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Ezekiel 9

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1 Then he cried in my ears with a loud voice, saying, Cause those who are in charge of the city to draw near, every man with his destroying weapon in his hand.

2 Behold, six men came from the way of the upper gate, which lies toward the north, every man with his slaughter weapon in his hand; and one man in the midst of them clothed in linen, with a writer's inkhorn by his side. They went in, and stood beside the bronze altar.

3 The glory of the God of Israel was gone up from the cherub, whereupon it was, to the threshold of the house: and he called to the man clothed in linen, who had the writer's inkhorn by his side.

4 Yahweh said to him, Go through the midst of the city, through the midst of Jerusalem, and set a mark on the foreheads of the men that sigh and that cry over all the abominations that are done in its midst.

5 To the others he said in my hearing, Go through the city after him, and strike: don't let your eye spare, neither have pity;

6 kill utterly the old man, the young man and the virgin, and little children and women; but don't come near any man on whom is the mark: and begin at my sanctuary. Then they began at the old men that were before the house.

7 He said to them, Defile the house, and fill the courts with the slain. Go forth! They went forth, and struck in the city.

8 It happened, while they were smiting, and I was left, that I fell on my face, and cried, and said, Ah Lord Yahweh! will you destroy all the residue of Israel in your pouring out of your wrath on Jerusalem?

9 Then he said to me, The iniquity of the house of Israel and Judah is exceedingly great, and the land is full of blood, and the city full of perversion: for they say, Yahweh has forsaken the land, and Yahweh doesn't see.

10 As for me also, my eye shall not spare, neither will I have pity, but I will bring their way on their head.

11 Behold, the man clothed in linen, who had the inkhorn by his side, reported the matter, saying, I have done as you have commanded me.

   

From Swedenborg's Works

 

Arcana Coelestia #9873

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9873. All this now makes clear what the twelve precious stones in the breastplate of judgement served to mean, namely all the kinds of good and truth of heaven in their proper order. Heaven is divided into two kingdoms, the celestial and the spiritual. The good of the celestial kingdom was represented by the first two rows, which were on the right side of the breastplate, and the good of the spiritual kingdom by the next two rows, which were on the left side. The internal good of the celestial kingdom is the good of love to the Lord; this is the good that is meant by the celestial love of good. The external good of the celestial kingdom however is the good of mutual love; this is the good that is meant by the celestial love of truth. But the internal good of the spiritual kingdom is the good of charity towards the neighbour; this is the good that is meant by the spiritual love of good. And the external good of the spiritual kingdom is the good of faith; this is the good that is meant by the spiritual love of truth. These kinds of good and truth in this order constitute the heavens, see 9468, 9473, 9680, 9683, 9780.

[2] From this it is now evident what the twelve stones, which were called the Urim and Thummim, represented. But in what way the Divine Truths which were answers were made known by means of them will be stated below in 9905. The fact that the good of love occupied the first place there and the truth of faith the last is clear from the first stone's being a ruby and the last's being a jasper, thus from the first stone's being red in colour, and the last's being white, both of them translucent. For the meaning of 'red' as the good of love, see 3300, 9467; and for that of 'white' as the truth of faith, 3301, 3993, 4007, 5319.

[3] Much the same as is meant by the stones in the breastplate was also meant by the materials used in weaving the ephod. The ephod was woven from violet, purple, twice-dyed scarlet, and fine linen, as is evident from verse 6 of the present chapter, and 'violet' meant the truth of celestial love, 'purple' the good of celestial love, 'twice-dyed scarlet' the good of spiritual love, and 'fine linen' the truth of spiritual love, 9833. The reason why much the same was meant is that 'the ephod' meant heaven on last and outermost levels, in the same way as 'the breastplate' does, 9824. But the kinds of good and truth are listed in a different order there, because 'the ephod' meant the spiritual heaven, whereas 'the breastplate' means all heaven from first to last. And since the dwelling-place along with the tent also represented heaven, 9457, 9481, 9485, 9615, the material from which its curtains and veils were woven were likewise violet, purple, double-dyed scarlet, and fine twined linen, see the previous Chapters, 26:1, 31, 36; 27:16, and 9466-9469.

[4] In addition it should be recognized that in the general sense SAPPHIRE means the external part of the celestial kingdom and SHOHAM the external part of the spiritual kingdom. And because these two stones had this meaning they were the middle stones belonging to the secondary rows, that is to say, the sapphire was the middle stone in the second row, and the shoham the middle stone in the fourth row. The stones belonging to the second row meant the external good of the celestial kingdom, which has been called the celestial love of truth, and the stones belonging to the fourth row meant the external good of the spiritual kingdom, which has been called the spiritual love of truth, see what has been stated about them above in this paragraph 9873.

[5] The fact that 'sapphire' means the external part of the celestial kingdom is evident from places in the Word where it is mentioned, such as in the Book of Exodus,

Seventy of the elders saw the God of Israel, and under His feet there was so to speak a work of sapphire, and it was like the substance of the sky for clearness. Exodus 24:10.

The external part of the celestial kingdom is so described, because the words 'under His feet', meaning what is external, are used, and where 'the God of Israel', who is the Lord, is, there heaven is. In Isaiah,

O afflicted one and storm-tossed, and receiving no comfort! Behold, I am arranging your stones with antimony, and will lay your foundations in sapphires. Isaiah 54:11.

