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Exodus 26

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1 και την σκηνην ποιησεις δεκα αυλαιας εκ βυσσου κεκλωσμενης και υακινθου και πορφυρας και κοκκινου κεκλωσμενου χερουβιμ εργασια υφαντου ποιησεις αυτας

2 μηκος της αυλαιας της μιας οκτω και εικοσι πηχεων και ευρος τεσσαρων πηχεων η αυλαια η μια εσται μετρον το αυτο εσται πασαις ταις αυλαιαις

3 πεντε δε αυλαιαι εσονται εξ αλληλων εχομεναι η ετερα εκ της ετερας και πεντε αυλαιαι εσονται συνεχομεναι ετερα τη ετερα

4 και ποιησεις αυταις αγκυλας υακινθινας επι του χειλους της αυλαιας της μιας εκ του ενος μερους εις την συμβολην και ουτως ποιησεις επι του χειλους της αυλαιας της εξωτερας προς τη συμβολη τη δευτερα

5 πεντηκοντα αγκυλας ποιησεις τη αυλαια τη μια και πεντηκοντα αγκυλας ποιησεις εκ του μερους της αυλαιας κατα την συμβολην της δευτερας αντιπροσωποι αντιπιπτουσαι αλληλαις εις εκαστην

6 και ποιησεις κρικους πεντηκοντα χρυσους και συναψεις τας αυλαιας ετεραν τη ετερα τοις κρικοις και εσται η σκηνη μια

7 και ποιησεις δερρεις τριχινας σκεπην επι της σκηνης ενδεκα δερρεις ποιησεις αυτας

8 το μηκος της δερρεως της μιας εσται τριακοντα πηχεων και τεσσαρων πηχεων το ευρος της δερρεως της μιας μετρον το αυτο εσται ταις ενδεκα δερρεσι

9 και συναψεις τας πεντε δερρεις επι το αυτο και τας εξ δερρεις επι το αυτο και επιδιπλωσεις την δερριν την εκτην κατα προσωπον της σκηνης

10 και ποιησεις αγκυλας πεντηκοντα επι του χειλους της δερρεως της μιας της ανα μεσον κατα συμβολην και πεντηκοντα αγκυλας ποιησεις επι του χειλους της δερρεως της συναπτουσης της δευτερας

11 και ποιησεις κρικους χαλκους πεντηκοντα και συναψεις τους κρικους εκ των αγκυλων και συναψεις τας δερρεις και εσται εν

12 και υποθησεις το πλεοναζον εν ταις δερρεσιν της σκηνης το ημισυ της δερρεως το υπολελειμμενον υποκαλυψεις το πλεοναζον των δερρεων της σκηνης υποκαλυψεις οπισω της σκηνης

13 πηχυν εκ τουτου και πηχυν εκ τουτου εκ του υπερεχοντος των δερρεων εκ του μηκους των δερρεων της σκηνης εσται συγκαλυπτον επι τα πλαγια της σκηνης ενθεν και ενθεν ινα καλυπτη

14 και ποιησεις κατακαλυμμα τη σκηνη δερματα κριων ηρυθροδανωμενα και επικαλυμματα δερματα υακινθινα επανωθεν

15 και ποιησεις στυλους τη σκηνη εκ ξυλων ασηπτων

16 δεκα πηχεων ποιησεις τον στυλον τον ενα και πηχεος ενος και ημισους το πλατος του στυλου του ενος

17 δυο αγκωνισκους τω στυλω τω ενι αντιπιπτοντας ετερον τω ετερω ουτως ποιησεις πασι τοις στυλοις της σκηνης

18 και ποιησεις στυλους τη σκηνη εικοσι στυλους εκ του κλιτους του προς βορραν

19 και τεσσαρακοντα βασεις αργυρας ποιησεις τοις εικοσι στυλοις δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

20 και το κλιτος το δευτερον το προς νοτον εικοσι στυλους

21 και τεσσαρακοντα βασεις αυτων αργυρας δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

22 και εκ των οπισω της σκηνης κατα το μερος το προς θαλασσαν ποιησεις εξ στυλους

23 και δυο στυλους ποιησεις επι των γωνιων της σκηνης εκ των οπισθιων

24 και εσται εξ ισου κατωθεν κατα το αυτο εσονται ισοι εκ των κεφαλιδων εις συμβλησιν μιαν ουτως ποιησεις αμφοτεραις ταις δυσιν γωνιαις εστωσαν

25 και εσονται οκτω στυλοι και αι βασεις αυτων αργυραι δεκα εξ δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι

