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Éxodo 28

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1 Harás allegar a ti a Aarón tu hermano, y a sus hijos consigo, de entre los hijos de Israel, para que sean mis sacerdotes; a Aarón, Nadab y Abiú, Eleazar e Itamar, hijos de Aarón.

2 Y harás vestidos santos para Aarón tu hermano, para honra y hermosura.

3 Y tú hablarás a todos los sabios de corazón, a quienes yo he llenado de Espíritu de sabiduría; para que hagan los vestidos de Aarón, para santificarle para que sea mi sacerdote.

4 Los vestidos que harán serán estos: el pectoral, el efod, el manto, la túnica bordada, la mitra, y el cinturón. Hagan, pues, los santos vestidos a Aarón tu hermano, y a sus hijos, para que sean mis sacerdotes.

5 Los cuales tomarán oro, y cárdeno, y púrpura, y carmesí, y lino fino,

6 y harán el efod de oro y cárdeno, y púrpura, y carmesí, y lino torcido de obra de bordador.

7 Tendrá dos hombreras que se junten a sus dos lados, y así se juntará.

8 Y el artificio de su cinto que estará sobre él, será de su misma obra, de lo mismo; de oro, cárdeno, y púrpura, y carmesí, y lino torcido.

9 Y tomarás dos piedras de ónice, y grabarás en ellas los nombres de los hijos de Israel:

10 Los seis nombres en una piedra, y los otros seis nombres en la otra piedra, conforme al nacimiento de ellos.

11 De obra de grabador en piedra a modo de grabaduras de sello, harás grabar aquellas dos piedras con los nombres de los hijos de Israel; les harás alrededor engastes de oro.

12 Y pondrás aquellas dos piedras sobre los hombros del efod, serán piedras de memoria a los hijos de Israel; y Aarón llevará los nombres de ellos delante del SEÑOR en sus dos hombros por memoria.

13 Y harás los engastes de oro,

14 y dos cadenillas de oro fino; las cuales harás de hechura de trenza; y fijarás las cadenas de hechura de trenza en los engastes.

15 Harás asimismo el pectoral del juicio de primorosa obra, le has de hacer conforme a la obra del efod, de oro, y cárdeno, y púrpura, y carmesí, y lino torcido.

16 Será cuadrado y doble, de un palmo de largo y un palmo de ancho;

17 y lo llenarás de pedrería con cuatro órdenes de piedras. El orden: un rubí, una esmeralda, y una crisólita, será el primer orden;

18 El segundo orden, un carbunclo, un zafiro, y un diamante;

19 el tercer orden, un topacio, una turquesa, y una amatista;

20 y el cuarto orden, un tarsis (o berilo ), un onix, y un jaspe; estarán engastadas en oro en sus encajes.

21 Y serán aquellas piedras según los nombres de los hijos de Israel, doce según sus nombres; como grabaduras de sello cada una según su nombre, serán a las doce tribus.

22 Harás también en el pectoral cadenetas de hechura de trenzas de oro fino.

23 Y harás en el pectoral dos anillos de oro, los cuales pondrás a los dos extremos del pectoral.

24 Y pondrás las dos trenzas de oro en los dos anillos a los dos extremos del pectoral;

25 y pondrás los dos extremos de las dos trenzas sobre los dos engastes, y las pondrás a los lados del efod en la parte delantera.

26 Harás también dos anillos de oro, los cuales pondrás a los dos extremos del pectoral, en su orilla que está al lado del efod de la parte de adentro.

27 Harás asimismo dos anillos de oro, los cuales pondrás a los dos lados del efod abajo en la parte delantera, delante de su juntura sobre el cinto del efod.

28 Y juntarán el pectoral con sus anillos a los anillos del efod con un cordón de cárdeno, para que esté sobre el cinto del efod, y no se aparte el pectoral del efod.

29 Y llevará Aarón los nombres de los hijos de Israel en el pectoral del juicio sobre su corazón, cuando entrare en el santuario, en memoria delante del SEÑOR continuamente.

30 Y pondrás en el pectoral del juicio Urim y Tumim, para que estén sobre el corazón de Aarón cuando entrare delante del SEÑOR; y llevará siempre Aarón el juicio de los hijos de Israel sobre su corazón delante del SEÑOR.

