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Daniel 7:1

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Daniel's First Vision: 4 Beasts and the Little Horn

Ni Andy Dibb

Woodcut

This opening verse of the prophecies of Daniel has a resounding similarity to the opening verses of most of the preceding chapters of the book of Daniel. Like them, it places the vision in a context, we are shown the point of our regeneration at which the Lord is directing us: the first year of Belshazzar, king of Babylon.

In the internal sense, time is an indication of state. This means that the events and prophecies of Daniel do not follow in a strict chronological order, but rather happen on different levels at the same time. While Nebuchadnezzar is king of Babylon, representing selfishness in our inner self, Belshazzar rules our outer self. The work of overcoming selfish motives has to go hand in hand with the removal of that very selfishness in our external—otherwise the exercise is purely intellectual. Daniel’s visions in the last six chapters of the book, indicate the process by which we become aware of the effects of selfishness in our daily lives: when Belshazzar is king.

In spiritual development, we sometimes delude ourselves that change follows effort without delay. Nothing could be further from the truth. Our habits are very powerful—often we are not even aware that we have them. Yet "regeneration" literally means "re-birth," which entails casting out each and every obstacle in the path of our spiritual development. This can only be done by examining the exterior motives in our lives, and getting to the very bottom or root of our behaviors.

Daniel’s vision traces this exploration for us. Each of the four beasts he saw rising up from the sea depict the states of an evil life in us, with the added twist in their relationship to the religious principles a person purports to hold. Each must be examined and rejected. Every detail of the vision, therefore is important.

As with all numbers in the Word, the number "four" has a special meaning vitally important to the exposition. "Four" represents a joining together, and so has the same meaning as the number "two," (Arcana Coelestia 1686, 9103, 9601) which is obvious since "four" is the result of two multiplied into itself.

In a general sense, when the term "four winds" is mentioned in the Word, it means "all things of good and of truth, thus all things of heaven and of the church" (Arcana Coelestia 9642:10) flowing into a person, for "wind" means the influx of life from the Lord (Apocalypse Revealed 343). Thus the Lord breathed life into Adam in the Garden of Eden, and again on His disciples, filling them with the Holy Spirit. In an ideal situation, the presence of the Lord, both in our will and our understanding, in equal measure, indicates a state of regeneration. In that state, we are as "four-square" as the New Jerusalem.

As in so many cases in the book of Daniel, the symbolism needs to be reversed in order to see its full meaning. Daniel is in Babylon, a servant to the king, and thus anything usually relating to the Lord is inverted to relate to the king of Babylon, as selfishness: the opposite of love to the Lord.

The influx then is not goodness and truth, but evil and falsity, specifically love of self and control over others. The "sea" in this vision depicts the great restless tide of selfishness controlling our external being. The book of Daniel is a picture of a person whose conscience is restricted to thoughts and feelings, yet whose behavior, attitudes, and habits still reflect the old states of selfishness (Apocalypse Explained 316). Babylon reigns. In the vision that follows, the states and their effects are revealed.

The vision of the four beasts coming up from the sea tells our story when we cynically misuse truth to live selfishly, until evil completely takes over and would destroy us (Apocalypse Explained 556, Apocalypse Revealed 574). Evil will succeed unless the power of the truth, in our conscience, overcomes evil and allows us to reject it.

The first of these beasts was like a lion with eagle’s wings. Lions are mentioned many times in the Word, and usually describe the power of truth to destroy falsity and evil (Apocalypse Explained 556). But in this vision, describing Babylon, the lion takes on the opposite meaning: the lion represents the power of the love of self (Arcana Coelestia 6367), and the power of falsity to destroy truths.

The eagle's wings, representing human reason, were taken away from the lion, and he was made to stand on his two feet like a man, and a man’s heart was given to him. A person engrossed in selfishness loses their ability to appreciate religion, and weighted down by their own contrary thoughts, find themselves alienated from the truth.

Next, Daniel saw a bear raised up on one side. This posture indicates our eagerness to misinterpret the Word to suit our own means (Arcana Coelestia 781). This a vision of the human state when self love (Nebuchadnezzar) rules our internal being, and the expression of that selfishness (Belshazzar) controls our daily actions. The bear is the pleasure of justifying evil with our own 'superior' reasoning.

