10406. 'And fashioned it with a chisel' means a product of their own intelligence. This is clear from the meaning of 'fashioning with a chisel', when an idol is the subject, as producing false teachings by the use of one's own intelligence, which happens when the literal sense of the Word is used in support of self-love and love of the world. When these rule a person he does not have any enlightenment from heaven. Instead his own intelligence is what he draws on for all the ideas he acquires; and these he substantiates by means of the literal sense of the Word, which he falsifies by using it in a wrong way and interpreting it in a perverted manner. And after this he favours those ideas because he is the author of them.

[2] Various places throughout the Word contain references to graven images and molded images. People who take the Word entirely literally suppose that no more than idols should be understood by them in those places. Not idols however should be understood but false matters of doctrine upheld by the Church, such as are fashioned by a person himself when guided by some love of his own. Falsities when fashioned in such a way that they may hang together and look like truths are meant by 'a graven image'; and falsities when fused together in support of external kinds of love in such a way that evils look like forms of good are meant by 'a molded image'. And since 'the golden calf' is used to mean both types of falsities it says here that Aaron fashioned it with a chisel, by which the fashioning of falsities to look like truths should be understood; then immediately after it says that he made the gold into a calf of molded [metal], and in verse 24 that he threw it into the fire and the calf came out, by which the fusing together of falsities in support of external kinds of love in order that evils may look like forms of good should be understood. This is also what every matter of doctrine is like that is forged by a person and not by the Lord. Matters of doctrine are forged by the person when that person has his own glory and gain as the end in view; but they are forged by the Lord when the good of the neighbour and the good of the Lord's kingdom are regarded as the end in view.

[3] These kinds of things are meant by 'graven images' and 'molded images' in the following places: In Isaiah,

You will judge unclean the covering of the graven images of your silver, and the clothing of the molded image of your gold. Isaiah 30:22.

'The covering of the graven images of silver' means the appearance presented by falsities, as though they were truths, and 'the clothing of the molded image of gold' means the appearance presented by evils, as though they were forms of good; for 'the covering' and 'the clothing' mean the outward appearances with which they are endued or coated over. 'Silver' means truth, and 'gold' good, and this is why 'the graven images' are said to be 'of silver' and 'the molded image' to be 'of gold'. For the meaning of 'silver' as truth and of 'gold' as good, see 1551, 1552, 5658, 6914, 6917, 9874, 9881.

[4] In the same prophet,

The craftsman casts a graven image, and a goldsmith overlays it with gold, and casts silver chains for it. He seeks for himself a skilled ¹ craftsman to make ready a graven image which is immovable. Isaiah 40:19-20.

This describes a fashioning of falsities so that they may hang together and look as though they were truths. 'A graven image' means such falsity, 'the craftsman' means the person who fashions it by the use of self-intelligence, 'a goldsmith overlays it with gold' means when he makes it to look like what is good, 'casts silver chains for it' means by making it all hang together, 'which is immovable' means which cannot therefore be weakened and destroyed.

[5] In the same prophet,

Makers of the graven image, [all are] vanity; and their most desirable things are profitless. Who has fashioned a god, and cast a molded image, that it may not profit him? All his companions will be ashamed, and the workmen themselves. He fashions the iron with tongs, and works it with the coals, and forms it with sharp hammers; so he makes it with his strong arm ² . He fashions wood, stretches out a cord, and marks it off with a ruler. He makes it into its angles, and marks it out with a ring, and makes it into the form of a man (vir), according to the beauty of a human being, to dwell in the house. Isaiah 44:9-14.

This too describes how false teachings are fashioned so that they may hang together and look like truths and forms of good. Every detail here serves to describe how this is brought about by a person using self-intelligence under the guidance of his own wishes, desire, and love. The truth of this may be seen by those who know that all things in the Word have an inner meaning by means of which they must be understood in a spiritual way. Why else should such a description of fashioning a graven image be given? To the end that it may look like truth and good is the meaning when it says that 'he makes it in the form of a man, according to the beauty of a human being'; for in the internal sense 'a man' means truth and 'a human being' the good of that truth.

[6] In Jeremiah,

Every person has been made stupid by knowledge; every metal-caster has been filled with shame by his graven image, for his molded image is a lie; and there is no spirit in those things. Jeremiah 10:14; 51:17.

Here 'graven image' means that which is the product of self-intelligence, and 'molded image' that which accords with the person's love. This meaning is plainly evident, for it says that a person has been made stupid by knowledge, and every metal-caster has been filled with shame by his graven image, and that his molded image is a lie, 'knowledge' here being self-intelligence, and 'a lie' the falsity of evil; and since those objects have nothing of God within them it says that there is no spirit in those things.