31 Harás el manto del efod todo de cárdeno.

32 Y tendrá el collar de su cabeza en medio de él, el cual tendrá un borde alrededor de obra de tejedor, como un collar de un coselete, para que no se rompa.

33 Y harás en sus orladuras granadas de cárdeno, y púrpura, y carmesí, por sus orladuras alrededor; y entre ellas campanillas de oro alrededor.

34 Una campanilla de oro y una granada, otra campanilla de oro y otra granada, por las orladuras del manto alrededor.

35 Y estará sobre Aarón cuando ministrare; y se oirá su sonido cuando él entrare en el santuario delante del SEÑOR y cuando saliere; para que no muera.

36 Harás además una plancha de oro fino, y grabarás en ella grabadura de sello, SANTIDAD AL SEÑOR.

37 Y la pondrás con un cordón cárdeno, y estará sobre la mitra; por la parte delantera de la mitra estará.

38 Y estará sobre la frente de Aarón; y Aarón llevará el pecado de las santificaciones, que los hijos de Israel santificaren en todas las ofrendas de sus santificaciones; y sobre su frente estará continuamente para que hallen gracia delante del SEÑOR.

39 Y bordarás una túnica de lino, y harás una mitra de lino; harás también un cinto de obra de recamador.

40 Y para los hijos de Aarón harás túnicas; también les harás cintos, y les formarás chapeos tiaras para honra y hermosura.

41 Y con ellos vestirás a Aarón tu hermano, y a sus hijos con él; y los ungirás, y llenarás sus manos, y santificarás, para que sean mis sacerdotes.

42 Y les harás calzoncillos de lino para cubrir la carne vergonzosa; serán desde los lomos hasta los muslos:

43 Y estarán sobre Aarón y sobre sus hijos cuando entraren en el tabernáculo del testimonio, o cuando se llegaren al altar para servir en el santuario, para que no lleven pecado, y mueran. Estatuto perpetuo para él, y para su simiente después de él.

   

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Arcana Coelestia # 9873

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9873. From all this it can now be seen what was signified by “the twelve precious stones” in the breastplate of judgment, namely, all the goods and truths of heaven in their order. Heaven is divided into two kingdoms, the celestial and the spiritual. The good of the celestial kingdom was represented by the first two rows, which were on the right side of the breastplate; and the good of the spiritual kingdom by the following two rows, which were on the left side. The internal good of the celestial kingdom is the good of love to the Lord, and this good is what is meant by “the celestial love of good;” and the external good of the celestial kingdom is the good of mutual love, and this good is what is meant by “the celestial love of truth.” The internal good of the spiritual kingdom is the good of charity toward the neighbor, and this good is what is meant by “the spiritual love of good;” and the external good of the spiritual kingdom is the good of faith, and this good is what is meant by “the spiritual love of truth” (That goods and truths in this order constitute the heavens, see n. 9468, 9473, 9680, 9683, 9780)

[2] From this it is now evident what was represented by the twelve stones, which were called “the Urim and Thummim.” But in what manner Divine truths, which were answers, were shown by them, will be told below (n. 9905). That the good of love was in the first place among them, and the truth of faith in the last place, is evident from the first stone, which was a ruby, and the last, which was a jasper; thus from the color of the first stone which was red, and of the last stone which was white, both of them being translucent. (That “red” signifies the good of love, see n. 3300, 9467; and that “white” signifies the truth of faith, n. 3301, 3993, 4007, 5319)

[3] The like that was signified by the stones in the breastplate was also signified by the materials interwoven in the ephod. The ephod was woven of blue, of crimson, of scarlet double-dyed, and of fine linen, as appears from the sixth verse of the present chapter; and by “the blue” was signified the truth of celestial love, by “the crimson,” the good of celestial love, by “the scarlet double-dyed,” the good of spiritual love, and by “the fine linen,” the truth of spiritual love (n. 9833). The reason was that “the ephod” signified heaven in ultimates, in like manner as “the breastplate” (n. 9824); but the goods and truths are there enumerated in a different order, because “the ephod” signified the spiritual heaven, while “the breastplate” signified the whole heaven from first to last. And as the Habitation with the Tent also represented heaven (n. 9457, 9481, 9485, 9615), therefore the materials of which the curtains and the veils were interwoven consisted in like manner of blue, of crimson, of scarlet double-dyed, and of fine linen (see Exodus 26:1, 31, 36, and 27:16; also n. 9466-9469).