It is easy to be kind, while manipulating other people for our own benefit. It is easy to present oneself as a spiritual being in order to deceive other people. In such a life, charity is a dead form. Thus the bear had three ribs hanging from its mouth.

Daniel never tells who commanded the bear to 'arise, and devour more flesh,' but perhaps the urging comes from deeper states of selfishness which control our external actions. Whatever its origin, these words give voice to the heart of a person misusing the Word for his or her own gain.

A leopard is "a ferocious beast" which loves to "kill harmless animals." Its very appearance, black spots on white, illustrates the effect of falsity on truth (Apocalypse Revealed 57). But the leopard in Daniel also had four wings like a bird. As in the case of the lion which had the wings of an eagle, the wings here also signify our intellect destroying the truth. The four wings on the leopard depict "confirmations of what is false" (Apocalypse Revealed 574).

The leopard not only had four wings, but also four heads. This is a depiction of human degradation when falsity rules. It is a state of spiritual insanity, for when a selfish internal acts with a falsified external, there is nothing to prevent a person engaging in all kinds evil (Arcana Coelestia 1944:3). In this state, the conscience is enslaved, powerless to stop the madness.

The fourth beast, whose appearance is not described, signifies the "destruction of truth and good" (Apocalypse Revealed 574). Once a person reaches this state of degeneration, they stop at nothing to destroy any restraining influences. Falsity is used to destroy truth through denial or twisting it to suit one’s own ends. This process is described as "teeth like iron" devouring and breaking in pieces (see 1 explanation of Daniel 2 for a description of 'iron')(Apocalypse Revealed 556).

'A horn' is usually a symbol of power, and in the highest sense, the power of truth against falsity. But again, in this story the opposite sense applies, and the power here is of falsity for evil (Apocalypse Explained 316). These ten horns depict the complete power falsity has over the way we act.

The whole sordid description of the four beasts culminates on a little horn. This is the complete perversion of anything good and true drawn from the Word, and so represents the final profanation. If there was no counter-balancing conscience, a person would be irrevocably in hell.

The casting out of the three horns depicts the power of evil and falsity to destroy and remove the truths of the Word (Apocalypse Explained 316). The number "three" represents fullness or completeness, and thus the power of evil when brought into action to destroy all truths. Hence, the old saying 'when you break one of the Commandments, you break them all,' takes on a more powerful meaning.

The next image shifts: we see the thrones "cast down" signifying the falsities (Arcana Coelestia 8215) from the beasts, judged by the truths of the Word forming our conscience. All judgment begins with truth, for truth provides the balances upon which our lives are measured.

In the image of God’s throne, symbolizing judgment, it is important to remember that His judgment is always a product of love and mercy. But the Lord’s love should not be confused with license: just because He loves the human race, individually and collectively, this does not mean evil is permissible. Evil interferes with a person’s reception of the Lord, putting barriers between Him and ourselves. For the most part, the Lord permits evils, but does not will them, because they are useful reminding us to turn away from them (Divine Providence 275, 278). Yet there are times when human beings overstep the mark.

The judgment in this chapter must be seen in its context, which is in the reign of Belshazzar. It is the story of both the beasts and the fact that Belshazzar was weighed in the balances, found wanting, and killed by Darius. That in essence is a judgment on the external’s of our lives, on our behavior. and attitudes which have their origin in the Nebuchadnezzar states of our inner being.

Here, however, we see the origin of truth as "the Ancient of Days," sitting on the throne of judgment, heralding the destruction of one state and the beginning of another (Apocalypse Revealed 574). The "Ancient of Days" is an image of the love of the Lord (Arcana Coelestia 9470), and in a sense is the Divine counterpart to the love we are led to by means of truth. The object of all truth is to lead one to a love of God, and a love of the neighbor, and a life expressive of both. Our love for God is a reflection of His love for us.

In the Word, a garment corresponds to truth one knows and which forms a part of a person’s mind. Thus the garment of the Ancient of Days represents the truth veiling over the Divine Good. This truth is truth in our minds, in our conscious minds (Arcana Coelestia 9470, Apocalypse Explained 67). These garments were as white as snow to show us the quality of the intelligence and wisdom we can have from the Lord (Apocalypse Explained 195:18).

