Near the end of the gospel of John, (in John 21:1-14), we find a story where, some days after Jesus' crucifixion and resurrection, seven of Jesus's disciples have travelled north from Jerusalem to the sea of Galilee. At Peter's suggestion they have all gone out in his boat to fish. They fish all night, but have no luck, and catch nothing. They are fairly close to the shore, and as the early morning light begins to grow they see a man standing by the water. He calls out to them, asking if they have caught anything. When they answer "no", he tells them, "try the other side of the boat". They give it a try. When they do, they catch so many fish that they can't haul the net into the boat; it's too heavy. So they row toward shore, dragging the net full of fish behind them.

As they're drawing closer to shore, they still haven't recognized that the man on the shore is Jesus. He has kindled a small, and is cooking fish. He invites them to have breakfast with Him, and at that point, John realizes that it is Jesus, and tells Peter. Peter grabs his cloak, belts it around himself to cover his nakedness, and jumps into the water to swim to shore.

This story has some interesting details to explore. The earlier stories of events that happened after the Lord's rising took place in or near Jerusalem, but this one is in Galilee. Five of these disciples are named, and at least four of the five were from Galilee, so they are at home. They were fishermen before Jesus called them to be disciples, so to go fishing is in their blood.

The five disciples named in the story are Simon (or Peter), the brothers James and John, Thomas, and Nathaniel. Two more who are not named, to make up the seven, and it would be reasonable to guess that they were Andrew, Peter's brother, and Philip, a friend of Nathaniel's - both of whom were also from Galilee.

The angels that Peter and John had seen at the sepulcher had told them that Jesus would meet them in Galilee on "the mountain". Perhaps these seven, being from Galilee, had hurried on ahead of the others.

Let's look at their names and see what the literal meaning is, and what they represent in a spiritual way.

- Simon was renamed by Jesus as ‘Peter', which in the Greek means a rock. In this case, the name means the firmest and most critical rock, or truth, of Christianity, i.e. that Jesus was from God.

- John means love or charity.

- James, John's brother, means the doing of charity.

- Nathaniel means a gift from God, and being a friend of Philip, I think it might be that the gift from God that he represents is the love of learning things that fill the understanding, our curiosity.

- Thomas, in Greek, means a twin, and since he is named right after Peter perhaps he has a similar representation. Peter believes in the Lord easily because of what he has seen and what the Lord has told him whereas Thomas believes, and believes just as strongly, but only after his doubts have been erased, after he has been shown.

The towns most mentioned in the stories that take place around the "Sea of Galilee" in the gospels are Bethsaida, Capernaum, Cana, and Nazareth. Bethsaida itself means "a place of fishing." The maps I have of the area are small scale and not all exactly the same, but the indication is that it is at the northern end of the lake or even on the upper Jordan river just before it runs into the lake. Capernaum and Magdala are on the northwestern shore and Cana and Nazareth are inland, but only four or five miles west of this corner of the lake. This area was where most of these disciples had been brought up, and fishing was a common occupation.

The name Galilee means "a circuit". The Word teaches us that Jesus taught in the towns all around the lake, so that a reading of all that Jesus taught and did in that country could be thought of as a "circuit" of His teachings.

The next detail of interest is that when the Lord suggests the other side of the boat and the result is a large catch of fish after a long night of nothing. This is reminiscent of the fishing incident given in Luke 5:4-7. Since the disciples are to become "fishers of men" (as in Matthew 4:19) and they are to persuade people into the knowledge and worship of the Lord, the Christ, it is perhaps a lesson that in their ministry they must always be guided by the Lord.

Then John realizes, and whispers to Peter, "it's the Lord" (John 21:7) and Peter quickly puts his cloak on and jumps in to get to shore faster. Why is it John that first realizes? John represents love and affection while Peter represents faith or truth. While truth is the means of acting, as Peter does, love is the means of connecting, which is what John did. And why did Peter need to grab his cloak and put it on? Clothing in the Word represents the truths about spiritual things that all people may have if they look for them. It is the particular truths that form Peter as a disciple, "Thou art the Christ" (Matthew 16:16-18) that he answers to the Lord, and this truth is the rock of the Christian church. Having this truth as part of himself is necessary to meet the Lord.

When they are all on shore, Jesus says to them to bring some of the fish they have caught, so Peter goes to the water and drags the full net up onto the sand and counts out the fish, one hundred and fifty three. Then Jesus invites them all to come and eat.

