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Lamentations 2

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1 πῶς ἐγνόφωσεν ἐν ὀργῇ αὐτοῦ κύριος τὴν θυγατέρα σιων κατέρριψεν ἐξ οὐρανοῦ εἰς γῆν δόξασμα ισραηλ καὶ οὐκ ἐμνήσθη ὑποποδίου ποδῶν αὐτοῦ ἐν ἡμέρᾳ ὀργῆς αὐτοῦ

2 κατεπόντισεν κύριος οὐ φεισάμενος πάντα τὰ ὡραῖα ιακωβ καθεῖλεν ἐν θυμῷ αὐτοῦ τὰ ὀχυρώματα τῆς θυγατρὸς ιουδα ἐκόλλησεν εἰς τὴν γῆν ἐβεβήλωσεν βασιλέα αὐτῆς καὶ ἄρχοντας αὐτῆς

3 συνέκλασεν ἐν ὀργῇ θυμοῦ αὐτοῦ πᾶν κέρας ισραηλ ἀπέστρεψεν ὀπίσω δεξιὰν αὐτοῦ ἀπὸ προσώπου ἐχθροῦ καὶ ἀνῆψεν ἐν ιακωβ ὡς πῦρ φλόγα καὶ κατέφαγεν πάντα τὰ κύκλῳ

4 ἐνέτεινεν τόξον αὐτοῦ ὡς ἐχθρός ἐστερέωσεν δεξιὰν αὐτοῦ ὡς ὑπεναντίος καὶ ἀπέκτεινεν πάντα τὰ ἐπιθυμήματα ὀφθαλμῶν μου ἐν σκηνῇ θυγατρὸς σιων ἐξέχεεν ὡς πῦρ τὸν θυμὸν αὐτοῦ

5 ἐγενήθη κύριος ὡς ἐχθρός κατεπόντισεν ισραηλ κατεπόντισεν πάσας τὰς βάρεις αὐτῆς διέφθειρεν τὰ ὀχυρώματα αὐτοῦ καὶ ἐπλήθυνεν τῇ θυγατρὶ ιουδα ταπεινουμένην καὶ τεταπεινωμένην

6 καὶ διεπέτασεν ὡς ἄμπελον τὸ σκήνωμα αὐτοῦ διέφθειρεν ἑορτὴν αὐτοῦ ἐπελάθετο κύριος ὃ ἐποίησεν ἐν σιων ἑορτῆς καὶ σαββάτου καὶ παρώξυνεν ἐμβριμήματι ὀργῆς αὐτοῦ βασιλέα καὶ ἱερέα καὶ ἄρχοντα

7 ἀπώσατο κύριος θυσιαστήριον αὐτοῦ ἀπετίναξεν ἁγίασμα αὐτοῦ συνέτριψεν ἐν χειρὶ ἐχθροῦ τεῖχος βάρεων αὐτῆς φωνὴν ἔδωκαν ἐν οἴκῳ κυρίου ὡς ἐν ἡμέρᾳ ἑορτῆς

8 καὶ ἐπέστρεψεν κύριος τοῦ διαφθεῖραι τεῖχος θυγατρὸς σιων ἐξέτεινεν μέτρον οὐκ ἀπέστρεψεν χεῖρα αὐτοῦ ἀπὸ καταπατήματος καὶ ἐπένθησεν τὸ προτείχισμα καὶ τεῖχος ὁμοθυμαδὸν ἠσθένησεν

9 ἐνεπάγησαν εἰς γῆν πύλαι αὐτῆς ἀπώλεσεν καὶ συνέτριψεν μοχλοὺς αὐτῆς βασιλέα αὐτῆς καὶ ἄρχοντας αὐτῆς ἐν τοῖς ἔθνεσιν οὐκ ἔστιν νόμος καί γε προφῆται αὐτῆς οὐκ εἶδον ὅρασιν παρὰ κυρίου

10 ἐκάθισαν εἰς τὴν γῆν ἐσιώπησαν πρεσβύτεροι θυγατρὸς σιων ἀνεβίβασαν χοῦν ἐπὶ τὴν κεφαλὴν αὐτῶν περιεζώσαντο σάκκους κατήγαγον εἰς γῆν ἀρχηγοὺς παρθένους ἐν ιερουσαλημ

11 ἐξέλιπον ἐν δάκρυσιν οἱ ὀφθαλμοί μου ἐταράχθη ἡ καρδία μου ἐξεχύθη εἰς γῆν ἡ δόξα μου ἐπὶ τὸ σύντριμμα τῆς θυγατρὸς τοῦ λαοῦ μου ἐν τῷ ἐκλιπεῖν νήπιον καὶ θηλάζοντα ἐν πλατείαις πόλεως

