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创世记 3

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1 耶和华所造的,惟有比田野一切的活物更狡猾。女人岂是真不许你们园中所有上的果子麽?

2 女人:园中上的果子,我们可以

3 惟有园当中那棵上的果子,:你们不可,也不可摸,免得你们

4 女人:你们不一定

5 因为知道,你们的日子眼睛就明亮了,你们便如知道善恶。

6 於是女人见那棵的果子作食物,也悦人的眼目,且是可喜爱的,能使人有智慧,就摘下果子来吃了,又丈夫,他丈夫吃了

7 他们人的眼睛就明亮了,才知道自己是赤身露体,便拿无花果树子为自己编作裙子。

8 起了凉耶和华在园中行走。那人和他妻子声音,就藏在园里的树木中,躲避耶和华的面。

9 耶和华呼唤那人,对他:你在那里?

10 :我在园中见你的声音,我就害怕;因为我赤身露体,我便藏了。

11 耶和华:谁告诉你赤身露体呢?莫非你吃了我吩咐你不可的那上的果子吗?

12 那人:你所赐我与我同居的女人,他把那上的果子我,我就吃了

13 耶和华女人:你作的是甚麽事呢?女人:那引诱我,我就吃了

14 耶和华:你既作了这事,就必受咒诅,比一切的牲畜野兽更甚。你必用肚子行走,终身土。

15 我又要叫你和女人彼此为仇;你的後裔和女人的後裔也彼此为仇。女人的後裔要伤你的;你要伤他的脚跟

16 又对女人:我必多多加增你怀胎的苦楚;你生产儿女必多受苦楚。你必恋慕你丈夫;你丈夫必管辖你。

17 又对亚当:你既听从妻子的话,吃了我所吩咐你不可的那上的果子,地必为你的缘故受咒诅;你必终身劳苦才能从地里得的。

18 地必给你长出荆棘和蒺藜来;你也要田间的菜蔬。

19 你必汗流满面才得糊口,直到你归了土,因为你是从土而出的。你本是尘土,仍要归於尘土

20 亚当给他妻子起名夏娃,因为他是众生之母。

21 耶和华为亚当和他妻子子作衣服给他们穿。

22 耶和华:那人已经与我们相似,能知道善恶;现在恐怕他伸又摘生命的果子,就永远活着。

23 耶和华便打发他出伊甸园去,耕种他所自出之土。

24 於是把他赶出去了;又在伊甸园的东边安设基路伯和四面动发火焰的,要把守生命道路

   

From Swedenborg's Works

 

Arcana Coelestia #420

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420. Various types of instruments are mentioned in the Word, each one having its own particular meaning, which will in the Lord's Divine mercy be shown when they occur. For the present let just the following in David be quoted,

I will sacrifice in the tent of Jehovah the sacrifices of shouts of joy; I will sing and make melody to Jehovah. Psalms 27:6.

Here 'tent' is used to express that which is celestial, and 'shouts of joy', 'singing', and 'making melody' that which is spiritual deriving from it. In the same author,

Sing to Jehovah, O you righteous! His praise befits upright men. Confess Jehovah with the harp, make melody to Him on a ten-stringed lyre. Sing to Him a new song, play skillfully with a loud note, for the word of Jehovah is upright, and all His work is done in truth. Psalms 33:1-4.

This stands for truths of faith, to which these commands have reference.

[2] Spiritual things, which are the truths and goods of faith, were extolled by means of the harp, ten-stringed lyres, singing, and the like, whereas the holy or celestial things of faith were praised by means of wind instruments, such as trumpets and others like them. This explains why so many instruments were used around the Temple, for so often particular instruments were needed to celebrate this occasion or that. As a consequence those instruments came to mean the actual things in praise of which they were used.

[3] In the same author,

I will confess to You on a ten-stringed instrument, Your truth, O my God. I will make melody to You with the harp, O Holy One of Israel. My lips will sing when I make melody to You; and my soul which You have redeemed. Psalms 71:22, 13.

This similarly refers to the truths of faith. In the same author,

Reply to Jehovah with confession; make melody to our God with the harp. Psalms 147:7.

Here 'confession' has regard to the celestial things of faith, which is why the name 'Jehovah' is used, while 'making melody with the harp' has regard to the spiritual things of faith, which is why the name 'God' is used. In the same author,

Let them praise the name of Jehovah with dancing; with timbrel and harp let them make melody to Him. Psalms 149:3.

'Timbrel' stands for the good and 'harp' for the truth which they are praising.

[4] In the same author,

Praise God with trumpet-sound; praise Him with a ten-stringed lyre and with a harp, praise Him with timbrel and dance; praise Him with stringed instruments and organs, praise and Him with sounding cymbals 1 praise Him with high-sounding cymbals. 2 Psalms 150:3-5.

These stand for the goods and truths of faith, which occasion praise. Let no one think that so many instruments are mentioned by name without each one having some particular meaning. In the same author,

Send out Your light and Your truth; let them lead me, let them bring me to Your holy mountain and to Your dwellings. Then I will go in to the altar of God, to God my exceeding joy, and I will confess You with the harp, O God, my God. Psalms 43:3-4.

This stands for cognitions of good and truth.

[5] In Isaiah,

Take a harp, encompass the city, strike a good note, increase your song, that you may be called to memory. Isaiah 23:16.

This stands for matters of faith and cognitions of faith. The point is plainer still in John,

The four living creatures and the twenty-four elders fell down before the Lamb, each holding a harp, and with golden bowls full of incense, which are the prayers of the saints. Revelation 5:8.

'Harps' being held is not the meaning, as may be clear to anyone. Instead the truths of faith are meant by 'harps', and the goods of faith by 'golden bowls full of incense'. In David sounds made on instruments are referred to as 'praises and confessions', in Psalms 42:4; Psalms 69:31.

And elsewhere in John,

I heard a voice from heaven, like the sound of many waters. I heard the sound of harpers playing on their harps. They were singing a new song. Revelation 14:2-3.

And elsewhere in the same book,

I saw them standing beside the sea of glass holding harps of God. Revelation 15:2.

It deserves to be mentioned that angels and spirits distinguish sounds on the basis of the differences that exist with good and truth. This applies not only to the sounds made by singing and instruments, but also to those made by voices. They do not entertain any sounds other than those that are accordant, so that there may be an accordance of the sounds, and therefore of the instruments, with the very nature and essence of good and truth.

Footnotes:

1. literally, cymbals of hearing

2. literally, cymbals of shouting

  
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Thanks to the Swedenborg Society for the permission to use this translation.