Now a strange comment is put into the story: "…none of the disciples durst ask him, 'who art thou?', knowing that it was the Lord." (John 21:12). It seems that they should have known. They had been following Him for several years. I wonder if this is a reminder that the Christian church has yet to understand the true reality of the Lord - was He God, or was He man? The Catholic church argued this for more than three hundred years, and the council that was supposed to decide came up with three separate persons, Father, Son, and Holy Spirit, all in one Godhead. Some of the Christian churches of today seem to focus on two, the Father, and a Son born from eternity, who apparently both rule together.

The New Christian Church understands that Jesus was born both God and man but that there was a slow but inevitable change going on during His lifetime. He was born with God, Jehovah, as His inmost, and a human heredity and body from Mary as a covering or cloak over this inmost. Mary was, you may recall, of the royal house of David, so her heredity was both strong and inclusive, and thus represented all that was connected to the Jewish form of worship. During Jesus' life (and starting early, though we don't know just how early), He put off things from Mary, and put on what was a corresponding Divine, from His inmost, in its place, until on Easter morning He was wholly divine, with all that came from His mother being dispersed and gone. There is only One God.

Why is it that in this little story the number of fishes that were caught in the net is mentioned, and why does it seem now so important that Peter took the time to count them as everyone waited? Something that has been revealed to the New Christian Church is that all the numbers used in the stories of the Word have a meaning that belongs to that number even outside the literal use in the story. The number 153 can be seen as the combination of 150 and 3, and both of these are strongly meaningful. Starting with the "three", there should be little doubt that it means something since it is used so often. Jesus rose on the third day. Also three is the number of things that, put together, make anything complete, the wish or desire to do it, the knowledge of how to do it, and the actual doing. This is true of any task - from baking a cake right up to the Lord's love, His wisdom, and His act put forth in creating the universe. One hundred and fifty is not so plain. I am aware of only two places it is used in the Word, and we are told that it means a total change, an ending of something and the beginning of something different. It is used here and in the story of the flood, at the end of Genesis 7 and in Genesis 8:3; "And the waters prevailed upon the earth an hundred and fifty days." "… And the waters returned from off the earth continually; and after the end of the one hundred and fifty days the waters were abated." The use here is that it means the end of the Church called "Adam" and the start of the church called "Noah" (See on this website "The Churches", and for the meaning, see Arcana Coelestia 812, 846). In the story we are considering it means the end of the Church called Israel and the start of the Christian church, though that is probably complete a day or two later when the Lord meets with all of His disciples on the mountain and sends them out to preach and heal.

This first part of this story ends with all of the seven disciples on the shore with Jesus, and His giving to them a breakfast of bread and roasted fish. With this giving, perhaps they all fully realized who He was, as with the two disciples at Emmaus. The Gospel comments, "This is now the third time that Jesus showed Himself to his disciples after that He was risen from the dead.

326. (5:9) And they sang a new song. That this signifies acknowledgment and confession from joy of heart, appears from the signification of a song, as denoting acknowledgment and confession from joy of heart, here acknowledgment and confession that the Lord, as to the Divine Human has all power in the heavens and on the earths. The reason why confession has reference to it, is, because it is the subject treated of here. The reason why to sing a song signifies confession from joy of heart, is, because joy of heart puts itself forth by singing, when it is in its fulness; and the reason that this is done by singing is because when the heart is full of joy and thence the thought also, it then pours itself forth in singing - the very joy of the heart in the sound of the singing, and the joy of the thought thence in the song. The quality of the joy of the thought is presented by the expressions of the song, that are conformable and agreeable to what is in the thought from the heart; and the quality of the joy of the heart, by the harmony; and the amount of the joy thereof, by the elevation of the sound and of the expressions therein. All these things flow as it were spontaneously from the joy itself, and for this reason, that the whole heaven is formed according to the affections of good and truth, the highest heaven according to the affections of good, and the middle heaven according to the affections of truth; consequently, it is also formed according to joys, for all joy is from affection or from love; hence it is that in all angelic discourse there is a certain harmony. (But these things can be better known and proved from what is said and shown in the work concerning Heaven and Hell, namely, that the thoughts and affections of angels proceed according to the form of heaven, n. 200-212, and 265-275; and that hence there is a certain harmony in their speech, n. 242; also that the sound of the speech of angels corresponds to their affections, and the articulations of sound, which are the expressions, correspond to the ideas of the thought that is from the affection, n. 236, 241; and, moreover, in the Arcana Coelestia 1648, 1649, 2595, [2596] ¹ , 3350, 5182, 8115.) Hence it is clear that the harmony of singing, and also the musical art, which can express the various kinds of affections, and be applied to things or circumstances, are from the spiritual world, and not from the natural, as is supposed (concerning which see also the work concerning Heaven and Hell 241).