'Hair' means the most external parts of our lives—the natural thoughts and feelings we have which prompt us into action, all perfectly conscious. While we are in this world, this very external part of us seems to be vitally important, but in fact it is only driven by the inner things. If these are from the Lord, then our external will also appear as virgin wool.

The fire of the throne is the appearance of the Lord's love. The wheels represents the wisdom and intelligence we have from the Lord, which are full of love and so are described as "burning."

All judgment is done by the Lord. The Lord’s birth in Bethlehem was the beginning of a last judgment on the ancient churches, and that judgment from love by means of wisdom, came about through the life and death of Jesus Christ, the Divine Human of the Lord.

In Daniel’s vision, there is a similar relationship between the Ancient of Days, seated on His throne, and the Son of Man to whom was given all power. The Ancient of Days represents the Lord, and in that vision we saw the unity of the Divine love and Divine wisdom in the fiery throne upon which He sat.

Once the presence of the Lord has been established in us by the overthrow of evil and falsity, we will continue to develop in goodness and truth. This spiritual growth is described in the words that 'the Son of Man was given an everlasting dominion,' a theme repeated in verses 18 and 27. The kingdom of the Son of Man extended over "all peoples, nations and tongues," representing the different states of the human mind which will be made subject to truth from the Word. "Peoples" are the truths of doctrine—in this case, the false ideas which affect our behavior to be judged against the truth introduced into our minds by the conscience. "Nations" mean the evils of life, overthrown in the process of judgment (Apocalypse Revealed 483, Apocalypse Explained 175, 455). Thus in the process of judgment, both our habitual thoughts and feelings will be confronted by truth, and replaced by feelings drawn from the goodness and truth of the Lord. Finally, "tongues" signify the actions drawn from evil feelings and false thoughts—these too will be brought down in our personal "last judgment."

The "time, times, and half a time" are the states of temptation and combat we need to go through in order to regenerate. Yet each minute of that combat is a temptation, and temptation only takes place within the framework or regeneration. Thus a person being tempted, who resists the evil, sits in judgment on that evil, and from the power of the Lord will eventually prevail over it.

These final verses are a vision of things yet to come. This is before our entrance into the Lord’s kingdom, before the power of falsity is broken. We still have growing to do. There are still states we need to face and overcome. Even with this marvelous promise of ultimate victory, Daniel found that his thoughts still troubled him.

Mga talababa:

http://newchristianbiblestudy.org/bible/story/daniel-interprets-nebuchadnezzars-dream/king-james-version

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Arcana Coelestia # 5319

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5319. 'And clothed him in robes of fine linen' means an outward sign denoting the celestial of the spiritual, 'robes of fine linen' being truths going forth from the Divine. This is clear from the meaning of 'robes' as truths, dealt with in 1073, 2576, 4545, 4763, 5248. The reason 'robes of fine linen' means truths going forth from the Divine is that a robe made of fine linen was absolutely white and at the same time shining, and truth going forth from the Divine is represented by robes which have that kind of brightness and splendour. And the reason for this is that heaven derives its brightness and splendour from the light that flows from the Lord; and the light that flows from the Lord is Divine Truth itself, 1053, 1521-1533, 1619-1632, 1776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219. This explains why, when the Lord was transfigured before Peter, James, and John, His clothing appeared as the light, Matthew 17:2; glistening, intensely white like snow, as no fuller on earth could bleach them, Mark 9:3; and dazzling, Luke 9:29. It was Divine Truth itself going forth from the Lord's Divine Human that was represented in this manner. But they are exterior truths that are represented in heaven by the brightness of robes, whereas interior truths are represented by the brightness and splendour of the face. This is why 'being clothed in robes of fine linen' at this point means an outward sign denoting truth going forth from the celestial of the spiritual, for this was what the Lord's Divine consisted in at this time.

[2] There are other places too in the Word where truth going forth from the Divine is meant by 'fine linen' and 'robes of fine linen', as in Ezekiel,

I clothed you with embroidered cloth, and shed you with badger, and swathed you in fine linen, and covered you in silk. Thus were you adorned with gold and silver, and your robes were fine linen, and silk, and embroidered cloth. Ezekiel 16:10, 13.

