Jehovah, who spoke to Jehovah the words of this song. [I will love You,] O Jehovah, my strength. Jehovah is my rock (petra), and my fortress, and my deliverer; my God, my rock (rupee) in which I trust, my shield, and the horn of my salvation, my refuge. On Him who is to be praised, on Jehovah I will call; then I shall be saved from my enemies. Psalms 18:1-3.

In the same author,

Jehovah is my strength and my shield; therefore with song I will confess Him. Jehovah is their strength, and the saving strength of His anointed. Psalms 28:7-8.

In the same author,

Your salvation, O God, will bring me on high. I will praise the name of God with a song and will magnify Him with confession. Psalms 69:29-30.

[7] The fact that the Lord was the theme in their songs is also clear in John,

The twenty-four elders sang a new song, saying, You are worthy to take the book, and to open its seals; for You were slain, and have redeemed us to God by Your blood. Revelation 5:9-10.

Also in the same author,

I saw seven angels, and those who were singing the song of Moses, the servant of God, and the song of the Lamb, saying, Great and marvellous are Your works, O Lord God Almighty! Just and true are Your ways, O King of saints! Who would not fear You, O Lord, and glorify Your name? Revelation 15:1-4.

'The song of Moses and of the Lamb' is a song which in this chapter is called 'the song of the Lamb' because an ascription of glory to the Lord is the theme in it.

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