12 ταῖς μητράσιν αὐτῶν εἶπαν ποῦ σῖτος καὶ οἶνος ἐν τῷ ἐκλύεσθαι αὐτοὺς ὡς τραυματίας ἐν πλατείαις πόλεως ἐν τῷ ἐκχεῖσθαι ψυχὰς αὐτῶν εἰς κόλπον μητέρων αὐτῶν

13 τί μαρτυρήσω σοι ἢ τί ὁμοιώσω σοι θύγατερ ιερουσαλημ τίς σώσει σε καὶ παρακαλέσει σε παρθένος θύγατερ σιων ὅτι ἐμεγαλύνθη ποτήριον συντριβῆς σου τίς ἰάσεταί σε

14 προφῆταί σου εἴδοσάν σοι μάταια καὶ ἀφροσύνην καὶ οὐκ ἀπεκάλυψαν ἐπὶ τὴν ἀδικίαν σου τοῦ ἐπιστρέψαι αἰχμαλωσίαν σου καὶ εἴδοσάν σοι λήμματα μάταια καὶ ἐξώσματα

15 ἐκρότησαν ἐπὶ σὲ χεῖρας πάντες οἱ παραπορευόμενοι ὁδόν ἐσύρισαν καὶ ἐκίνησαν τὴν κεφαλὴν αὐτῶν ἐπὶ τὴν θυγατέρα ιερουσαλημ ἦ αὕτη ἡ πόλις ἣν ἐροῦσιν στέφανος δόξης εὐφροσύνη πάσης τῆς γῆς

16 διήνοιξαν ἐπὶ σὲ στόμα αὐτῶν πάντες οἱ ἐχθροί σου ἐσύρισαν καὶ ἔβρυξαν ὀδόντας εἶπαν κατεπίομεν αὐτήν πλὴν αὕτη ἡ ἡμέρα ἣν προσεδοκῶμεν εὕρομεν αὐτήν εἴδομεν

17 ἐποίησεν κύριος ἃ ἐνεθυμήθη συνετέλεσεν ῥήματα αὐτοῦ ἃ ἐνετείλατο ἐξ ἡμερῶν ἀρχαίων καθεῖλεν καὶ οὐκ ἐφείσατο καὶ ηὔφρανεν ἐπὶ σὲ ἐχθρόν ὕψωσεν κέρας θλίβοντός σε

18 ἐβόησεν καρδία αὐτῶν πρὸς κύριον τείχη σιων καταγάγετε ὡς χειμάρρους δάκρυα ἡμέρας καὶ νυκτός μὴ δῷς ἔκνηψιν σεαυτῇ μὴ σιωπήσαιτο θύγατερ ὁ ὀφθαλμός σου

19 ἀνάστα ἀγαλλίασαι ἐν νυκτὶ εἰς ἀρχὰς φυλακῆς σου ἔκχεον ὡς ὕδωρ καρδίαν σου ἀπέναντι προσώπου κυρίου ἆρον πρὸς αὐτὸν χεῖράς σου περὶ ψυχῆς νηπίων σου τῶν ἐκλυομένων λιμῷ ἐπ' ἀρχῆς πασῶν ἐξόδων

20 ἰδέ κύριε καὶ ἐπίβλεψον τίνι ἐπεφύλλισας οὕτως εἰ φάγονται γυναῖκες καρπὸν κοιλίας αὐτῶν ἐπιφυλλίδα ἐποίησεν μάγειρος φονευθήσονται νήπια θηλάζοντα μαστούς ἀποκτενεῖς ἐν ἁγιάσματι κυρίου ἱερέα καὶ προφήτην

21 ἐκοιμήθησαν εἰς τὴν ἔξοδον παιδάριον καὶ πρεσβύτης παρθένοι μου καὶ νεανίσκοι μου ἐπορεύθησαν ἐν αἰχμαλωσίᾳ ἐν ῥομφαίᾳ καὶ ἐν λιμῷ ἀπέκτεινας ἐν ἡμέρᾳ ὀργῆς σου ἐμαγείρευσας οὐκ ἐφείσω

22 ἐκάλεσεν ἡμέραν ἑορτῆς παροικίας μου κυκλόθεν καὶ οὐκ ἐγένοντο ἐν ἡμέρᾳ ὀργῆς κυρίου ἀνασῳζόμενος καὶ καταλελειμμένος ὡς ἐπεκράτησα καὶ ἐπλήθυνα ἐχθρούς μου πάντας

   

From Swedenborg's Works

 