This refers to Jerusalem, which is used in these verses to mean the Ancient Church. The truths of this Church are described by robes made of embroidered cloth, fine linen, and silk, and by being adorned with gold and silver. 'Embroidered cloth' means truths existing as facts, 'fine linen' natural truths, and 'silk' spiritual truths.

[3] In the same prophet,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, which too is used to mean the Ancient Church, but so far as cognitions of good and truth are concerned. 'Fine linen with embroidered work from Egypt, which was its sail' means truth obtained from factual knowledge, which was the outward sign of that Church.

[4] In John,

The merchants of the earth will weep and mourn over Babylon, since no one buys their wares any more, wares of gold, and silver, and precious stones, and pearls, and fine linen, and purple, and silk, and scarlet, and all thyine wood, and every vessel of ivory, and every vessel made of most precious wood, and bronze, and iron, and marble. Revelation 18:11-12.

All the specific commodities mentioned here mean the kinds of things that have to do with the Church and so truth and goodness. Here however they are used in the contrary sense because they are spoken of in reference to Babylon. Anyone may see that such commodities would never have been listed in the Word which has come down from heaven unless each one held something heavenly within it. What other reason can there be for a list of worldly wares when Babylon, meaning an unholy Church, is the subject? Similarly in the same book,

Woe, woe, the great city, you that were clothed in fine linen, and purple, and scarlet, covered 1 with gold, and precious stones, and pearls. Revelation 18:16.

[5] The fact that each commodity means something Divine and heavenly is quite evident in the same book where it states what fine linen is, namely the righteous acts of the saints,

The time of the marriage of the Lamb has come, and His wife has made herself ready. At that time she was given fine linen, clean and shining, to wear; for the fine linen is the righteous acts of the saints. Revelation 19:7-8.

'Fine linen' is 'the righteous acts of the saints' for the reason that all those with whom truth received from the Divine exists are clothed with the Lord's righteousness. For their robes which are bright and shining are products of the light which flows from the Lord. Therefore in heaven truth itself is represented by 'brightness', 3301, 3997, 4007; and people who are being raised to heaven from a state of vastation are seen to be clothed with brightness because they are at this point casting off the robe of their own righteousness and putting on that of the Lord's righteousness.

[6] So that truth from the Divine might be represented in the Jewish Church, they were commanded to use cotton or fine linen in Aaron's vestments, and also in the curtains around the Ark, referred to in Moses as follows,

You shall make in chequered pattern for Aaron a tunic of cotton, and you shall make a turban of cotton. Exodus 28:39.

They made tunics of cotton, the work of a weaver, for Aaron and his sons. Exodus 39:27.

You shall make the Dwelling-place, ten curtains - fine-twined cotton, violet and purple and twice-dyed scarlet. Exodus 26:1; 36:8.

You shall make the court of the Dwelling-place. The hangings for the court shall be of fine-twined cotton. Exodus 27:9, 18; 38:9.

The screen for the gate of the court, the work of an embroiderer, violet and purple, and twice-dyed scarlet, and fine-twined cotton. Exodus 38:18.

Cotton is fine linen, which they were commanded to use because each object in the Ark and around the Ark, also every detail of Aaron's vestments, were representative of spiritual and celestial realities. From this one may see that a person has only a meagre understanding of the Word if he does not know what such things represent, and scarcely any understanding at all if he thinks that the Word possesses no holiness other than that which presents itself in the letter.

[7] When angels with whom truth from the Divine is present are seen by anyone they are clothed so to speak in fine linen, that is, in shining brightness, as is evident in John where 'a white horse' is referred to,

The One seated on a white horse was clothed in a garment dyed with blood, and His name is called the Word. His armies in heaven were following Him on white horses; they were clothed in fine linen, white and clean. Revelation 19:11, 13-14.

These words show quite plainly that 'fine linen' is an outward sign denoting truth from the Divine, for 'the One seated on a white horse' is the Lord as to the Word; indeed those words state quite explicitly that He is the Word. The Word is truth itself received from the Divine, and 'a white horse' is the internal sense of the Word, see 2760-2762. Consequently truths received from the Divine are meant by 'white horses', for such truths constitute the whole of the internal sense of the Word. This was why His armies were seen 'on white horses' and why 'they were clothed in fine linen, white and clean'.

Mga talababa:

1. literally, gilded

  
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Thanks to the Swedenborg Society for the permission to use this translation.