[2] This is the reason that many kinds of musical instruments were used in sacred worship among the Jewish and Israelitish nation, of which some had reference to the affections of celestial good, and some to the affections of spiritual good, and to the joys thence, which were spread abroad. The stringed instruments had reference to the affections of spiritual good, and the wind instruments to the affections of celestial good, to which also singing with songs was associated, by which things agreeing with the sounds of the affections were formed. All the psalms of David were of this nature, therefore they are called psalms (psalmi), from playing, (psallere), and also songs. From these considerations it may also be evident why it is said that the four animals and twenty-four elders had harps, and also sang this song.

[3] That singing and to sing a song, signify acknowledgment and confession from joy of heart, appears from the following passages. In Isaiah:

"In that day thou shalt say, I will confess Jehovah, O God of my salvation, I will trust, I will not be afraid; for Jah is my strength and song; Jehovah was my salvation. Then ye shall draw waters out of the wells of salvation. And in that day ye shall say, Confess Jehovah, call upon his name, sing unto Jehovah. Cry out and shout, thou inhabitant of Zion, for great is the Holy One of Israel in the midst of thee" (12:1-6).

Thus is described confession from joy of heart on account of the Lord's advent, and His Divine power in saving the human race. That it denotes confession is evident, for it is first said, I will confess Jehovah, and also, afterwards, confess Jehovah. The confession, that the Lord from His Divine power would save mankind, is described by these words, "God of my salvation, I will trust, I will not be afraid, for he is my strength, he also was my salvation. Then ye shall draw waters out of the wells of salvation in that day; great is the Holy One of Israel in the midst of thee." In that day, denotes when the Lord shall come; the Holy One of Israel is the Lord; the joy thence, which is the joy of confession, is described by, Sing unto Jehovah, cry out and shout, thou inhabitant of Zion; the inhabitant and daughter of Zion denote the church, where the Lord is worshipped. The song Jah, signifies the celebration and glorification of the Lord.

[4] In the same:

"Sing unto Jehovah a new song, his praise, O end of the earth. Let the wilderness and the cities thereof lift up their voice, let the inhabitants of the rock sing, let them shout from the top of the mountains" (42:10, 11).

Here also the Lord's advent is treated of, and the establishment of the church among those who were outside the church or with those where the Word was not, and the Lord was not before known. To sing a new song, signifies confession from joy of heart; to sing praise, O end of the earth, signifies the confession of those who are remote from the church; the end of the earth is where that which pertains to the church terminates, the earth denoting the church; the wilderness and the cities thereof which lift up the voice, signify those with whom there is no good because there is no truth, which they nevertheless desire; the inhabitants of the rock, signify the good of faith pertaining to them; the top of the mountains, signifies the good of love pertaining to them; to sing and to shout, signify confession thence from joy of mind and heart.

[5] In the same:

"Jehovah shall comfort Zion; he will comfort all her waste places; and he will make her wilderness like Eden, and her solitude like the garden of Jehovah; joy and gladness shall be found therein, confession and the voice of singing" (51:3; 52:8, 9).

These words also refer to the Lord's advent and the establishment of the church, which at that time was vastated or destroyed. By Zion is signified the church where the Lord is to be worshipped; by her waste places is signified a lack of truth and good from a want of knowledge; by making her wilderness like Eden, and her solitude like the garden of Jehovah, is signified that they shall have truth and good in abundance; wilderness is predicated of the want of good, and solitude of the want of truth; Eden signifies good in abundance, and the garden of Jehovah signifies truth in abundance. Because singing and a song signify confession from joy of heart, therefore it is said joy and gladness shall be therein, confession and the voice of singing; the voice of singing denoting [the same as] a song.

[6] In Lamentations:

"The elders have ceased from the gate, the young men from singing. The joy of our heart has ceased" (5:14, 15).

