The Bible

 

Genesis 3

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1 Ang ahas nga ay lalong tuso kay sa alin man sa mga hayop sa parang na nilikha ng Panginoong Dios. At sinabi niya sa babae, Tunay bang sinabi ng Dios, Huwag kayong kakain sa alin mang punong kahoy sa halamanan?

2 At sinabi ng babae sa ahas, Sa bunga ng mga punong kahoy sa halamanan ay makakakain kami:

3 Datapuwa't sa bunga ng punong kahoy na nasa gitna ng halamanan ay sinabi ng Dios, Huwag kayong kakain niyaon, ni huwag ninyong hihipuin, baka kayo'y mamatay.

4 At sinabi ng ahas sa babae, Tunay na hindi kayo mamamatay:

5 Sapagka't talastas ng Dios na sa araw na kayo'y kumain niyaon ay madidilat nga ang inyong mga mata, at kayo'y magiging parang Dios, na nakakakilala ng mabuti at masama.

6 At nang makita ng babae, na ang bunga ng punong kahoy ay mabuting kanin, at nakalulugod sa mga mata, at kahoy na mananasa upang magpapantas sa tao, ay pumitas siya ng bunga niyaon at kinain; at binigyan din niya ang kaniyang asawang kasama niya, at ito'y kumain.

7 At nadilat kapuwa ang kanilang mga mata, at kanilang nakilalang sila'y mga hubad; at sila'y tumahi ng mga dahon ng puno ng igos, at kanilang ginawang panapi.

8 At narinig nila ang tinig ng Panginoong Dios na lumalakad sa halamanan sa kulimlim ng araw: at nagtago ang lalake at ang kaniyang asawa sa harapan ng Panginoong Dios sa pagitan ng mga punong kahoy sa halamanan.

9 At tinawag ng Panginoong Dios ang lalake at sa kaniya'y sinabi, Saan ka naroon?

10 At sinabi niya, Narinig ko ang iyong tinig sa halamanan, at ako'y natakot, sapagka't ako'y hubad; at ako'y nagtago.

11 At sinabi niya, Sinong nagsabi sa iyong ikaw ay hubad? nakakain ka ba ng bunga ng punong kahoy, na iniutos ko sa iyong huwag mong kanin?

12 At sinabi ng lalake, Ang babaing ibinigay mong aking kasamahin, ay siyang nagbigay sa akin ng bunga ng punong kahoy at aking kinain.

13 At sinabi ng Panginoong Dios sa babae, Ano itong iyong ginawa? At sinabi ng babae, Dinaya ako ng ahas, at ako'y kumain.

14 At sinabi ng Panginoong Dios sa ahas, Sapagka't ginawa mo ito, ay sumpain ka ng higit sa lahat ng hayop, at ng higit sa bawa't ganid sa parang; ang iyong tiyan ang ilalakad mo, at alabok ang iyong kakanin sa lahat ng mga araw ng iyong buhay:

15 At papagaalitin ko ikaw at ang babae, at ang iyong binhi at ang kaniyang binhi: ito ang dudurog ng iyong ulo, at ikaw ang dudurog ng kaniyang sakong.

16 Sinabi niya sa babae, Pararamihin kong lubha ang iyong kalumbayan at ang iyong paglilihi; manganganak kang may kahirapan; at sa iyong asawa ay pahihinuhod ang iyong kalooban, at siya'y papapanginoon sa iyo.

17 At kay Adam ay sinabi, Sapagka't iyong dininig ang tinig ng iyong asawa, at kumain ka ng bunga ng punong kahoy na aking iniutos sa iyo na sinabi, Huwag kang kakain niyaon; sumpain ang lupa dahil sa iyo; kakain ka sa kaniya sa pamamagitan ng iyong pagpapagal sa lahat ng mga araw ng iyong buhay;

18 Ang isisibol niyaon sa iyo ay mga tinik at mga dawag; at kakain ka ng pananim sa parang;

19 Sa pawis ng iyong mukha ay kakain ka ng tinapay, hanggang sa ikaw ay mauwi sa lupa; sapagka't diyan ka kinuha: sapagka't ikaw ay alabok at sa alabok ka uuwi.

20 At tinawag na Eva ng lalake ang kaniyang asawa, sapagka't siya ang naging ina ng lahat ng mga nabubuhay.

21 At iginawa ng Panginoong Dios si Adam at ang kaniyang asawa ng mga kasuutang balat at sila'y dinamitan.

22 At sinabi ng Panginoong Dios, Narito't ang tao'y naging parang isa sa atin, na nakakakilala ng mabuti at ng masama; at baka ngayo'y iunat ang kaniyang kamay at pumitas naman ng bunga ng punong kahoy ng buhay, at kumain at mabuhay magpakailan man:

23 Kaya pinalayas siya ng Panginoong Dios sa halamanan ng Eden, upang kaniyang bukirin ang lupaing pinagkunan sa kaniya.

24 Ano pa't itinaboy ang lalake; at inilagay sa silanganan ng halamanan ng Eden ang mga Querubin at ang isang nagniningas na tabak na umiikot, upang ingatan ang daang patungo sa kahoy ng buhay.

