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创世记 4

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1 有一日,那和他妻子夏娃同房,夏娃就怀孕,生了该隐(就是得的意思),便耶和华使我得了一个子。

2 又生了该隐兄弟亚伯亚伯是牧的;该隐是种地的。

3 有一日,该隐拿地里的出产为供物献给耶和华

4 亚伯也将他羊群中头生的和的脂油献上。耶和华看中了亚伯和他的供物,

5 只是看不中该隐和他的供物。该隐就大大的发怒,变了脸色。

6 耶和华该隐:你为甚麽发怒呢?你为甚麽变了脸色呢?

7 你若行得好,岂不蒙悦纳?你若行得不好,就伏在前。他必恋慕你,你却要制伏他。

8 该隐与他兄弟亚伯话;二人正在田间。该隐起来打他兄弟亚伯,把他杀了。

9 耶和华该隐:你兄弟亚伯在那里?他:我不知道!我岂是看守我兄弟的麽?

10 耶和华:你作了甚麽事呢?你兄弟的血有声音从地里向我哀告。

11 开了,从你里接受你兄弟的血。现在你必从这地受咒诅。

12 你种不再你效力;你必流离飘荡在上。

13 该隐耶和华:我的刑罚太重,过於我所能当的。

14 你如今赶逐我离开这,以致不见你面;我必流离飘荡在上,凡遇见我的必杀我。

15 耶和华对他:凡杀该隐的,必遭报七倍。耶和华就给该隐立一个记号,免得人遇见他就杀他。

16 於是该隐离开耶和华的面,去在伊甸东边挪得之

17 该隐妻子同房,他妻子就怀孕,生了以诺该隐建造了一座城,就按着他儿子的名将那城以诺

18 以诺生以拿;以拿生米户雅利;米户雅利生玛土撒利;玛土撒利生拉麦。

19 拉麦娶了两个妻:个名叫亚大,个名叫洗拉。

20 亚大生雅八;雅八就是帐棚、牧养牲畜之人的祖师。

21 雅八的兄弟名叫犹八;他是一切弹琴吹箫之人的祖师。

22 洗拉又生了土八该隐;他是打造各样铜利器的(或作:是铜匠匠的祖师)。土八该隐的妹子是拿玛。

23 拉麦对他两个妻子:亚大、洗拉,我的声音;拉麦的妻子,细我的话语:壮年伤我,我把他杀了;少年损我,我把他害了(或作我杀壮士却伤自己,我害幼童却损本身。)

24 若杀该隐,遭报七倍,杀拉麦,必遭报七倍

25 亚当又与妻子同房,他就生了一个儿子,起名塞特,意思另给我立了一个儿子代替亚伯,因为该隐杀了他。

26 塞特也生了一个儿子,起名以挪士。那时候,人才求告耶和华的名。

   

Aus Swedenborgs Werken

 

Arcana Coelestia #418

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418. The previous verse deals with celestial things, which are the attributes of love, the present verse with spiritual things, which are the attributes of faith. These spiritual things are portrayed as 'the harp and organ'. That stringed instruments, such as harps and others like them, meant the spiritual things of faith is clear from many points of view. In the worship of the representative Church instruments like these, and the singing likewise, had no other representation. This was why there were so many singers and musicians, the main reason for such representation being that all heavenly joy produces gladness of heart, which was expressed by means of singing, and subsequently by means of stringed instruments that strove to match the singing and uplifted it. Every affection of the heart also has this capacity to produce singing and therefore the things which go with singing. Affection of the heart is something celestial, singing issuing from it something spiritual.

[2] That singing and the like means that which is spiritual has also become clear to me from angelic choirs, of which there are two kinds, celestial and spiritual. From the vibrant quality of their singing, to which the sound of stringed instruments may be likened, spiritual choirs are readily distinguished from celestial choirs. This will in the Lord's Divine mercy be described later on. What is more, the most ancient people related that which was celestial to the province of the heart, and that which was spiritual to the province of the lungs. In so doing they related that which was spiritual to whatever involved the lungs, such as singing voices and other similar things, and so to the voices or sounds of such instruments. The reason for their so relating them was not only that the heart and lungs represent a kind of marriage, like that of love and faith, but also that celestial angels belong to the province of the heart whereas spiritual angels belong to that of the lungs. It can also be recognized that such considerations are meant here from the fact that this is the Word of the Lord, which would contain no life at all if its message were merely that Jubal was the father of those who play on harp and organ. Nor would any use be served in anyone's knowing it.

  
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Thanks to the Swedenborg Society for the permission to use this translation.