The subject in this chapter is the celestial kingdom. The foundations which will be laid in sapphires, are the external things there; for foundations lie underneath.

[6] In Jeremiah,

Her Nazirites were brighter than snow, they were whiter than milk. Their bones 1 were ruddier than pearls, 2 polished like sapphires. 3 Lamentations 4:7.

Nazirites represented the celestial man, which is why it says 'polished like sapphires', 'polished' referring to what is external. In Ezekiel,

Above the expanse that was above the heads of the cherubs, in appearance like a sapphire stone, there was the likeness of a throne, and above the likeness of a throne there was the appearance of a man (homo) sitting upon it. Ezekiel 1:26; 10:1.

Here also 'sapphire' is used to describe the external part of the celestial kingdom; for what is above the expanse or round about is outside, that which is inmost being the one 'sitting upon a throne'.

[7] Just as sapphire stone means the external part of the celestial kingdom, so shoham stone means the external part of the spiritual kingdom. Therefore also this was the stone which was placed on the two shoulder-pieces of the ephod with the names of the sons of Israel inscribed on them, which are dealt with in verses 9-14 of the present chapter; for the ephod represented the external part of the spiritual kingdom, 9824. Since shoham and sapphire in the general sense meant the external parts of two heavens, they were placed in the middle of the sets of three stones forming the second and fourth rows, as stated above. For the middle includes the whole, as is also true of the robe, which in the general sense has represented the spiritual kingdom, because it comes in the middle, as shown above in 9825. Because those two stones include everything meant by all the other stones in those rows, it says in Job,

Wisdom cannot be compared with the gold of Ophir, with the precious shoham and the sapphire. Job 28:16.

Footnotes:

1. i.e. bodies

2. In other places Swedenborg has rubies or gem stones.

3. literally, sapphires their polishing

  
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Thanks to the Swedenborg Society for the permission to use this translation.

From Swedenborg's Works

 

Arcana Coelestia #886

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886. That 'olive' means the good that stems from charity is clear not only from the meaning of 'olive' but also from the meaning of 'oil' in the Word. Olive oil in addition to spices was used to anoint priests and kings, and it was also used in the lamps. Concerning the former, see Exodus 30:24, and the latter, Exodus 27:20. The reason olive oil was used in anointing and in lamps was that it represented everything celestial and so everything good that stems from love and charity. Oil is in fact the essential element of the tree, its soul so to speak, as the celestial or the good that stems from love and charity is the essential element or soul itself of faith. This is the origin of its representation. That 'oil' means that which is celestial or the good that stems from love and charity may be confirmed from many places in the Word, but since the olive itself is referred to here, let some that confirm the meaning solely of the olive be quoted. In Jeremiah,

Jehovah called your name, Green Olive Tree, fair with shapely fruit. Jeremiah 11:16.

The name given here applies to the Most Ancient or celestial Church, which was the basis of the Jewish Church. Consequently all the representatives of the Jewish Church had regard to celestial things, and through the latter to the Lord.

[2] In Hosea,

His branches will go out and his beauty will be like the olive, and his smell like that of Lebanon. Hosea 14:6.

This refers to the Church that is to be established. Its beauty is 'the olive', that is, the good that stems from love and charity, while 'the smell like that of Lebanon' is resulting affection for the truth of faith. 'Lebanon' stands for its cedars, which meant spiritual things, or the truths of faith.

In Zechariah,

Two olive trees beside the lampstand, one on the right of the bowl and one on the left of it. These are the two sons of pure oil, standing beside the Lord of the whole earth. Zechariah 4:3, 11, 14.

Here 'the two olive trees' stands for the celestial and the spiritual, and so for love which belongs to the celestial Church and for charity which belongs to the spiritual Church. These stand to the right and to the left of the Lord. 'The lampstand' here means the Lord, just as it used to represent Him in the Jewish Church. 'The lamps' are celestial things from which spiritual things radiate like rays of light, or light itself, from a flame. In David,

Your wife will be like a fruitful vine on the sides of your house, your sons will be like olive shoots. Psalms 128:3.

Here 'a wife like a vine' stands for the spiritual Church, and 'sons' stands for the truths of faith which are called 'olive shoots' because they stem from the goods of charity. In Isaiah,

Gleanings will be left in it, as the shaking of an olive tree, two or three berries on the top of the [highest] branch. Isaiah 17:6.

This refers to the remnants residing with a person. 'Olives' stands for celestial remnants. In Micah,

You will tread olives but not anoint yourself with oil, and tread the new wine but not drink wine. Micah 6:15.

And in Moses,

You will plant and dress vineyards but not drink wine. You will have olive trees within all your borders but not anoint yourself with oil. Deuteronomy 28:39-40.

The subject here is the abundance of doctrinal detail concerning the goods and truths of faith which they rejected because of the kind of people they were. From these quotations it becomes clear that 'a leaf' means the truth of faith and 'olive' the good that stems from charity. And similar things are meant by 'the olive leaf which the dove was carrying in its mouth', that is, a small measure of the truth of faith deriving from the good that stems from charity was now showing itself with the member of the Ancient Church.

  
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Thanks to the Swedenborg Society for the permission to use this translation.