   

From Swedenborg's Works

 

Apocalypse Explained #715

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715. Having seven heads.- That this signifies the knowledge (scientia) of the holy things of the Word, which they have adulterated, and consequent insanity, but yet craftiness, is evident from the signification of head, as denoting intelligence and wisdom, and in the opposite sense insanity and folly, (concerning which see above, n. 553, 577, and that it also denotes craftiness, n. 577); and from the signification of seven, which denotes all men and all things, and is said of that which is holy (concerning which see above, n. 257), in this case therefore, of the holy things of the Word, which they have adulterated. As seven is used in reference to holy things, it is also, in the opposite sense, used in reference to those things when adulterated and profaned; for in the Word every expression has also an opposite sense, and the opposite of what is holy is what is profane. It is clear from these things that the seven heads, which the dragon was seen to have, do not mean heads, or seven, but the knowledge (scientia) of the holy things of the Word, which they have adulterated, and, consequent insanity, but yet craftiness.

[2] Insanity is signified by the head of the dragon, because the intelligence of the man of the church is from genuine truths from the Word. The truly human understanding is formed and perfected by means of natural, civil, moral, and spiritual truths, the interior understanding by means of spiritual truths, but the exterior by means of moral and civil truths; such therefore as the truths are, such is the understanding that is formed from them. All spiritual truths are from the Word, and make one with the good of love and of charity. When therefore a man places everything of the church and of heaven in faith, and separates the good of charity and of love from that faith, as those do who form the head of the dragon, as stated in the preceding article, then the interior understanding cannot be formed, consequently, instead of intelligence in spiritual things, they have insanity. For from a false principle falsities flow forth in a continual series, and, in consequence of the separation of the good of charity, they cannot possibly have any genuine truth, since all truth is of good, and in fact, is good in form. From this it is clear that the head of the dragon signifies insanity in spiritual things.

[3] The head of the dragon also signifies craftiness, because all those who form its head are merely natural and sensual, and if such have at the same time studied the Word and the doctrine of the church, and have seized upon falsities instead of truths, and have also confirmed these by knowledges (scientifice), they are crafty above all others. But this craftiness is not so manifest in the world as it is afterwards when they become spirits; for in the world they cover over their craftiness with external piety and feigned morality, which conceal it from view, but as the craftiness is in their spirit, it is plainly manifest when externals are removed, as is the case in the spiritual world. But it must be understood that the craftiness which is signified by the head of the dragon is craftiness in perverting the truths and goods of the Word by reasonings from fallacies and sophistries, also from persuasive things, by means of which the understanding is fascinated, thus by giving to falsities the appearance of truths. That this is the case is also evident from the serpent by which the first parents were seduced, which is said, "to have been more crafty than any wild beast of the field" (Genesis 3:1); for the signification of that serpent is similar to that of the dragon. Therefore the latter is also called "the old serpent that seduceth the whole world," in the ninth verse of this chapter.

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.

From Swedenborg's Works

 

Apocalypse Explained #576

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576. Having breast-plates fiery, and purple (hyacinthinos) and sulphurous.- That this signifies reasonings combating from the disorderly desires of the love of self and of the love of the world, and from the falsities therefrom, is evident from the signification of breast-plates, as denoting armour for war, and specifically defences in combats, which are treated of above (n. 557); and from the signification of fire or fiery, as denoting the disorderly desire of the love of self, and thence of all evil (see above, n. 504); and from the signification of purple or purplish (hyacinthinum), as denoting the disorderly desire of the love of the world and thence of every falsity, of which in what follows; and from the signification of sulphur or sulphurous, as denoting the lust (concupiscentia) of destroying the goods and truths of the church by the falsities of evil (see below, n. 578), in this case falsity burning from those two loves. From these considerations it is evident, that breast-plates fiery, purple, and sulphurous, signify reasonings combating from the disorderly desires of the love of self and of the love of the world, and from the falsities thence.

[2] It must be observed in regard to purple (hyacinthinum) that, in the spiritual sense, it signifies the celestial love of truth, but in the opposite sense, the diabolical love of falsity, and also the love of the world. This is evident from the fact that it is of a celestial colour (coloris coelestis) and this colour signifies truth from a heavenly origin, and therefore, in the opposite sense, falsity from a diabolical origin. In the spiritual world there are seen the choicest colours, which derive their origin from good and truth; for colours there are modifications of heavenly light, thus of the intelligence and wisdom of the angels in heaven. For this reason, purple (hyacinthinum), crimson (purpura), and scarlet (coccineus) double dyed, were woven into the curtains of the tabernacle and the garments of Aaron. For the tabernacle represented the heaven of the Lord, the garments of Aaron, the Divine Truth of heaven and the church, while those things of which the tabernacle was constructed, and which formed the texture of the garments of Aaron, represented celestial and spiritual things, which are of the Divine Good and of the Divine Truth.

