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Hoseas 13

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1 Når Efra'im talte, blev alle redde; han raget høit op i Israel; da førte han skyld over sig ved å dyrke Ba'al og døde.

2 Og nu blir de ved å synde og gjøre sig støpte billeder av sitt sølv, avguder efter sin egen forstand, alle sammen håndverkeres arbeid; sådanne er det de taler til - mennesker som ofrer, kysser kalver!

3 Derfor skal de bli som en morgensky, lik duggen som tidlig svinner bort, lik agner som vinden fører bort fra treskeplassen, og som røk fra et røkfang.

4 Men jeg er Herren din Gud fra Egyptens land, og nogen annen Gud enn mig kjenner du ikke, og nogen annen frelser finnes det ikke.

5 Det var jeg som sørget for dig i ørkenen, i det brennhete land.

6 Fordi deres beite var godt, blev de mette; og da de blev mette, ophøiet de sig i sitt hjerte, og så glemte de mig.

7 Da blev jeg mot dem som en løve; som en leopard lurer jeg ved veien;

8 jeg vil møte dem som en bjørn som ungene er tatt fra, og sønderrive deres hjertes dekke*; jeg vil fortære dem som en løvinne; markens ville dyr skal sønderslite dem. / {* d.e. deres bryst.}

9 Det er blitt til din ødeleggelse, Israel, at du har satt dig op imot mig, jeg som er din hjelp.

10 Hvor er da din konge, at han skulde kunne frelse dig i alle dine byer, og dine dommere, om hvem du sa: Gi mig en konge og fyrster?

11 Jeg gir dig en konge i min vrede, og jeg tar ham bort igjen i min harme.

12 Efra'ims misgjerning er samlet i en pung, hans synd er gjemt.

13 Veer som hos en fødende kvinne skal komme over ham. Han er en uforstandig sønn; når tiden er der, kommer han ikke frem i modermunnen.

14 Av dødsrikets vold vil jeg fri dem ut, fra døden vil jeg forløse dem. Død! Hvor er din pest? Dødsrike! Hvor er din sott? Anger er skjult for mine øine*. / {* jeg angrer ikke hvad jeg har lovt; 4MO 23, 19.}

15 For han brer frukt*, der han står blandt sine brødre; men det kommer en østenvind, et Herrens vær, som drar op fra ørkenen, og hans brønn blir tom, og hans kilde tørkes ut; den** røver den hele skatt av kostelige ting. / {* 1MO 48, 19; 49, 22.} {** østenvinden, d.e. assyrerne; HSE 4, 19.}

   

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Apocalypse Explained # 588

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588. Which can neither see nor hear nor walk, signifies in which and from which there is nothing of the understanding of truth or the perception of good, and thus nothing of spiritual life. This is evident from the signification of "to see," as being to understand truth (See above, n. 11, 260, 529); also from the signification of "to hear," as being to perceive and obey (See also above, n. 14, 249), and as being to have understanding to perceive, n. 529; also from the signification of "to walk," as being to live spiritually, and in reference to the Lord that it is life itself (See above, n. 97). From this it is clear that "not to see, to hear, or to walk," signifies that there is no understanding of truth, no perception of good, and thence no spiritual life; these are not in idols or from them, for "idols" signify the falsities of doctrine, of religion, and of worship, and such things are not in falsities, but in truths that are from good; in truths and from them is all understanding, all perception from the will of good, and consequently spiritual life. It is said "consequently," because spiritual life consists in the understanding of truth and in perception from the will of good; for truths are in the light of heaven, and this so much that the truths themselves give light in heaven, and this because the Divine truth proceeding from the Lord makes all light in the spiritual world, and that light gives all intelligence and wisdom to angels.