[7] In the same prophet,

O sword against its horses and against its chariots, against its treasures, in order that they may be looted! A drought on its waters, in order that they may dry up! For it is the land of graven images. Jeremiah 50:37-38.

'The land of graven images' means a Church in which falsities reign. This too is perfectly clear from the details of these verses when understood in the spiritual sense. Without that sense what would a sword against horses, against chariots, against treasures, and a drought on waters be but words or sounds that have no spirit within them? But from those details when understood in the internal sense it is evident that these verses describe the destruction of the Church's truths and so the subsequent reign of falsities there, meant by 'the land of graven images'. For 'sword' means falsity engaged in conflict with and destroying truths, 'horses' an enlightened power of understanding, 'chariots' matters of doctrine, 'treasures' cognitions or knowledge of truth and good, 'waters on which there is a drought' the non-existence of truths any longer, and 'the land' the Church.

'Sword' means truth engaged in conflict against falsity, and in the contrary sense falsity engaged in conflict against truths and destroying them, see 2799, 6353, 7102, 8294.

'Horses' means an enlightened power of understanding, 2760-2762, 3217, 6534.

'Chariots' means matters of doctrine, 5321, 8146, 8148, 8215.

'Treasures' means cognitions of truth and good, 10227.

'Waters' means truths, 2702, 3058, 3424, 4976, 5668, 8137, 8138, 8568, 9323, 10238.

'The land' means the Church, see in the places referred to in 9325.

From all this it is evident what 'a drought on the waters, that they may dry up' and what 'the land of graven images' mean.

[8] In Habakkuk,

What profit is a graven image since its image-maker has graven it, and a molded image and a teacher of lies, since the image-maker trusts in the thing he himself has made? Habakkuk 2:18.

From these words too it is evident that 'a graven image' and 'a molded image' are not used to mean a graven image and a molded image but falsity that is being made up and the evil to which the falsity lends support; for it speaks of 'the image-maker' and 'a teacher of lies'.

[9] 'Graven image' and 'molded image' have similar meanings in the following places: In Isaiah,

Babel has fallen, and all the graven images of her gods he has broken ³ to the earth. Isaiah 21:9.

In the same prophet,

They will be greatly ashamed, those trusting in a graven image, saying to a molded image, You are our gods. Isaiah 42:17.

In the same prophet,

I told you, and caused you to hear, lest you should say, My idol has done this; my graven image and my molded image has commanded these things. Isaiah 48:5.

In Hosea,

They have called themselves, and gone from their presence ⁴ . They sacrificed to the baals, and burned incense to graven images. Hosea 11:2.

In Micah,

All the graven images of Samaria will be pounded to pieces, and all her pay as a prostitute will be burned with fire; and all her idols I will make a waste. Micah 1:7.

[10] Since falsities and evils upheld by religious teaching, which are meant by 'graven images and molded images', are forged by a person's self-intelligence under the guidance of his love, the Word also calls them 'the work of human hands', 'the work of the hands of a craftsman', and 'the work of the hands of a workman', as in the following places: In Hosea,

Now they sin more and more, they make for themselves a molded image from their silver, idols by their own intelligence, completely the work of craftsmen. Hosea 13:2.

In Moses,

Cursed is the man who makes a graven or a molded image, an abomination to Jehovah, the work of the hands of the craftsman. Deuteronomy 27:15.

In David,

Their idols are silver and gold, the work of human hands. Psalms 115:4; 135:15.

In Jeremiah,

They burned incense to other gods, and bowed down to the works of their own hands. Jeremiah 1:16.

In the same prophet,

The children of Israel provoked Me to anger through the work of their hands. Jeremiah 32:30; 44:8.

And in the same prophet,

One cuts out wood from the forest, the work of the hands of the workman using an axe. They decorate it with silver and gold; they make it firm with pegs and hammers. Jeremiah 10:3-4.

[11] 'The work of the hands' means that which is a product of the human proprium or self, thus that which is a product of a person's own understanding and a product of his own will; and those things are a product of the self - of both that understanding and that will - that exist as a result of self-love. And this is the origin of all falsities in the Church. Because all falsities are the product of the human self, and 'the work of the hands' means that which originates there, it was forbidden to move an iron tool, axe, or chisel over the stones ⁵ from which an altar and also the temple were built, as is evident in Moses,

If you make for Me an altar of stones, you shall not build it with hewn ones; for if you move your chisel over it you will profane it. Exodus 20:25.

