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Exodus 27

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1 και ποιησεις θυσιαστηριον εκ ξυλων ασηπτων πεντε πηχεων το μηκος και πεντε πηχεων το ευρος τετραγωνον εσται το θυσιαστηριον και τριων πηχεων το υψος αυτου

2 και ποιησεις τα κερατα επι των τεσσαρων γωνιων εξ αυτου εσται τα κερατα και καλυψεις αυτα χαλκω

3 και ποιησεις στεφανην τω θυσιαστηριω και τον καλυπτηρα αυτου και τας φιαλας αυτου και τας κρεαγρας αυτου και το πυρειον αυτου και παντα τα σκευη αυτου ποιησεις χαλκα

4 και ποιησεις αυτω εσχαραν εργω δικτυωτω χαλκην και ποιησεις τη εσχαρα τεσσαρας δακτυλιους χαλκους επι τα τεσσαρα κλιτη

5 και υποθησεις αυτους υπο την εσχαραν του θυσιαστηριου κατωθεν εσται δε η εσχαρα εως του ημισους του θυσιαστηριου

6 και ποιησεις τω θυσιαστηριω φορεις εκ ξυλων ασηπτων και περιχαλκωσεις αυτους χαλκω

7 και εισαξεις τους φορεις εις τους δακτυλιους και εστωσαν οι φορεις κατα τα πλευρα του θυσιαστηριου εν τω αιρειν αυτο

8 κοιλον σανιδωτον ποιησεις αυτο κατα το παραδειχθεν σοι εν τω ορει ουτως ποιησεις αυτο

9 και ποιησεις αυλην τη σκηνη εις το κλιτος το προς λιβα ιστια της αυλης εκ βυσσου κεκλωσμενης μηκος εκατον πηχων τω ενι κλιτει

10 και οι στυλοι αυτων εικοσι και αι βασεις αυτων εικοσι χαλκαι και οι κρικοι αυτων και αι ψαλιδες αυτων αργυραι

11 ουτως τω κλιτει τω προς απηλιωτην ιστια εκατον πηχων μηκος και οι στυλοι αυτων εικοσι και αι βασεις αυτων εικοσι χαλκαι και οι κρικοι και αι ψαλιδες των στυλων και αι βασεις αυτων περιηργυρωμεναι αργυρω

12 το δε ευρος της αυλης το κατα θαλασσαν ιστια πεντηκοντα πηχων στυλοι αυτων δεκα και αι βασεις αυτων δεκα

13 και ευρος της αυλης το προς νοτον ιστια πεντηκοντα πηχεων στυλοι αυτων δεκα και αι βασεις αυτων δεκα

14 και πεντεκαιδεκα πηχεων το υψος των ιστιων τω κλιτει τω ενι στυλοι αυτων τρεις και αι βασεις αυτων τρεις

15 και το κλιτος το δευτερον δεκα πεντε πηχων των ιστιων το υψος στυλοι αυτων τρεις και αι βασεις αυτων τρεις

16 και τη πυλη της αυλης καλυμμα εικοσι πηχων το υψος εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου κεκλωσμενης τη ποικιλια του ραφιδευτου στυλοι αυτων τεσσαρες και αι βασεις αυτων τεσσαρες

17 παντες οι στυλοι της αυλης κυκλω κατηργυρωμενοι αργυριω και αι κεφαλιδες αυτων αργυραι και αι βασεις αυτων χαλκαι

18 το δε μηκος της αυλης εκατον εφ' εκατον και ευρος πεντηκοντα επι πεντηκοντα και υψος πεντε πηχων εκ βυσσου κεκλωσμενης και αι βασεις αυτων χαλκαι

19 και πασα η κατασκευη και παντα τα εργαλεια και οι πασσαλοι της αυλης χαλκοι

20 και συ συνταξον τοις υιοις ισραηλ και λαβετωσαν σοι ελαιον εξ ελαιων ατρυγον καθαρον κεκομμενον εις φως καυσαι ινα καηται λυχνος δια παντος

21 εν τη σκηνη του μαρτυριου εξωθεν του καταπετασματος του επι της διαθηκης καυσει αυτο ααρων και οι υιοι αυτου αφ' εσπερας εως πρωι εναντιον κυριου νομιμον αιωνιον εις τας γενεας υμων παρα των υιων ισραηλ

   