Now as truths themselves are of the light it follows that falsities are of no light, for they extinguish light, consequently falsities are called in the Word "darkness" (See above, n. 526); and as they are darkness, they are the shadow of spiritual death. But it is to be known that the falsities of evil constitute such darkness, not falsities that are not from evil. "To hear" signifies perception from the will of good, and thence obedience, because speech enters the ear at the same time with the sound, and the truths uttered enter the understanding and thence the thought, while sounds enter the will and thence the affection. That in the spiritual world sounds present and produce the affection which is of the will, and the words of the sound the thought which is of the understanding, may be seen in the work on Heaven and Hell 236, 241, and above n. 323. From this it can be seen why "to hear" and "to hearken" also signify to obey, and the "ear" and "hearing" obedience.

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

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Apocalypse Explained # 323

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323. Having every one harps, signifies confession from spiritual truths. This is evident from the signification of a "harp," as being confession from spiritual truths. This is signified by "harps," because the harp was a stringed instrument, and by such instruments spiritual things, or those that are of truth, are signified, while wind instruments signify celestial things, or those that are of good. Such things are signified by musical instruments because of their sounds, for sound corresponds to the affections; moreover in heaven affections are perceived by sounds; and because there are various affections, and various sounds are produced by musical instruments, therefore these instruments, by correspondence and consequent agreement, signify affections. In general, stringed instruments signify such things as belong to the affections of truth, and wind instruments such as belong to the affections of good; or, what is the same, some instruments belong to the spiritual class, and some to the celestial class. That sounds correspond to the affections has been made evident to me by much experience, so also musical tones; also that angels are affected in accordance with sounds and their variations; but to recite all such experience would occupy too much space. I will mention only, what is a matter of general observation, that discrete sounds excite the affections of truth, that is, those are affected by them who are in the affections of truth; while continuous sounds excite the affections of good, that is, those are affected by them who are in the affections of good. Whether you say the affections of truth or things spiritual, it is the same, or whether you say the affections of good or things celestial, it is the same. (But these things can be better comprehended from what has been related from experience respecting sounds and their correspondence with affections, in the work on Heaven and Hell 241.)

From this it can now be seen why in the Word, and especially in David, so many kinds of musical instruments are mentioned, as psalteries, harps, flutes, cymbals, timbrels, horns, organs, and others, namely, that it is because of their correspondence with the affections, and at the same time with articulations that are expressions containing things, and flowing from them.

[2] That harps especially signify the affections of truth because they excite such affections, consequently that they also signify confession made from spiritual truths with a cheerful heart, can be seen from the following passages. In Isaiah:

The new wine shall mourn, the vine shall languish, all the glad of heart shall sigh. The joy of timbrels shall cease, the noise of the merry shall leave off; the joy of the harp shall cease. They shall not drink wine with a song (Isaiah 24:7-9).

This treats of the vastation of the spiritual church, that is, of the good and truth thereof. Spiritual good, which is about to cease, is signified by "the new wine shall mourn," and "the joy of timbrels shall cease;" and that its truth is about to cease is signified by "the vine shall languish," and "the joy of the harp shall cease;" for "new wine" signifies spiritual good, and its joy is signified by the "timbrel;" and the "vine" signifies spiritual truth, and its joy is signified by the "harp." Since it is the affection of these that is about to cease, it is said, "all the glad of heart shall sigh," and "the noise of the merry shall leave off;" "gladness" and "mirth" in the Word signifying spiritual gladness and mirth, all of which are from the affections of truth and good. It is added, "they shall not drink wine with a song," because "song" signifies the testification of gladness from the affection of truth, and "wine" signifies truth.

[3] In David:

Confess unto Jehovah with the harp; sing psalms unto Him with the psaltery of ten strings. Sing unto Him a new song; play well with a loud noise. For the word of Jehovah is right; and His work is done in truth (Psalms 33:2-4).