Also in another place,

If you build an altar of stones to Jehovah you shall not move an iron tool over them. Deuteronomy 27:5.

And in the first Book of Kings,

The house was built of whole stone, as it had been brought [there]; for not a hammer or axe, [nor] any tool of iron, was heard in the house while it was being built. 1 Kings 6:7.

These places have been introduced to enable people to know what they should understand by Aaron's fashioning the gold with a chisel and making a calf of molded [metal] out of it.

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3021. 'Put now your hand under my thigh' means being bound, as regards its power, to the good of conjugial love. This is clear from the meaning of 'the hand' as power, dealt with in 878, and from the meaning of 'the thigh' as the good of conjugial love, dealt with in what follows. A binding of this good to that power is indeed the meaning, as is clear from the consideration that those who were bound by an obligation to carry out some matter connected with conjugial love put their hand, according to ancient custom, under the thigh of the one to whom they were so bound, and in so doing swore by him. This was done because 'the thigh' meant conjugial love, and 'the hand' power, or the full extent of whatever one's capability might be. For all parts of the human body correspond to spiritual and celestial things in the Grand Man, which is heaven, as shown in 2996, 2998, and will in the Lord's Divine mercy be shown more extensively later on. The thighs themselves, together with the loins, correspond to conjugial love. Those things were well known to the most ancient people, and for that reason so many customs came down from them, including that of putting their hands under the thigh when being bound by an obligation to carry out something connected with the good of conjugial love. Their knowledge of such things, which was valued most highly by the ancients, and belonged among the chief things that constituted their knowledge and intelligence, is totally lost today, so much so that not even the existence of any such correspondence is known, and for this reason people will probably be astounded that such things are meant by that custom. Here, because the subject is the betrothal of Isaac his son to another member of Abraham's family, and the oldest servant was called on to perform that task, this custom was therefore followed.

[2] It has been stated that 'the thigh', because of its correspondence, means conjugial love, and this may also be seen from other places in the Word, for example, from the procedure to be followed when a woman was accused by her husband of adultery, in Moses,

The priest shall make the woman take the oath of a curse, and the priest shall say to the woman, Jehovah will make you a curse and an oath in the midst of your people, when Jehovah makes your thigh fall away and your belly swell. When he has made her drink the water, then it will happen, if she has defiled herself and committed a trespass against her husband, that the water causing the curse will enter into her and become bitter, and her belly will swell, and her thigh will fall away; and the woman will be a curse in the midst of her people. Numbers 5:21, 27.

'The falling away of the thigh' means the evil of conjugial love, which is adultery. Every other detail in the same procedure had some specific meaning, so that not even the smallest detail fails to embody something, though anyone reading the Word who has no concept of its sacredness will wonder why such things are included there. It is because 'the thigh' means the good of conjugial love that the expression 'those coming out of the thigh' is used frequently, as in a reference to Jacob,

Be fruitful and multiply; a nation and a company of nations will be from you, and kings will go out from your thighs. Genesis 35:11.

And elsewhere in the same author,

Every soul coming with Jacob to Egypt, who came out of his thigh. Genesis 46:26; Exodus 1:5.

And in a reference to Gideon, Gideon had seventy sons, who came out of his thigh. Judges 8:30.

[3] Since 'the thigh' and 'the loins' mean the things that belong to conjugial love they also mean those that belong to love and charity, the reason being that conjugial love underlies every other kind of love, see 686, 2733, 2737-2739. These all have the same source - the heavenly marriage - which is a marriage of good and truth, regarding which see 2727-2759. For 'the thigh' means the good of celestial love and the good of spiritual love, as may be seen from the following places: In John,

He who sat on the white horse had on His robe and on His thigh the name written, King of kings, and Lord of lords. Revelation 19:16.

'He who sat on the white horse' is the Word, and so the Lord, who is the Word, see 2760-2762. 'Robe' means Divine Truth, 2576, and for that reason He is called 'King of kings', 3009. From this it is evident what 'the thigh' means, namely the Divine Good which flows from His love, on account of which He is also named 'Lord of lords', 3004-3011. And this being the Lord's essential nature, it is said that He had a name written on His robe and on His thigh, for 'name' means essential nature, 1896, 2009, 2724, 3006.

[4] In David,

Gird Your sword on Your thigh, O Mighty One, in Your glory and honour! Psalms 45:3.