[4] Be it known further that in a general sense “the SAPPHIRE” signifies the external of the celestial kingdom, and “the ONYX” the external of the spiritual kingdom; and as these two stones had this signification, they were the middle stones of the last rows; namely, the sapphire was the middle stone of the second row, and the onyx the middle stone of the fourth row. The stones of the second row signified the external good of the celestial kingdom, which is called “the celestial love of truth,” and the stones of the fourth row signified the external good of the spiritual kingdom, which is called “the spiritual love of truth;” as may be seen from what has been said about them in this article above.

[5] That “the sapphire” signifies the external of the celestial kingdom is evident from the passages in the Word where it is mentioned, as in the book of Exodus:

Seventy of the elders saw the God of Israel; and there was under His feet as it were a work of sapphire, and as the substance of heaven in respect to cleanness (Exodus 24:10).

Thus is described the external of the celestial kingdom, for it is said “under His feet,” by which is meant what is external; and where “the God of Israel” is, that is, the Lord, there is heaven.

In Isaiah:

O thou afflicted, and tossed with tempests, and not comforted, behold I set thy stones with antimony, and lay thy foundations in sapphires (Isaiah 54:11).

In this chapter the subject treated of is the celestial kingdom; “the foundations which are laid in sapphires” denote the external things of this kingdom, for the foundations are laid underneath.

[6] In Jeremiah:

Her Nazirites were whiter than snow; they were brighter than milk, their bones were more ruddy than pearls, a sapphire was their polishing (Lam. 4:7).

The Nazirites represented the celestial man; therefore it is said that “a sapphire was their polishing;” the “polishing” denotes what is external.

In Ezekiel:

Above the expanse that was over the head of the cherubs was the likeness of a throne, as the appearance of a sapphire stone; and upon the likeness of the throne was as it were the appearance of a man sitting upon it (Ezekiel 1:26; 10:1).

Here also the external of the celestial kingdom is described by “a sapphire;” for that which is above the expanse, or round about it, denotes what is without; the inmost being denoted by “him that sitteth upon the throne.”

[7] As “the sapphire stone” signifies the external of the celestial kingdom, so “the onyx stone” signifies the external of the spiritual kingdom. Therefore this was the stone that was put on the two shoulderpieces of the ephod with the names of the sons of Israel engraved upon it (see verses 9 to 14 of this chapter); for by the ephod was represented the external of the spiritual kingdom (n. 9824). As in a general sense “the onyx” and “the sapphire” signified the external things of the two heavens, they were placed, as before said, in the middle of the three stones of the second and fourth rows; for the middle involves the whole (as was shown above in connection with the robe, by which in a general sense was represented the spiritual kingdom, because it was in the middle, n. 9825). As these two stones involve all that is signified by the rest in these rows, therefore it is said in Job:

Wisdom cannot be compared to the gold of Ophir, to the precious onyx, and the sapphire (Job 28:16).

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.

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Arcana Coelestia # 5319

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5319. And clothed him in garments of fine linen. That this signifies an external significative of the celestial of the spiritual, and that “garments of fine linen” denote truths from the Divine, is manifest from the signification of “garments” as being truths (see n. 1073, 2576, 4545, 4763, 5248). That “garments of fine linen” are truths from the Divine, is because a garment made of fine linen was of purest white and lustrous; and truth from the Divine is represented by garments of such whiteness and luster. The reason is, that the shining whiteness and luster of heaven is from the light that is from the Lord, and this light is the Divine truth itself (n. 1053, 1521-1533, 1619-1632, 2776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219); and therefore when the Lord was transfigured before Peter, James, and John, His garments appeared “as the light” (Matthew 17:2); “shining, exceeding white as snow, so as no fuller on earth can whiten them” (Mark 9:3); and “glistening” (Luke 9:29). It was the Divine truth itself that is from the Lord’s Divine Human that was thus represented. Yet it is exterior truths that are represented by the white radiance of garments in the heavens, and interior truths by the brightness and resplendence of the face. Hence it is that to be “clothed in garments of fine linen” is here an external significative of the truth proceeding from the celestial of the spiritual; for it was in this that the Divine of the Lord then was.