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Arcana Coelestia # 9739

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9739. 'As it has appeared to you on the mountain, so they shall make [it]' means in keeping with the correspondence of Divine realities in heaven. This is clear from the meaning of the altar that 'appeared on the mountain' as an outward form corresponding to Divine realities in heaven. For Mount Sinai means heaven, 8805, 9420, and the outward forms that appear in heaven correspond completely to actual Divine celestial and Divine spiritual realities, which belong to goodness and truth. The fact that these realities are presented in this visual way to the inner sight of angels and spirits may be recognized from all that has been stated and shown previously regarding the representation of heavenly realities within natural forms, in 1619, 1971, 1980, 1981, 2987-3003, 3213-3227, 3475, 3485, 6319, 9457, 9481, 9574, 9576, 9577. The Divine realities to which the altar corresponded are the ones that have been described up to now.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia # 9481

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9481. 'In accordance with all that I show you, the pattern of the dwelling-place' means a representative of heaven where the Lord is. This is clear from the meaning of 'the pattern of the dwelling-place' as a representative of heaven; for 'the pattern' means a representative, and 'the dwelling-place' means heaven. The reason why 'the pattern' means a representative is that Divine realities in heaven are also manifested in visible shapes, which are representatives. For the meaning of 'the dwelling-place' as heaven where the Lord is, see 8269, 8309. What the representatives that appear in heaven are like is clear in the prophets, for example in John's Book of Revelation, in which he describes lampstands, Chapter 1:12ff; a throne with twenty-four thrones around it, and four living creatures before the throne, Chapter 4:2ff; a book sealed with seven seals, Chapter 5; horses going out when the seals were opened, Chapter 6; angels who are clothed in various ways and have bowls, Chapters 9, 10, 15, 16; a white horse, Chapter 19; and at length a new Jerusalem, its walls, gates, foundations, height, breadth, and length, Chapters 21, 22. Similar sights are also described by other prophets.

[2] All those sights are representatives such as appear unceasingly in heaven before angels' eyes, manifesting in visible shapes the Divine celestial realities that belong to the good of love and the Divine spiritual realities that belong to the good of faith. Such realities taken all together were represented by the tabernacle and its contents, that is, the ark itself, the table on which loaves were laid, the altar of incense, the lampstand, and everything else. Therefore when these objects, being outward forms of Divine celestial and spiritual realities, were beheld by the people while they were engaged in holy acts of worship, such realities as were represented by those objects were brought to notice in heaven. These, as stated above, were the Divine celestial realities that belong to the good of love to the Lord and the Divine spiritual realities that belong to the good of faith in the Lord. All the representatives of that Church had that kind of effect in heaven. It should be realized that a person always has spirits and angels present with him and that a person cannot live without them. It should likewise be realized that through them the person is linked to the Lord, and that in this way the human race, and heaven too, is kept in being. From this one can see what purpose was served by the representatives and also the ritual observances of the Church established among the Israelite nation. One can also see what purpose is served by the Word, in which all things mentioned in the sense of the letter correspond to Divine realities that exist in heaven, thus in which all the objects mentioned are representative and all the words used carry a spiritual meaning. This is what brings about the linking of a person to heaven, and through heaven to the Lord. Without that link the person would have no life whatever, for without being linked to the actual Essential Being (Esse) of life, from which the Coming-into-Being (Existere) of life emanates, no one has life.

[3] But these considerations are unintelligible to those who think that life exists essentially in a person himself and that a person lives without spirits or angels, thus without influx from the Divine by way of heaven. But in actual fact anything that is not linked to the Divine perishes and ceases to exist. Indeed nothing can ever come into being without that which is prior to itself, thus without the Divine, who is the First and is self-existent Being (Esse) or Jehovah; nor consequently can it remain in being, for remaining in being is constant coming-into-being. Because 'the dwelling-place' means heaven where the Lord is, it also means the good of love and faith, since these compose heaven; and because all good comes from the Lord, and heaven is called heaven by virtue of its love to and faith in the Lord, 'the dwelling-place' also means in the highest sense the Lord, as is evident in Isaiah 63:15; Jeremiah 25:30; Ezekiel 37:26-27; Psalms 26:8; 43:3; 90:1; 91:9; Exodus 15:13; Deuteronomy 12:5, 11; and other places. From this it is clear that the tabernacle was called Jehovah's sanctuary and dwelling-place for the reason that it represented the realities mentioned above.

  
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Thanks to the Swedenborg Society for the permission to use this translation.