As a "harp" signifies confession from spiritual truths, it is said, "confess unto Jehovah with the harp;" "a psaltery of ten strings" signifies the corresponding spiritual good; therefore it is said, "sing psalms unto Him upon a psaltery of ten strings;" and for the same reason also it is said, "for the word of Jehovah is right, and all His work is done in truth;" "the word of Jehovah is right" signifying the truth of good; "His work is done in truth" signifying the good of truth; the truth of good is the truth that proceeds from good, and the good of truth is the good which is produced by truth.

[4] In the same:

Send Thy light and Thy truth, let them lead me; let them bring me unto the mountain of holiness, and to Thy tabernacles, that I may confess unto Thee upon the harp, O God, my God (Psalms 43:3-4);

the "harp" evidently signifying confession from spiritual truths, for it is said "I will confess unto Thee with the harp, O God, my God;" and it is also said before, "send Thy light and Thy truth; let them lead me."

[5] In the same:

I will confess unto Thee with the instrument of psaltery, even Thy truth, O my God; unto Thee will I sing with the harp, O Holy One of Israel (Psalms 71:22).

As the "psaltery" signifies spiritual good, that is, the good of truth, and the "harp" spiritual truth, that is, the truth of good, and confession is made from each, it is said, "I will confess unto Thee with the instrument of psaltery; unto Thee will I sing with the harp."

[6] In the same:

I will sing, and I will sing psalms. Arouse me, 1 my glory, arouse me, psaltery and harp. I will confess unto Thee, O Lord, among the nations, I will sing psalms unto Thee among the peoples (Psalms 57:7-9; 108:1-3).

Confession and glorification from the good of truth or from spiritual good, and from truth of good or from spiritual truth, are expressed in these several things, the good of truth by "singing," "being aroused by the psaltery," and "confessing among the nations;" and the truth of good by "singing psalms," "being aroused by the harp," and "singing psalms among the peoples;" for "nations" in the Word mean those who are in good, and "peoples" those who are in truth; here those in spiritual truth. It is so said because where good is spoken of, in the Word, truth also is spoken of, and this because of the marriage of these in every particular of the Word (See above, n. 238 end, 288).

[7] In the same:

Answer unto Jehovah by confession; sing psalms with the harp unto our God (Psalms 147:7).

Here also confession from spiritual good and from spiritual truth is expressed by "answer unto Jehovah by confession," and "sing psalms with the harp unto our God;" from spiritual good by "answer unto Jehovah;" and from spiritual truth by "sing psalms with the harp unto God;" "Jehovah" being used where good is treated of, and "God" where truth is treated of (See Arcana Coelestia n. 709, 732, 2586, 2769, 2807, 2822, 3921, 4287, 4402, 7010, 9167).

[8] In Ezekiel:

I will cause the noise of the songs to cease; and the voice of thy harps shall be no more heard; I will give thee to the parchedness of the cliff (Ezekiel 26:13-14).

This is said of Tyre, which signifies the church in respect to the knowledges of good and truth. Its vastation is described by these words; the vastation in respect to the knowledges of good by "I will cause the noise of thy songs to cease;" and the vastation in respect to the knowledges of truth by "the voice of harps shall be no more heard;" desolation of all truth by "I will give thee to the parchedness of the cliff;" "cliff" signifying truth, and its "parchedness" desolation.

[9] In David:

Make a loud noise unto Jehovah, all the earth; break forth, shout for joy, and sing psalms. Sing psalms unto Jehovah with the harp; with the harp, and the voice of a psalm. With trumpets and the sound of a cornet, make a loud noise before the King, Jehovah (Psalms 98:4-6).

The various kinds of affections from which the Lord is confessed and glorified are here expressed by various kinds of sounds and instruments; the various kinds of sounds in "making a loud noise," "breaking forth," "shouting for joy," and "singing psalms," and the various kinds of instruments, by "harps," "trumpets," and "cornets;" but to explain the signification of the particulars is not in place here, but only what relates to the harp. "To sing unto Jehovah with the harp, with the harp and the voice of a psalm," signifies confession from the affection of spiritual good and truth; for every affection, since it is from love, when it falls into sound, produces a sound in accord with itself; consequently from the sound that is in the speech, and in which, as it were, the expressions of speech flow, the affection of the other is heard, and thus becomes known to his companion; this is manifestly so in the spiritual world, where all sounds of speech make manifest the affections.