26 και ποιησεις μοχλους εκ ξυλων ασηπτων πεντε τω ενι στυλω εκ του ενος μερους της σκηνης

27 και πεντε μοχλους τω στυλω τω κλιτει της σκηνης τω δευτερω και πεντε μοχλους τω στυλω τω οπισθιω τω κλιτει της σκηνης τω προς θαλασσαν

28 και ο μοχλος ο μεσος ανα μεσον των στυλων διικνεισθω απο του ενος κλιτους εις το ετερον κλιτος

29 και τους στυλους καταχρυσωσεις χρυσιω και τους δακτυλιους ποιησεις χρυσους εις ους εισαξεις τους μοχλους και καταχρυσωσεις τους μοχλους χρυσιω

30 και αναστησεις την σκηνην κατα το ειδος το δεδειγμενον σοι εν τω ορει

31 και ποιησεις καταπετασμα εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου νενησμενης εργον υφαντον ποιησεις αυτο χερουβιμ

32 και επιθησεις αυτο επι τεσσαρων στυλων ασηπτων κεχρυσωμενων χρυσιω και αι κεφαλιδες αυτων χρυσαι και αι βασεις αυτων τεσσαρες αργυραι

33 και θησεις το καταπετασμα επι τους στυλους και εισοισεις εκει εσωτερον του καταπετασματος την κιβωτον του μαρτυριου και διοριει το καταπετασμα υμιν ανα μεσον του αγιου και ανα μεσον του αγιου των αγιων

34 και κατακαλυψεις τω καταπετασματι την κιβωτον του μαρτυριου εν τω αγιω των αγιων

35 και θησεις την τραπεζαν εξωθεν του καταπετασματος και την λυχνιαν απεναντι της τραπεζης επι μερους της σκηνης το προς νοτον και την τραπεζαν θησεις επι μερους της σκηνης το προς βορραν

36 και ποιησεις επισπαστρον εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου κεκλωσμενης εργον ποικιλτου

37 και ποιησεις τω καταπετασματι πεντε στυλους και χρυσωσεις αυτους χρυσιω και αι κεφαλιδες αυτων χρυσαι και χωνευσεις αυτοις πεντε βασεις χαλκας

   

Mula sa Mga gawa ni Swedenborg

 

Arcana Coelestia # 9467

Pag-aralan ang Sipi na ito

  
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9467. 'And purple' means the celestial love of good. This is clear from the meaning of 'purple' as the celestial love of good, the reason why this love is meant by 'purple' being that by the colour red the good of celestial love is meant. For there are two basic colours from which all others are derived, the colour red and the colour white. The colour red means good which belongs to love, while the colour white means truth which belongs to faith. The reason why red means good belonging to love is that this colour exists before all else as fire, and fire means the good of love; and the reason why white means truth belonging to faith is that before all else that colour is light, and light means the truth of faith.

'Fire' means the good of love, see 5215, 6314, 6832, 6834, 6849, 7324, 9434.

'Light' means the truth of faith, 2776, 3195, 3636, 3643, 3993, 4302, 4413, 4415, 5400, 8644, 8707, 8861, 9399, 9407.

'Red' means the good of love, 3300.

'White' means the truth of faith, 3993, 4007, 5319.

[2] From all this it is evident what all other colours mean; for in the measure that they are derived from red they mean good belonging to love, and in the measure that they are derived from white they mean truth belonging to faith. All the colours that appear in heaven are modifications of heavenly light and flame, on those two levels. For heavenly light is real light; and essentially it is Divine Truth emanating from the Lord's Divine Good. Therefore modifications of that light and flame are different variations of truth and good, and so of intelligence and wisdom.

[3] All this now shows how it came about that the veils and curtains of the tent, and also Aaron's garments, were to be woven out of violet, purple, twice-dyed scarlet, and linen thread, Exodus 25:4; 26:31, 36; 27:16; 28:6, 15, namely in order that celestial realities belonging to good and spiritual realities belonging to truth, which are the subject in what follows below, might be represented by them.

[4] Good from a celestial origin is again meant by 'purple' in Ezekiel,

Fine linen with embroidered work from Egypt was your sail; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, by which cognitions or knowledge of truth and good are meant. 'Violet and purple covering' stands for cognitions of truth and good from a heavenly origin.

[5] Similar things are meant by 'purple and fine linen' in Luke,

There was a certain rich man (homo) who was clothed in purple and fine linen and indulged in delicacies splendidly every day. Luke 16:19.