Apocalypse Explained #69

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69. (Verse 15) And his feet like unto burnished brass, as if they burned in a furnace. That this signifies the ultimate of Divine order which is the Natural, full of Divine love, is evident from the signification of feet, as being the Natural (concerning which seeArcana Coelestia 2162, 3147, 3761, 3986, 4280, 4938-4952); when therefore it is said of the Lord, it denotes the ultimate of Divine order, because that is the Natural. It is also evident from the signification of burnished brass, or polished brass, as denoting natural good, concerning which we shall speak presently; and from the signification of burning, when said of the Lord, as denoting that it is from the Divine love (concerning which see n. 10055). It is said, as if they burned in a furnace, in order that the Divine love may be expressed in the greatest degree, and in its fullness; for the Divine is in its fulness when it is in its ultimate, and the ultimate is the Natural (as may be seen above, n. 66). It is clear then, that by His feet like fine brass, as if they burned in a furnace, is signified the ultimate of Divine order, which is the Natural, full of Divine love. These things, as also those that precede, are spoken comparatively; as that His head and His hairs were white as white wool, as snow, and that His feet were like unto fine brass, as if they burned in a furnace; but it is to be observed, that all comparisons in the Word are significative, because in the same way as the things themselves, they are from correspondences (as may be seen, Arcana Coelestia 3579, 4599, 8989).

[2] The reason why feet, when said of the Lord, signify the ultimate of Divine order, and that this is the Natural, is, that heaven is heaven from the Divine Human of the Lord, and that therefore heaven in the aggregate has reference to one Man. And, because there are three heavens, that the highest heaven has reference to the head, the middle heaven to the body, and the ultimate heaven to the feet. The Divine which constitutes the highest heaven is called the celestial Divine; that which constitutes the middle heaven is called the spiritual Divine, and that which constitutes the ultimate heaven is called the natural Divine from the spiritual and celestial. It is therefore clear why the Lord is in this place described as to His Divine Human, which is the Son of man, seen in the midst of the lampstands, not only as to His garments, but also as to His head, His chest and feet. (That the Son of man is the Lord as to the Divine Human, may be seen above, n. 63; and that the lampstands denote heaven, may be seen n. 62. But as these things are arcana hitherto unknown in the world, and nevertheless ought to be understood in order that the internal sense of this and the following parts of this prophetical book may be comprehended, they are therefore particularly and specifically described in the work, Heaven and Hell; as, that the Divine Human of the Lord constitutes heaven, n. 7-12, 78-86; that hence heaven in the aggregate has reference to one Man, n. 59-77; that there are three heavens, and that the highest refers to the head, the middle to the body, and the ultimate to the feet, n. 29-40.)

When these things are understood, it will be evident that by the feet of Jehovah, or of the Lord, in the Word, is signified the ultimate of Divine order, or the Natural; and because the external of the church, of worship, and of the Word, is the ultimate of Divine order in the church, and is the Natural, therefore this is specifically signified by the feet of Jehovah, or of the Lord.

[3] It was for this reason that, when the Lord was seen as an angel by the prophets, in other places, He was seen by them also in a similar manner. Thus by Daniel:

"I lifted up mine eyes, and looked, and behold a man clothed in linen, whose loins were girded with gold of Uphaz; his body also was like the beryl, and his eyes as torches of fire; his arms and his feet as the brightness of polished brass" (10:5, 6).

Similarly, the cherubs, which mean the Lord as to providence and protection (see Arcana Coelestia 9277, 9509, 9673), were seen by Ezekiel:

"Their feet sparkled as the brightness of polished brass" (1:7).

So also the Lord was afterwards seen as an angel, in the Apocalypse:

"I saw an angel coming down from heaven, clothed with a cloud; and a rainbow was about his head, and his face was as the sun, and his feet as pillars of fire" (10:1).

Because the Lord was thus seen as to the feet, therefore under the feet was seen, by some of the sons of Israel,

"as it were a work of sapphire stone, and as the substance of heaven in purity" (Exodus 24:10).

The reason why the Lord was not seen by them as to the feet, but under the feet, was, that they were not in the external of the church, of worship, and of the Word, but under it (as may be seen in The Doctrine of the New Jerusalem 248). Since the feet of Jehovah, or the Lord, signify the ultimate of Divine order, and this is specifically the external of the church, of worship, and of the Word, therefore this is called His footstool in the Word, as in Isaiah:

"The glory of Lebanon shall come unto thee, to beautify the place of my sanctuary; I will make the place of my feet honourable. And they shall bow themselves down at the soles of thy feet" (60:13, 14).

Again:

"Heaven is my throne, and the earth is my footstool" (66:1).

In Jeremiah:

God "doth not remember his footstool in the day of anger" (Lamentations 2:1).

And in David:

"Adore ye Jehovah, towards his footstool" (Psalms 99:5).

Again:

"We will go into his habitation; we will bow ourselves at his footstool" (Psalms 132:7).

And in Nahum:

"The clouds of Jehovah are the dust of his feet" (Nahum 1:3).

That cloud denotes the external of the Word, or the Word as to the letter, may be seen above, n. 36; and because cloud denotes the external of the Word, it also denotes the external of the church and of worship, for the church and worship are from the Word. It is said the dust of His feet, because those things which are in the sense of the letter of the Word, which sense is natural, appear scattered.

  
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Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.