[2] By “fine linen” and “garments of fine linen” in other parts of the Word also is signified truth from the Divine, as in Ezekiel:

I clothed thee with broidered work, and shod thee with badger, and I girded thee with fine linen, and covered thee with silk; thus wast thou decked with gold and silver, and thy garments were of fine linen and silk and broidered work (Ezekiel 16:10, 13);

speaking of Jerusalem, by which in these verses is meant the Ancient Church. The truths of that church are described by “garments of broidered work, fine linen, and silk,” and by being “decked with gold and silver.” By “broidered work” are signified truths that are a matter of memory-knowledge; by “fine linen,” natural truths; and by “silk,” spiritual truths.

[3] Again:

Of fine linen in broidered work from Egypt was thy sail, that it might be to thee for an ensign; blue and crimson from the Isles of Elishah was thy covering (Ezekiel 27:7);

speaking of Tyre, by which also is meant the Ancient Church, but as to knowledges of good and truth; and by “fine linen in broidered work from Egypt of which was her sail,” is signified truth from memory-knowledges, as a sign or external significative of that church.

[4] In Revelation:

The merchants of the earth shall weep and mourn over Babylon, for no man buyeth their merchandise any more; merchandise of gold, and silver, and precious stone, and pearl, and fine linen, and crimson, and silk, and every vessel of ivory, and every vessel of most precious wood, and of brass, and iron, and marble (Revelation 18:11-12);

in this passage all and each of the expressions signify such things as are of the church, thus such as are of truth and good; but here in the opposite sense, because spoken of Babylon. Everyone can see that such things would never have been enumerated in the Word which came down from heaven, unless there was something heavenly in each one; for why should mention be made of worldly wares in treating of Babylon, by which is signified the profane church?

[5] Again in the same:

Woe, woe, the great city, she that was clothed in fine linen, and crimson, and scarlet, and gilded with gold, and precious stone, and pearls (Revelation 18:16).

That every detail here signifies some heavenly Divine thing is obvious in the same book, where it is said of fine linen that it is the “righteousness of the saints”:

The time of the wedding of the Lamb is come, and His wife hath made herself ready. Then to her was granted that she should be clothed in fine linen, clean and bright; for the fine linen is the righteousness of the saints (Revelation 19:7-8)

that “fine linen is the righteousness of the saints” is because all who are in truth from the Divine put on the Lord’s righteousness; for their garments are white and shining from the light that is from the Lord, and therefore truth itself is represented in heaven by what is shining white (n. 3301, 3993, 4007). It is for this reason also that they who are taken up into heaven out of a state of vastation appear clad in shining white, because they then put off that which is of their own righteousness, and put on that which is of the Lord’s righteousness.

[6] In order that truth from the Divine might be represented in the Jewish Church, it was commanded that there should be fine linen in the garments of Aaron, and also in the curtains about the ark, as we read in Moses:

For Aaron thou shalt weave the tunic in checker work of fine linen, and thou shalt make a miter of fine linen (Exodus 28:39).

They made the tunics of fine linen the work of the weaver for Aaron, and for his sons (Exodus 39:27).

Thou shalt make the habitation with ten curtains; of fine twined linen, and blue, and crimson, and scarlet double-dyed (Exodus 26:1; 36:8).

Thou shalt make the court of the habitation, there shall be hangings for the court of fine twined linen (Exodus 27:9, 18; 38:9).

The veil for the gate of the court was the work of the embroiderer, of blue, and crimson, and scarlet double-dyed, and fine twined linen (Exodus 37:18).

Fine linen was to be used because all things in the ark and about it, and also all things upon Aaron’s garments, were representative of spiritual and celestial things. This shows how little the Word is understood when it is not known what things like these represent, and that it is scarcely understood at all when it is believed that there is no other holiness in the Word than that which appears in the letter.

[7] That angels who are in truth from the Divine appear clothed as in fine linen, that is, in what is white and shining, appears from Revelation in connection with the “white horse”:

He that sat upon the white horse was clothed in a vesture dipped in blood; and His name is called the Word. His armies in heaven followed Him upon white horses, clothed in fine linen, white and clean (Revelation 19:13-14).

From all this it is very evident that fine linen is an outward thing significative of truth from the Divine; for He that sat upon the white horse is the Lord as to the Word, as is there openly said, and the “Word” is truth itself from the Divine. That the “white horse” is the internal sense of the Word may be seen above (n. 2760-2762); hence “white horses” are truths from the Divine, for all things of the internal sense of the Word are truths from the Divine, and therefore His armies were seen upon white horses, and were clothed in fine linen white and clean.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.