8802. When the jobel ¹ is drawn out. That this signifies with those who have a general perception of celestial good, is evident from the signification of “when the jobel is drawn out,” or what is the same, when the sound of the trumpet is heard, as being a general perception of celestial good; for by “being heard” is signified perception (n. 5017, 8361), and by “the jobel,” or “sound of the trumpet,” is signified celestial good. The reason why celestial good is signified by “the sound of the trumpet,” or “the jobel,” is that from their sounds musical instruments correspond to affections of truth and good; stringed instruments to affections of truth, and wind instruments to affections of good (n. 418-420, 4138, 8337). The trumpet, being a wind instrument, and high-sounding, corresponded to the affection of celestial good; wherefore also the “jubilee,” by which was represented the marriage of good and truth which is in the inmost heaven, was named therefrom. Therefore now it is, that by “when the jobel is drawn out,” is signified those who have a general perception of celestial good. By those who are in a general perception of celestial good are meant those who are intermediate between the Lord’s celestial kingdom and His spiritual kingdom, through whom therefore are effected influx, communication, and conjunction (see just above, n. 8787, 8796). These have extension even into the celestial societies, which is signified by “they shall come up into the mountain.” These intermediate ones are represented by Moses (n. 8787), and also by Aaron, to whom it was granted to go up into the mountain (see verse 24). (What is this extension into the spheres of angelic societies, and that everyone’s extension is such as his good is, see n. 8794.) General perception exists with those who are in spiritual good and can receive a general influx of the good of a higher heaven, in this case, of the inmost heaven. Such are meant by “those who shall come up into the mountain when the jobel is heard.”

Poznámky pod čarou:

418. The former verse treated of celestial things which are of love, but this verse treats of spiritual things which are of faith, and these are expressed by the “harp and organ.” That by stringed instruments, such as harps and the like, are signified the spiritual things of faith, is evident from many considerations. Similar instruments, and also the singing, in the worship of the representative church, represented nothing else, and it was on this account that there were so many singers and musicians, the cause of this representation being that all heavenly joy produces gladness of heart, which was expressed by singing, and in the next place by stringed instruments that emulated and exalted the singing. Every affection of the heart is attended with this: that it produces singing, and consequently what is connected with singing. The affection of the heart is celestial, but the consequent singing is spiritual. That singing and that which resembles it denote what is spiritual, has been evident to me from the angelic choirs, which are of two kinds, celestial and spiritual. The spiritual choirs are easily distinguished from the celestial by their vibrant singing tone [sono canoro alato], comparable to the sound of stringed instruments, of which, by the Divine mercy of the Lord, we shall speak hereafter. The most ancient people referred what was celestial to the province of the heart, and what was spiritual to that of the lungs, and consequently to whatever pertains to the lungs, as do the singing voice and things like it, and therefore the voices or sounds of such instruments. The ground of this was not merely that the heart and lungs represent a kind of marriage, like that of love and faith, but also because the celestial angels belong to the province of the heart, and the spiritual angels to that of the lungs. That such things are meant in the passage before us, may also be known from the fact that this is the Word of the Lord, and that it would be destitute of life if nothing more were implied than that Jubal was the father of such as play upon the harp and the organ; nor is it of any use to anyone to know this.