'A rich man' is used to mean in the internal sense the Jewish nation, and the Church there, which was said to be 'rich' because of the cognitions or knowledge of good and truth from the Word which existed there. Garments of 'purple and fine linen' are those cognitions, 'of purple' meaning cognitions of good, and 'of fine linen' cognitions of truth, both from a heavenly origin because they come from the Divine. 'Purple' also has a similar meaning in the Book of Revelation,

The woman sitting on a scarlet beast was clothed in purple and scarlet. Revelation 17:3-4.

This refers to Babylon, which means the Church where the holy things of the Word are put to unholy ends, that is, to exercising control in heaven and on earth, and so to ends that spring from hellish self-love and love of the world.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

Mula sa Mga gawa ni Swedenborg

 

Arcana Coelestia # 4007

Pag-aralan ang Sipi na ito

  
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4007. 'Every one that had white in it' means that which has truth in it. This is clear from the meaning of 'white' as truth, but strictly speaking as the Lord's Righteousness and Merit, and from this the Lord's righteousness and merit as these exist with man, dealt with in 3301, 3993. 'White' has that meaning because the light of heaven which radiates from the Lord, a light which is the source of splendour and brightness, means truth. Anything therefore on which that light falls and is made splendid and bright is that which is called the Lord's righteousness and merit existing with man. Those who acknowledge this, the Lord's righteousness, and who from good take it to themselves and reject their own, are specifically the ones meant by 'the righteous' whom the Lord refers to, in Matthew,

The righteous will shine like the sun in the kingdom of their Father. Matthew 13:43.

[2] The fact that that which is 'white', being splendid and bright, has this meaning is also evident from other places in the Word, as in Moses,

His eyes will be redder than wine, and his teeth whiter than milk. Genesis 49:12.

This refers to Judah, who represents the Lord as regards the Divinity of His Love, and in the internal sense the celestial kingdom, and so the celestial man, see 3881. 'Eyes redder than wine' means Divine Wisdom, and 'teeth whiter than milk' means Righteousness. In David,

You will purify me with hyssop and I shall be clean; You will wash me, and I shall become whiter than snow. Psalms 51:7.

'Washing and becoming whiter than snow' stands for being purified from sins by means of receiving and putting on the Lord's righteousness. In John,

In the midst of the seven lampstands one like the Son of Man. His head and hair were white, like white wool, like snow; and his eyes were like a flame of fire. Revelation 1:13-14.

[3] In the same book,

You have a few names in Sardis, who have not soiled their garments, and they will walk with Me in white, for they are worthy. He who conquers will be clad in white garments. Revelation 3:4-5.

In the same book,

I counsel you to buy from Me gold purified in fire, that you may be rich, and white garments to clothe you. Revelation 3:18.

In the same book,

To each soul under the altar were given white robes. Revelation 6:9, 11.

In the same book,

I saw, standing before the throne and before the Lamb those clothed in white robes. One of the elders said to me, These clothed in white robes - who are they, and where have they come from? I said to him, Sir, you know. He said to me, These are they who are coming out of the great tribulation, and have washed their robes, and have made their robes white in the blood of the Lamb. Revelation 7:9, 13-14.

In the same book,

The angels were clothed in linen, white and splendid, and were girded around their breasts with golden girdles. Revelation 15:6.

In the same book,

I saw, and behold, a white horse, and he who sat on it had a bow; to him a crown was given. Revelation 6:2.

And elsewhere,

After this I saw heaven opened, and behold, a white horse. His armies in heaven were following Him on white horses and were clothed in linen white and clean. Revelation 19:11, 14.

[4] In all these places 'white' means the truth of faith; 'white garments' and 'white robes' have no other meaning. But the truth of faith does not exist with any who believe that they have faith of themselves and so believe that they are wise of themselves. Rather, it exists with those who believe that their faith and wisdom come from the Lord, for faith and wisdom are imparted to them because they do not ascribe any truth or good at all to themselves. Even less do they believe that they possess any merit through the truths and goods residing with them, and less still any righteousness, but only by ascribing these to the Lord, and so everything to His grace and mercy. This is what 'putting on white garments' means, and also what 'being made white in the blood of the Lamb' means. There are two things which all who enter heaven cast aside, namely their proprium and consequent confidence, and merit that is their own or self-righteousness. Then they assume a heavenly proprium which comes from the Lord, and the Lord's merit or righteousness. And to the extent that these are so assumed those persons advance further into heaven. These two things specifically are meant by 'red' and by 'white'; 'red' means the good of love and is present with those people at that time, 'white' the truth of faith.

  
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Thanks to the Swedenborg Society for the permission to use this translation.