9873. All this now makes clear what the twelve precious stones in the breastplate of judgement served to mean, namely all the kinds of good and truth of heaven in their proper order. Heaven is divided into two kingdoms, the celestial and the spiritual. The good of the celestial kingdom was represented by the first two rows, which were on the right side of the breastplate, and the good of the spiritual kingdom by the next two rows, which were on the left side. The internal good of the celestial kingdom is the good of love to the Lord; this is the good that is meant by the celestial love of good. The external good of the celestial kingdom however is the good of mutual love; this is the good that is meant by the celestial love of truth. But the internal good of the spiritual kingdom is the good of charity towards the neighbour; this is the good that is meant by the spiritual love of good. And the external good of the spiritual kingdom is the good of faith; this is the good that is meant by the spiritual love of truth. These kinds of good and truth in this order constitute the heavens, see 9468, 9473, 9680, 9683, 9780.

[2] From this it is now evident what the twelve stones, which were called the Urim and Thummim, represented. But in what way the Divine Truths which were answers were made known by means of them will be stated below in 9905. The fact that the good of love occupied the first place there and the truth of faith the last is clear from the first stone's being a ruby and the last's being a jasper, thus from the first stone's being red in colour, and the last's being white, both of them translucent. For the meaning of 'red' as the good of love, see 3300, 9467; and for that of 'white' as the truth of faith, 3301, 3993, 4007, 5319.

[3] Much the same as is meant by the stones in the breastplate was also meant by the materials used in weaving the ephod. The ephod was woven from violet, purple, twice-dyed scarlet, and fine linen, as is evident from verse 6 of the present chapter, and 'violet' meant the truth of celestial love, 'purple' the good of celestial love, 'twice-dyed scarlet' the good of spiritual love, and 'fine linen' the truth of spiritual love, 9833. The reason why much the same was meant is that 'the ephod' meant heaven on last and outermost levels, in the same way as 'the breastplate' does, 9824. But the kinds of good and truth are listed in a different order there, because 'the ephod' meant the spiritual heaven, whereas 'the breastplate' means all heaven from first to last. And since the dwelling-place along with the tent also represented heaven, 9457, 9481, 9485, 9615, the material from which its curtains and veils were woven were likewise violet, purple, double-dyed scarlet, and fine twined linen, see the previous Chapters, 26:1, 31, 36; 27:16, and 9466-9469.

[4] In addition it should be recognized that in the general sense SAPPHIRE means the external part of the celestial kingdom and SHOHAM the external part of the spiritual kingdom. And because these two stones had this meaning they were the middle stones belonging to the secondary rows, that is to say, the sapphire was the middle stone in the second row, and the shoham the middle stone in the fourth row. The stones belonging to the second row meant the external good of the celestial kingdom, which has been called the celestial love of truth, and the stones belonging to the fourth row meant the external good of the spiritual kingdom, which has been called the spiritual love of truth, see what has been stated about them above in this paragraph 9873.

[5] The fact that 'sapphire' means the external part of the celestial kingdom is evident from places in the Word where it is mentioned, such as in the Book of Exodus,

Seventy of the elders saw the God of Israel, and under His feet there was so to speak a work of sapphire, and it was like the substance of the sky for clearness. Exodus 24:10.

The external part of the celestial kingdom is so described, because the words 'under His feet', meaning what is external, are used, and where 'the God of Israel', who is the Lord, is, there heaven is. In Isaiah,

O afflicted one and storm-tossed, and receiving no comfort! Behold, I am arranging your stones with antimony, and will lay your foundations in sapphires. Isaiah 54:11.

The subject in this chapter is the celestial kingdom. The foundations which will be laid in sapphires, are the external things there; for foundations lie underneath.

[6] In Jeremiah,

Her Nazirites were brighter than snow, they were whiter than milk. Their bones ¹ were ruddier than pearls, ² polished like sapphires. ³ Lamentations 4:7.

Nazirites represented the celestial man, which is why it says 'polished like sapphires', 'polished' referring to what is external. In Ezekiel,

Above the expanse that was above the heads of the cherubs, in appearance like a sapphire stone, there was the likeness of a throne, and above the likeness of a throne there was the appearance of a man (homo) sitting upon it. Ezekiel 1:26; 10:1.

Here also 'sapphire' is used to describe the external part of the celestial kingdom; for what is above the expanse or round about is outside, that which is inmost being the one 'sitting upon a throne'.

[7] Just as sapphire stone means the external part of the celestial kingdom, so shoham stone means the external part of the spiritual kingdom. Therefore also this was the stone which was placed on the two shoulder-pieces of the ephod with the names of the sons of Israel inscribed on them, which are dealt with in verses 9-14 of the present chapter; for the ephod represented the external part of the spiritual kingdom, 9824. Since shoham and sapphire in the general sense meant the external parts of two heavens, they were placed in the middle of the sets of three stones forming the second and fourth rows, as stated above. For the middle includes the whole, as is also true of the robe, which in the general sense has represented the spiritual kingdom, because it comes in the middle, as shown above in 9825. Because those two stones include everything meant by all the other stones in those rows, it says in Job,

Wisdom cannot be compared with the gold of Ophir, with the precious shoham and the sapphire. Job 28:16.

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, ¹ with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

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