330. Out of every tribe and tongue, signifies by all who are in truths in respect to doctrine and in respect to life. This is evident from the signification of "tribe," as being all truths and goods in the complex (of which see above, n. 39; for these are meant by the twelve tribes, and therefore each tribe signifies something of truth and good, therefore "out of every tribe" signifies out of all who are in any kind of truth and good. It is evident also from the signification of "tongue," as being the doctrine of life and faith. That "tribes" signify all truths and goods in the complex will be shown more fully below in its own paragraph; likewise that "tongue" signifies the doctrine of life and faith, thus religion. (Here will be presented only what is shown in Arcana Coelestia respecting the signification of "tribes," namely, that the twelve tribes of Israel represented and thence signified all truths and goods in the complex, n. 3858, 3926, 4060, 6335; that the twelve apostles of the Lord have a like signification, n. 2129, 3354, 3488, 6397; that there were twelve because "twelve" signifies all, n. 577, 2089, 2129, 2130, 3272, 3858, 3913. Because the twelve tribes represented and thus signified all the truths and goods in the complex they therefore represented heaven and the church, n. 6337, 6637, 7836, 7891, 7996. That the twelve tribes signify various things according to the order in which they are named, thus in different ways all things of heaven and the church, n. 3862, 3926, 3939, 4603 seq., 6337, 6640, 10335; therefore responses could be given and were given by the Urim and Thummim, where the names of the twelve tribes of Israel were engraven on precious stones, n. 3858, 6335, 6640, 9863, 9865, 9873, 9874, 9905)

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.