[3] That the veil before the ark was woven of purple, crimson, scarlet double dyed, and fine linen, may be seen in Exodus (26:31); and similarly the hanging for the door of the tent (verse 36); and also the hanging for the gate of the court (Exodus 27:16). The loops also on the edge of the curtain of the tent were made of purple (Exodus 26:4); the ephod was made of gold, purple, crimson, scarlet double dyed interwoven (Exodus 28:6); and also the breast-plate of judgment (verse 15); and when they went forward in the wilderness, Aaron and his sons spread a covering of purple upon the ark, upon the table of faces, upon the lampstand and its lamps, upon the golden altar, and upon all the vessels of ministry (Num. 4:6, 7, 8, 9, 11, 12). The reason of these things was, that the Divine Truth proceeding from the Divine Love, and which was signified by the cloth of purple, embraces and defends all the holy things of heaven and the church, which are represented by these things.

[4] Since purple signified the celestial love of truth, therefore it was commanded that the sons of Israel should make a

"fringe upon the borders of their garments, and put upon the fringe a thread of purple (hyacinthinum), that they might look upon it, and remember all the commandments of Jehovah, and do them" (Num. 15:38, 39).

The thread of purple was clearly a means of calling to remembrance the commandments of Jehovah. The commandments of Jehovah are the essential truths of heaven and the church, and those who are in the celestial love of truth alone call them to remembrance.

[5] That purple signifies the love of truth, is plain also from the following passages in Ezekiel:

"Fine linen with broidered work from Egypt was thy spreading forth to be thy sign; purple (hyacinthinum) and crimson (purpura) from the isles of Elisha was thy covering; thy merchants with perfect things, with wrappings of purple, and broidered work and with treasures of rich apparel" (27:7, 24).

These things are said of Tyrus, which signifies the church as to the cognitions of truth thus also the cognitions of truth pertaining to the church, while the merchandize and tradings mentioned in that chapter describe the procuring of intelligence by means of those cognitions. Broidered work from Egypt signifies the knowledge (scientia) of such things as pertain to the church, and this being in a lower place, and thus round about or without, it is called spreading forth, and said to be for a sign. Purple and crimson from the isles of Elisha, signify the spiritual affection of truth and good; they are therefore said to be for a covering, a covering denoting truth. By wrappings of purple and broidered work, are signified all truths spiritual and natural, and these, together with cognitions from the Word, are meant by treasures of rich apparel.

[6] Since purple (hyacinthinum) signifies the celestial love of truth, therefore also, in the opposite sense, it signifies the diabolical love of falsity; in which sense also purple (hyacinthinum) is used in the Word. Thus in Ezekiel it is said:

"Two women, the daughters of one mother; In Egypt they committed whoredoms in their youth. Samaria is Oholah, and Jerusalem Oholibah. And Oholah played the harlot while subject to me; and she doted on her lovers, on the Assyrians her neighbours, which were clothed with purple (hyacinthinum), governors and leaders, all of them desirable young men, horsemen riding upon horses" (23:2-6).

Here Samaria and Jerusalem signify the church, Samaria, the spiritual church, and Jerusalem, the celestial church, which are called Oholah and Oholibah, because those names signify a tent, and a tent signifies the church as to worship. A woman also, in the Word, signifies the church. By their committing whoredoms in Egypt, is signified that they falsified the truths of the church by the scientifics of the natural man. By doting on the Assyrians, is signified that they falsified by reasonings from those scientifics, Ashur and Assyria denoting reasonings. They are said to be clothed in purple, by reason of fallacies and falsities, which in the external form appear like truths, because drawn from the sense of the letter of the Word perversely applied. And from the same appearance they are also called governors and rulers, desirable young men, riding upon horses. For those who reason from their own intelligence appear to themselves, and to others who are in a similar state, to be intelligent and wise, and the things which they speak, to be truths of intelligence and goods of wisdom, when nevertheless they are falsities, and these they love because they are from the proprium. Governors and leaders signify chief truths, and riding upon horses, the intelligent.

[7] So in Jeremiah:

"Silver spread into plates is brought from Tarshish and gold from Uphaz, the work of the workman, and of the hands of the goldsmith; purple (hyacinthinum) and crimson (purpura) is their clothing; they are all the work of wise men" (10:9).

The subject here treated of is the idols of the house of Israel, which signify false doctrinals because they are from [man's] own intelligence, therefore they are called the work of the workman, and of the hands of the goldsmith, and all the work of wise men, and this for the reason that they appear to them as truths and goods. Silver from Tarshish, and gold from Uphaz, signifies what appears in external form as truth and good, because from the sense of the letter of the Word. From these considerations it is evident that, purple (hyacinthinum) signifies the love of falsity, because from the proprium, or [man's] own intelligence. Purple also signifies the love of the world, because the love of the world corresponds to the love of falsity, as the love of self, signified by fire, corresponds to the love of evil. For all evil is from the love of self, and all falsity from the love of the world originating in the love of self, for spiritual evil, which is signified by the love of the world, is, in its essence, falsity, just as spiritual good is, in its essence, truth, as may be seen in Heaven and Hell 15).

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.