This refers to the Lord. 'Sword' stands for truth engaged in conflict, 2799, 'thigh' for the good of love. 'Girding the sword on the thigh' means that the truth which He was to use in the fight was allied to the good of love. In Isaiah,

Righteousness will be the girdle of His loins, and truth the girdle of His thighs. Isaiah 11:5.

This too refers to the Lord. Because 'righteousness' has reference to the good that flows from love, 2235, it is called 'the girdle of His loins', while 'truth' because it comes from good, is called 'the girdle of His thighs'. Thus 'loins' is used in reference to the love within good, and 'thighs' to the love within truth.

[5] In the same prophet'

None will be weary, and none will stumble in Him. He will not slumber nor sleep. Nor has the girdle of His thighs been loosed, nor the thong of His shoes torn away. Isaiah 5:27.

This refers to the Lord. 'The girdle of His thighs' stands, as above, for the love within truth. In Jeremiah Jehovah told the prophet to buy a linen girdle and put it over his loins but not dip it in water. He was then told to go away to the Euphrates and hide it in a cleft of the rock. When he went back at a later time to retrieve it from that place it was spoiled, Jeremiah 13:1-7. 'A linen girdle' stands for truth, but the placing of it over his loins was representative of the fact that truth was the outward expression of good. Anyone may see that these actions are representative. Their meaning however cannot be known except from correspondences, which will in the Lord's Divine mercy be dealt with at the ends of certain chapters further on.

[6] It is similar with the meaning of the things seen by Ezekiel, Daniel, and Nebuchadnezzar: Ezekiel saw,

Above the firmament that was above the heads of the cherubim, in appearance like a sapphire stone, there was the likeness of a throne, and above the likeness of a throne, there was a likeness, as the appearance of a Man (Homo) upon it above. And I saw as it were the shape of fiery coals, as the shape of fire, within it round about. From the appearance of His loins and upwards, and from the appearance of His loins and downwards, I saw as it were the appearance of fire, whose brightness was round about it like the appearance of the rainbow which is in the cloud on the day of rain; so was the appearance of the brightness round about, thus was the appearance of the likeness of the Glory of Jehovah. Ezekiel 1:26-28.

This scene was clearly representative of the Lord and His kingdom. 'The appearance of His loins upwards and the appearance, of His loins downwards' is descriptive of His love, as is evident from the meaning of 'fire' as love, 934, and from the meaning of 'brightness' and of 'the rainbow' as wisdom and intelligence from that love, 1042, 1043, 1053.

[7] Daniel saw,

A man clothed in linen whose loins were girded with gold of Uphaz, and whose body was like tarshish, ¹ and whose face was like the appearance of lightning and whose eyes were like fiery torches, and whose arms and feet were like the shine of burnished bronze. Daniel 10:5-6.

What each of these expressions means - the loins, the body, the face, the eyes, the arms, and the feet - does not become clear to anyone except from representations and correspondences involved in these. From these it is evident that in what Daniel saw the Lord's heavenly kingdom was represented, in which Divine Love constitutes the loins, and 'the gold of Uphaz' with which He was girded, the good resulting from wisdom that is grounded in love, 113, 1551, 1552.

[8] In Daniel: Nebuchadnezzar saw a statue whose head was fine gold, breast and arms silver, belly and thighs bronze, feet partly iron, partly clay, Daniel 2:32-33. This statue represented consecutive states of the Church. The head of gold represented the first state, which was celestial because it was a state of love to the Lord; the breast and arms of silver represented the second state, which was spiritual because it was a state of charity towards the neighbour; the belly and thighs of bronze represented the third state, which was a state of natural good meant by 'bronze', 425, 1551 - natural good being love or charity towards the neighbour as this exists on a lower level than spiritual good - while the feet of iron and clay were the fourth state, which was a state of natural truth meant by 'iron', 425, 426, and also a state involving complete lack of cohesion with good, which is meant by 'clay'.

From all this one may see what is meant by the thighs and loins, namely conjugial love primarily, and from this love every genuine kind of love, as is evident from the places quoted and also from Genesis 32:25, 31-32; Isaiah 20:2-4; Nahum 2:1; Psalms 69:23; Exodus 12:11; Luke 12:35-36. The thighs and loins also mean in the contrary sense those loves that are the reverse of conjugial love and all genuine loves, namely self-love and love of the world, 1 Kings 2:5-6; Isaiah 32:10-11; Jeremiah 30:6; 48:37; Ezekiel 29:7; Amos 8:10.

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