The elders have ceased from the gate, signifies that those who are in truths from good, or, in the abstract, truths from good, by which introduction into the church takes place, are no more; the young men have ceased from singing, signifies that truths themselves are deprived of their spiritual affection, and thence of their joy; and because this is signified it is said, "The joy of our heart has ceased."

[7] In Ezekiel:

"I will cause the noise of thy songs to cease; and the sound of the harps shall be no more heard" (26:13).

The noise of the songs signifies the joys of confessions; the sound of the harps signifies gladness from spiritual truths and goods.

[8] In David:

"Jehovah is my strength and my shield; my heart rejoiceth, and with my song will I confess him" (28:7).

Because a song signifies confession from joy of heart, therefore it is said, "my heart rejoiceth, and with my song will I confess him."

[9] In the same:

"Sing, ye just in Jehovah. Confess Jehovah upon the harp; sing unto him with an instrument of ten strings. Sing unto him a new song; play excellently with a loud noise" (Psalms 33:1-3).

Because joy of heart arises from celestial and spiritual love, it is therefore said, "Sing, ye just in Jehovah; confess Jehovah upon the harp; sing unto him with an instrument of ten strings." Sing, ye just is predicated of those who are in celestial love; confess upon the harp and play upon the psaltery, of those who are in spiritual love. That they are called just who are in celestial love, may be seen above, n. 204, and that the harp and psaltery are predicated of those who are in spiritual good, n. 323. And because singing denotes confession from the joy arising from those loves, therefore it is said, "Confess Jehovah, sing unto him a new song." The exaltation of joy from its fulness is signified by play excellently with a loud noise.

[10] In the same:

"I will praise the name of God with a song, and will magnify him by confession" (Psalms 69:30).

Again:

"When I shall have gone with them to the house of God with the voice of singing and confession; the multitude keeping holiday" (Psalms 42:4).

Again:

"Confess ye Jehovah; call upon his name. Sing unto him, sing psalms unto him" (Psalms 105:1, 2; 149:1).

Again:

"I will confess Jehovah according to his justice; and I will sing unto the name of Jehovah most high" (Psalms 7:17).

Again:

"My heart is fixed, O God, my heart is prepared; I will praise. Awake, my glory; awake, psaltery and harp. I will confess thee, O Lord, among the nations; I will sing unto thee among the peoples" (Psalms 57:7-9).

Because to sing a song signifies confession from joy of heart, therefore in these passages two expressions are used, to confess and to sing, confession and a song, the voice of singing and of confession.

[11] Where the Lord's advent is treated of a new song is spoken of, and that the earth, the sea, the field, the forest, the trees, Lebanon, the wilderness, and many other things, should rejoice and exult, as in the following passages: In David:

"O sing unto Jehovah a new song. Make a loud noise unto Jehovah, all the earth; play, rejoice, and sing, with the harp and the voice of a song; with trumpets, and with the sound of the horn, make a loud noise before Jehovah the King. Let the sea and all the fulness thereof give forth a sound; the world, and they that dwell therein. Let the floods clap their hands; let the mountains be joyful together" (Psalms 98:1, 4-8).

Again:

"O sing unto Jehovah a new song; sing unto Jehovah, all the earth. Sing unto Jehovah, bless his name; make known his salvation from day to day. The heavens shall be glad and the earth shall rejoice; the sea shall be moved and all the fulness thereof; the field shall exult and all that is therein, then shall all the trees of the forest sing" (Psalms 96:1, 2, 11, 12).

Again:

"Sing unto Jehovah a new song, his praise in the congregation of the saints. Let Israel rejoice in his makers, the sons of Zion in their King. Let them praise his name in the dance; let them sing praises unto him with the timbrel and harp" (Psalms 149:1-3).

In Isaiah:

"Sing unto Jehovah a new song; his praise, ye ends of the earth. Let the wilderness and the cities thereof lift up the voice " (Isaiah 43:10, 11).

Again:

"Sing, O ye heavens, for Jehovah hath done it; shout, ye lower parts of the earth; break forth into singing, ye mountains, forest, and every tree therein; for Jehovah hath redeemed Jacob, and hath shown himself glorious in Israel" (44:23; 49:13).

The subjects treated of in these passages are the Lord, His advent, and salvation by Him; and because these things were about to take place, therefore a new song is mentioned; the joy thence arising is described not only by singing, playing, making a loud noise, being joyful, clapping the hands, but also by various musical instruments, which in sound are in agreement. So also that the rivers, the sea, the field, the forests, the trees therein, Lebanon, the wilderness, the mountains, and many other things, should rejoice, exult, be joyful, sing, clap the hands, and cry aloud together.

The reason why similar things are predicated of those objects is, because they signify such things as pertain to the church, and, consequently, such things as the man of the church possesses; the rivers, the things of intelligence; the sea, the things of science, which are in agreement with truths and goods; the field, the good of the church; forests, the truths of the natural man; the trees, knowledges; Lebanon, spiritual truth and good; the wilderness, the desire of truth that thence good may be attained; and the mountains, the goods of love. All these things are said to sing, to make a loud noise, to rejoice, to cry aloud and clap the hands, when they are from heaven, for then heavenly joy is in them, and thereby in man; for man is not in heavenly joy unless those things which he possesses, which are truths and goods, are from heaven, hence the joy of heart, which is truly joy, and the joy of the man with whom these things are. It is, consequently, evident why it is that the same is said of them as of man, namely, because joy is in them and thereby in man; such joy is in every spiritual and celestial good, and thence in those with whom those goods are; for heaven flows in with its joy, that is, the Lord through heaven, into the goods and the truths thence, which are from Him with man, and thereby into the man, and not into the man destitute of or without them. Those goods and the truths thence are what from influx out of heaven exult, rejoice, make a loud noise, sing, play, that is, are glad, and thence [affect] the heart of man.

[12] Because there are various affections of good and truth, and each expresses itself by an appropriate sound, therefore in the Word, especially in David, various kinds of instruments are mentioned, by which similar affections are signified. He who has become acquainted with the internal sense of the Word, and at the same time with the sounds of the instruments there named, may know the particular affection that is there signified and described; the angels know this from the mention of them alone, and at the same time from the thing described there in its own expressions, when one reads the Word. Thus, for example, in David:

"Clap your hands, all ye peoples; sing together unto God with the voice of a song; God is gone up with a shout, Jehovah with the voice of a trumpet; Sing unto God, sing unto our King, for God is the King of all the earth; sing ye with understanding" (Psalms 47:1, 5-7).

Again:

"They have seen thy goings, O God; the goings of my God. The singers went before, the players on instruments after, in the midst of the virgins playing with timbrels" (Psalms 68:24, 25).

Again:

"Shout unto God our strength; call unto the God of Jacob. Raise a song, and strike the timbrel, the pleasant harp with the psaltery. Blow the trumpet in the month" (Psalms 81:1-3).

Again:

"Praise God with the sound of the trumpet; with the psaltery and harp; with the timbrel and dance; with the lute and the organ, with the soft cymbals; and with the loud cymbals" (Psalms 150:1, 3-5).

All the instruments here mentioned signify affections, each its own, and this from the agreement of their sound; for it is the affections that produce the varieties of sounds with men, whence the affections are also known from the sounds, as said above in this article.

[13] To these observations I will add an Arcanum: the angels who in heaven constitute the Lord's celestial kingdom, draw the internal sense of the Word from the affection alone of a man when he reads the Word; this results also from the sound of the expressions in the original tongue. But the angels who are in the Lord's spiritual kingdom, draw the internal sense from the truths which the expressions contain; hence from the celestial kingdom, the man who is in spiritual affection has joy of heart; and from the spiritual kingdom, confession from that joy. The sounds of the musical instruments that are there mentioned, elevate the affection, and the truths from it. That this is so, those skilled in the art of music know. For this reason the Psalms of David are called psalms (psalmi) from playing (psallere), and also songs from singing; for they were played and sung with the sounds of various instruments. That they were called Psalms by David is known, because several of them are so inscribed. Those, however, that are called songs, are the following: Psalms 18:1; 33:1, 2; 45:1; 46:1; 48:1; 65:1; 66:1; 67:1; 68:1; 75:1; 76:1; [83:1;] 87:1; 88:1; 92:1; 96:1; 98:1; 108:1; 120:1; 121:1; 122:1; 123:1; 124:1 125:1; 126:1; 127:1; 128:1; 129:1; 130:1; 131:1; 132:1; 133:1; 134:1. Many other passages might be adduced from the Word respecting singing and a song, and it might be shown that they signify confessions from joy of heart; they are omitted because of their number; those adduced are sufficient.

Imibhalo yaphansi: