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Joshua 2:21

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21 And she saith, `According unto your words, so it [is];' and she sendeth them away, and they go; and she bindeth the scarlet line to the window.

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Exploring the Meaning of Joshua 2

Napsal(a) New Christian Bible Study Staff, Julian Duckworth

Joshua Chapter 2: Rahab hides the Israelite spies

Chapter 2 is the fascinating story of the prostitute Rahab, whose house is on the wall of the city of Jericho. Joshua sends two spies to see what Jericho is like, because Jericho lies opposite where they will be crossing the river Jordan. Rahab takes these spies into her house and hides them from the king’s messengers, who come and demand that she hand the men over. Rahab says the men have been and gone, and the king’s messengers leave. She then tells the men hidden on the roof that she knows that the God of Israel will give Jericho into the hands of Israel as he has made them victorious up to this time.

She asks them for kindness for everyone in her family just as she has been kind in hiding and so saving them. The two spies give her their promise and she lets them escape down a cord from her window on the city wall. The men tell her that their promise will be void unless she hangs a scarlet cord in her window and brings all her family into her house. Rahab agrees, and the men escape and return to Joshua, telling him everything and saying that God has given them the city.

There are several rich and important spiritual meanings in this very graphic story. First, we should appreciate that the spies do not seem to go anywhere else in Jericho than to Rahab! The point is, they don’t need to, because Rahab’s prostitution – selling her body for men to enjoy – represents the quality of the whole city of Jericho, which stands almost directly opposite where Israel will cross the Jordan. It must and will be taken. (See Doctrine of Life 46).

In this story, Jericho stands for a sensual life. It's the sort of life that comes into play when anything we know about God’s truth gets perverted and rejected as nothing. No truth, no values, no conscience, nothing! (See Arcana Caelestia 2973[6].) This is why the story involves the prostitute Rahab, because she pictures that level of life.

But Rahab sees herself for what she is and for what her city is, and she knows that with the God of the Israelites coming, there is no future for Jericho. She believes the future lies with Israel and their God.

So what we have in this story is a sinful woman whose mind and heart and actions turn towards repentance, and even a genuine worship and acknowledgement of God. For us, it is the picture of our unspiritual or natural life which is self-gratifying, hedonistic, pleasure-seeking and opportunistic. But hopefully for us it is also the picture of our wish and our intention to believe in and follow God (Arcana Caelestia 5639[2]). If we have that wish and work towards it, as with Rahab, it will eventually save us from ourselves and save everything about us (all Rahab’s family).

Next, we should look at these two men who are to spy out Jericho but who go in to Rahab.

Perhaps a better word than to ‘spy’ is to ‘espy’ which means to observe but even more to take a very long hard look at how a situation is. If we direct that to ourselves we are talking about real self-examination, about looking at how we have been and what we have thought, said and done, or not. We can only examine ourselves properly if we have begun to take on various values and truths, and look at ourselves in their light (Doctrine of Life 6).

There are two men, not one, and this is because our spiritual life involves a love for what is true and a love for what is good (Arcana Caelestia 5194). When we love and want to live by what is true, then things we know becomes things we feel and we have delight in them and doing them.

Lastly, note how these two men are hidden by Rahab high up on the roof, under her drying flax stalks. In the Word, anything up high is a picture of being closer to God, nearer to what is true (Divine Love and Wisdom 103). We see more high up! And the flax is the fibre from which our spiritual clothing – these truths again – can be made. And flax provides linen which was used for the high priest’s robes.

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Arcana Coelestia # 4653

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4653. The spirits who correspond to hearing, that is, those who constitute the province of the ear, are ones who lead lives of simple obedience; that is to say, they do not use reason to establish whether a thing is true but believe it to be so because others say it is. They may therefore be called 'obediences'. The reason why they are as they are is that the relationship of hearing to speech is like what is passive to what is active, and so like a person who hears and acquiesces in what another says. This also explains why in everyday speech hearing someone may mean being obedient to him, and to hearken to his voice to obey him. For the deeper meanings which human utterances possess have their origin for the most part in correspondence, the reason being that man's spirit exists among spirits in the next life, and exercises its power of thought there, though man himself has no knowledge at all of this and one interested solely in the body has no wish to know it.

[4653a] There are many different kinds of spirits who correspond to the ear, that is, to its functions and duties. There are those who correlate with the specific parts of that organ - those who correlate with the outer ear; those who do so with the membrane there which is called the ear-drum, the interior membranes termed fenestrae; and those who correlate with the malleus, the stapes, the incus, the cylinders, and the cochlea. There are also those who correlate with parts more interior still, including those immaterial or insubstantial parts that are closer to the spirit. Lastly there are those spirits, within the spirit itself, who are linked ultimately - at the most internal point - to spirits belonging to internal sight, from whom they differ in that they themselves are not so discerning, yet, like those who are passively obedient, support them.

  
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Thanks to the Swedenborg Society for the permission to use this translation.