[10] So elsewhere in David, as the following:

Shout for joy unto God our strength; make a joyful noise to the God of Jacob. Lift up the psalm and strike the timbrel, the pleasant harp, with the psaltery. Blow the cornet at the new moon (Psalms 81:1-3).

It is good to confess unto Jehovah, and to sing psalms unto Thy name, O Most High; with an instrument of ten strings, and with the psaltery; and with resounding music on the harp (Psalms 92:1-3).

Let the sons of Zion exult in their King; let them praise His name in the dance; let them sing psalms unto Him with the timbrel and harp (Psalms 149:2-3).

Praise God with the sound of the cornet; praise Him with the psaltery and harp; praise Him with the timbrel and dance; praise Him with stringed instruments and organ. Praise Him with cymbals of soft sound; praise Him with cymbals of loud sound (Psalms 150:3-5).

[11] Because musical instruments and also dances signify varieties of joy and gladness that spring from the affections, as well as the affections themselves of the mind which their sounds excite, both singly and in combination, therefore:

David and the whole house of Israel played before Jehovah upon wooden instruments of every kind, and upon harps, and with psalteries, and with timbrels; and on sistra, and on cymbals (2 Samuel 6:5).

[12] Because the "harp" signifies confession from spiritual truths, and spiritual truths are those by which angels who are in the Lord's spiritual kingdom are affected, and which disperse the falsities of evil, and with these the spirits themselves who are in them, so:

When the evil spirit was upon Saul, David took a harp and played with his hand; and so rest was given to Saul, and the evil spirit departed from him (1 Samuel 16:23).

This was done because kings represented the Lord in respect to the spiritual kingdom, and therefore signified spiritual truths (See above, n. 31); but Saul then represented the falsities that are opposed to these truths; and these were dispersed by the sound of the harp, because the "harp" signified the spiritual affection of truth. This then took place because with the sons of Israel all things were representative and thus significative; it is otherwise at this day. From the passages here quoted it can be seen what the "harp" signifies, also in other places (as Isaiah 30:31, 32; Psalms 49:3, 4; 137:1, 2; 1 Samuel 10:5; Revelation 14:2; 18:22; Job 30:31).

[13] As most things in the Word have also a contrary meaning, so do musical instruments, in which sense they signify varieties of gladness and joy that spring from the affections of falsity and evil; thus the "harp" signifies the confession of falsity and the consequent exultation over the destruction of truth. As in Isaiah:

At the end of seventy years the song of Tyre shall be even as the song of a harlot; take a harp, walk in the city, thou harlot delivered over to forgetfulness; play elegantly, multiply the song (Isaiah 23:15-16).

"Tyre" signifies the church in respect to the knowledges of spiritual truth and good (as was said above), here the church in which these are falsified; "harlot" signifies the falsification of truth (See above, n. 141); and "to take a harp, walk in the city," "play elegantly, and multiply the song," signifies the exultation and boasting of falsity over the destruction of truth.

[14] In the same:

Woe to them that rise early in the morning that they may follow strong drink; to them that tarry until twilight till the wine inflame them. And the harp and the psaltery and the timbrel and the pipe and wine are at their feasts; but they do not look upon the work of Jehovah, and they see not the working of His hands (Isaiah 5:11-12).

Here "harp," "psaltery," "timbrel," "pipe," and also "wine," have the contrary meaning, in which they signify exultation and boastings from the falsities of evil. Such is evidently the meaning, for it is said, "Woe to them; they do not look upon the work of Jehovah, and they see not the working of His hands."

Poznámky pod čarou:

1. Photoliograph has "me," so also AR 276, but AE 326 has "te," "thee."

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.