10402. 'Pull away the ear-jewels of gold from the ears of your wives, of your sons, and of your daughters' means drawing out of the literal sense of the Word such things as are favourable to external forms of love and to the immediate offspring of these loves. This is clear from the meaning of 'pulling away' as drawing out, at this point out of the literal sense of the Word since that sense is the subject; from the meaning of 'the ear-jewels of gold which are on the ears' as symbols representative of obedience to the delights belonging to external kinds of love and discernment of them, for obedience and discernment are meant by 'the ears', and the good of love - at this point the delight belonging to external kinds of love - is meant by 'gold', so that 'the ear-jewels of gold' are symbols representative of that obedience and discernment (for the meaning of 'the ears' as obedience and discernment, see 2542, 4652-4660, 8990, 9397, 10061; for that of 'gold' as the good of love, 1551, 1552, 5658, 6914, 6917, 9510, 9874, 9881, so that when it has reference to external kinds of love, which are self-love and love of the world, 'gold' means the delight belonging to them, thus that which is evil, 8932; and the fact that 'ear-jewels' consequently are symbols representative of obedience and discernment, 4551); from the meaning of 'wives' as forms of good in the Church, dealt with in 3160, 4823, 6014, 7022, 8337, and therefore in the contrary sense as forms of evil there, 409; from the meaning of 'sons' as truths, and in the contrary sense as falsities, dealt with in 489, 491, 533, 1147, 2623, 2803, 2813, 3373, 3704, 4257, 6583, 6584, 9807; and from the meaning of 'daughters' as affections for truth and good, and therefore in the contrary sense as affections for falsity and evil, dealt with in 2362, 3963, 6729. From all this it is evident that 'pull away the ear-jewels of gold from the ears of your wives, of your sons, and of your daughters' means drawing out of the literal sense of the Word such things as are discerned to be obedient or favourable to the delights belonging to external forms of love and favourable to the major ideas resulting from these.

[2] The fact that 'ear-jewels' are symbols of obedience and discernment is clear in Hosea,

Contend with your mother, since she is not My wife, in order that she may remove her whoredoms from her sight ¹ , lest perhaps I strip her naked, and make her like a wilderness, and do not have mercy on her children, since she has said, I will go after my lovers, those giving me my bread and my water, my wool and my linen. And she did not know that it was I who gave her the grain and the new wine and the oil, and who multiplied the silver for her, and the gold they made for baal. And I will lay waste her vine and her fig tree. And I will visit on her ² the days of the baals to whom she burned incense and decked herself with her ear-jewels and her other jewellery, and went after her lovers and forgot Me. Hosea 2:1-13.

'Burning incense to and decking herself with ear-jewels for the baals' denotes worshipping the baals as gods and being obedient to them.

[3] Earlier parts of that chapter have also been quoted to allow it to be seen what the outward sense of the Word is like without the inward, and what it is like together with the inward, and so how the Word is understood by those who see its outward statements in isolation from what is inward, and how it is understood by those who see the outward statements from the point of view of that which is inward. Those who see the outward statements in isolation from what is inward inevitably take them literally. That is, they take them to mean that they should literally contend with the mother of the children of Israel; that she was literally no longer loved by Jehovah as a wife; that if she did not remove the whoredoms from herself she would literally be stripped naked and made like a wilderness, and Jehovah would not have mercy on her children, since she had said that she was going to go after her lovers who gave her bread, water, wool, and linen; that she did not know it was Jehovah who gave her the grain, the new wine, and the oil, and multiplied the silver; that they made the gold for baal; that for this reason her vine and her fig tree would be laid waste; and that there would literally be a visitation on her because she burned incense to the baals, decked herself with ear-jewels and other jewellery for them, and went after her adulterous lovers, forgetful of Jehovah.

[4] All this is the literal meaning, and so it is how those who see the outward statements in isolation from their inward meaning understand the Word, for it is how the Jews at the present day and also some Christians understand it. But that is not the real meaning of the Word, as all who have any degree of enlightenment may see. By 'mother', regarding whom all those things are stated, they do not understand a mother but the kind of Church that existed among that nation. They take each of the things stated regarding her to mean something that has to do with the Church; for all those things are such as follow in order from what is put forward or laid down first. That is how they take 'whoredoms', 'lovers', and 'children' or 'sons', then 'bread, water, wool, linen, grain, new wine, oil, silver, gold', after that 'vine and fig', and also 'incense' and 'ear-jewels'.

[5] What each of these serves to mean can be known from no other source than the internal sense. In this sense 'mother' and 'wife' mean the Church; 'making her naked, and like a wilderness' means leaving it without any good of love or truth of faith, truths of faith and forms of the good of love, of which it will be bereft, being meant by 'sons', 'bread and water', 'wool and linen', 'grain, new wine, oil, silver, and gold', and finally 'vine and fig'. The actual worship springing from obedience to falsities and evils, which take over for truths and forms of good, is meant by 'burning incense to the baals and being decked out with ear-jewels and other jewellery for them'.

'Mother' means the Church, see 289, 2691, 2717, 4257, 5581.

So does 'wife', 252, 253, 409, 749, 770, 7022.

'Her being made naked' means being deprived of forms of the good of love and the truths of faith, 9960.

'A wilderness' means a state devoid of the Church's truth and good, 2708, 3900, 4736, 7055.

'Whoredoms' means falsifications of truth, 2466, 2729, 4865, 8904, so that 'lovers' means those who falsify.

'Sons' means truths, and in the contrary sense falsities, 489, 491, 533, 1147, 2623, 2803, 2813, 3373, 3704, 4257, 6583, 6584, 9807.

'Bread and water' means the good of love and truth of faith, 9323.

'Wool' means the good in the external man, 9470.

'Linen' means the truth there, 7601, 9959.

'Grain' means good from which truth may be obtained, 5295, 5410, 5959.

'New wine' means truth derived from good, 3580.

'Oil' means celestial good, 9780, 10261.

'Silver' means truth and 'gold' good in general, 1551, 1552, 5658, 6914,

6917, 9881.

'Vine' means the internal spiritual Church, 1069, 6376, 9277.

'Fig' means the external good of that Church, 217, 4231, 5113.

'Burning incense' means worship, 10177, 10298.

'Ear-jewel' is a symbol representative of obedience, 4551, so that 'being decked out with it' means offering obedience.

[6] When all the entities listed immediately above are understood instead of or in conjunction with the people or things that serve to mean them, the nature of the Word discerned on a spiritual level, thus the nature of the spirit within it, becomes apparent. All who read the Word are sustained by the Lord on that level of meaning; but none receive and accept it apart from those whose interiors are open. And since these receive it within the cognitions or knowledge they possess, they accept it so far as they can understand it, that is, in the measure and manner that their power of understanding can be enlightened through the cognitions or knowledge in their possession. In addition to this, they are affected in a general way by the holiness that radiates from the Word.

Imibhalo yaphansi:

8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, ¹ and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals ² ; praise Him with clanging cymbals. ³ Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, ⁴ Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

Imibhalo yaphansi: