IBhayibheli

 

出埃及记 25

Funda

   

1 耶和华晓谕摩西

2 你告诉以色列人当为我送礼物来;凡甘乐意的,你们就可以收下归我。

3 所要收的礼物:就是、铜,

4 蓝色紫色、朱红色线,细麻,山羊毛,

5 染红的公羊皮,海狗,皂荚

6 点灯的并做膏香料

7 红玛瑙与别样的宝,可以镶嵌在以弗得和胸牌上。

8 又当为我造圣所,使我可以住在他们中间

9 制造帐幕和其中的一切器具都要照我所指示你的样式。

10 要用皂荚做一柜,长二肘半,宽一肘半,一肘半。

11 要里外包上精,四围镶上牙边。

12 也要铸,安在柜的脚上;这边两,那边两

13 要用皂荚做两根杠,用包裹。

14 要把杠穿在柜旁的内,以便抬柜。

15 这杠要常在柜的内,不可抽出来。

16 必将我所要赐你的法版放在柜里。

17 要用精做施恩座(施恩:或作蔽罪;下同),长二肘半,宽一肘半。

18 要用子锤出两个基路伯来,安在施恩座的两头。

19 这头做基路伯,那头做基路伯基路伯要接连块,在施恩座的两头。

20 基路伯翅膀,遮掩施恩座。基路伯要脸对脸,朝着施恩座。

21 要将施恩座安在柜的上边,又将我所要赐你的法版放在柜里。

22 我要在那里与你相会,又要从法柜施恩座上基路伯中间,和你说我所要吩咐你传给以色列人的一切事。

23 要用皂荚做一张桌子,长二肘,宽一肘,一肘半。

24 要包上精,四围镶上牙边。

25 桌子的四围各做一掌宽的横梁,横梁上镶着牙边。

26 要做,安在桌子的角上,就是桌子上的角。

27 子的地方要挨近横梁,可以穿杠抬桌子

28 要用皂荚做两根杠,用包裹,以便抬桌子

29 要做桌子上的盘子、调羹,并奠酒的爵和瓶;这都要用精制作。

30 又要在桌子上,在我面前,常摆陈设饼。

31 要用精做一个灯台灯台的座和杆与杯、球、,都要接连一块锤出来。

32 台两旁要杈出个枝子:这旁个,那旁个。

33 这旁每枝上有个杯,形状像杏,有球,有;那旁每枝上也有个杯,形状像杏,有球,有。从台杈出来的个枝子都是如此。

34 台上有个杯,形状像杏,有球,有

35 台每两个枝子以有球与枝子接连一块。伸出的个枝子是如此。

36 球和枝子要接连块,都是块精锤出来的。

37 要做台的盏。祭司要点这,使灯光对照。

38 灯台的蜡剪和蜡花盘也是要精的。

39 做灯台和这一切的器具要用精一他连得。

40 要谨慎做这些物件,都要照着在上指示你的样式。

   

Okususelwe Emisebenzini kaSwedenborg

 

Arcana Coelestia #9549

Funda lesi Sigaba

  
Yiya esigabeni / 10837  
  

9549. 'From pure gold' means that it must spring from celestial good. This is clear from the meaning of 'gold' as the good of love or celestial good, dealt with in 113, 1551, 1552, 5658, 6914, 6917. Something brief must be stated here to explain why the lampstand was to be made from pure gold. 'The lampstand' means the Divine Spiritual or Divine Truth emanating from the Lord, as it exists in heaven and in the Church, 9548. Because this Truth has its origin in Divine Good the lampstand was made from gold; for as has been stated, 'gold' means good. This is more plainly evident from the manner in which the Lord flows into the heavens. The inmost or third heaven being the celestial, and the middle or second heaven being the spiritual, the Lord flows by way of the celestial heaven, in which the good of love to Him predominates, into the spiritual heaven, in which the truth of faith in Him does so. From this it is clear why the whole of the lampstand was to be made from pure gold, as also were the ten lampstands in the temple built by Solomon, 1 Kings 7:49. See also 9550, 9568 below.

  
Yiya esigabeni / 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.

Okususelwe Emisebenzini kaSwedenborg

 

Arcana Coelestia #5658

Funda lesi Sigaba

  
Yiya esigabeni / 10837  
  

5658. 'Our silver in its full weight' means truths commensurate with each one's state. This is clear from the meaning of 'silver' as truth, dealt with in 1551, 2954; and from the meaning of 'weight' as the state of something as regards good, dealt with in 3104, so that truths commensurate with each one's state means commensurate with the good they are able to receive. Many places in the Word make reference to weights or to measures, but no weight nor any measure is meant in the internal sense. Rather states so far as the good involved in some reality is concerned are meant by 'weights', while states so far as the truth involved in it is concerned are meant by 'measures'. The same applies to the properties of gravity and spatial magnitude; gravity in the natural world corresponds to good in the spiritual world, and spatial magnitude to truth. The reason for this is that in heaven, where correspondences originate, neither the property of gravity nor that of spatial magnitude exists because space has no existence there. Objects possessing these properties do, it is true, seem to exist among spirits, but those objects are appearances that have their origins in the states of goodness and truth in the heaven above those spirits.

[2] It was very well known in ancient times that 'silver' meant truth; therefore the ancients divided up periods of time ranging from the earliest to the latest world epochs into the golden ages, the silver ones, the copper ones, and the iron ones, to which they also added the clay ones. They applied the expression 'golden ages' to those periods when innocence and perfection existed, when everyone was moved by good to do what was good and by righteousness to do what was right. They used 'silver ages' however to describe those times when innocence did not exist any longer, though there was still some sort of perfection, which did not consist in being moved by good to do what was good but in being moved by truth to do what was true. 'Copper ages' and 'iron ages' were the names they gave to the times that were even more inferior than the silver ones.

[3] What led those people to give periods of time these names was not comparison but correspondence. For the ancients knew that 'silver' corresponded to truth and 'gold' to good; they knew this from being in communication with spirits and angels. For when a discussion takes place in a higher heaven about what is good, this reveals itself among those underneath them in the first or lowest heaven as what is golden; and when a discussion takes place about what is true this reveals itself there as what is silvery. Sometimes not only the walls of the rooms where they live are gleaming with gold and silver but also the very air within them. Also, in the homes of those angels belonging to the first or lowest heaven who are moved by good to live among what is good, tables made of gold, lampstands made of gold, and many other objects are seen; but in the homes of those who are moved by truth to live among what is true, similar objects made of silver are seen. But who at the present day knows that correspondence was what led the ancients to call ages golden ones and silver ones? Indeed who at the present day knows anything at all about correspondence? Anyone who does not know this about the ancients, and more so anyone who thinks pleasure and wisdom lie in contesting whether such an idea is true or untrue, cannot begin to know the countless facets there are to correspondence.

  
Yiya esigabeni / 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.