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Exodus 26

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1 και την σκηνην ποιησεις δεκα αυλαιας εκ βυσσου κεκλωσμενης και υακινθου και πορφυρας και κοκκινου κεκλωσμενου χερουβιμ εργασια υφαντου ποιησεις αυτας

2 μηκος της αυλαιας της μιας οκτω και εικοσι πηχεων και ευρος τεσσαρων πηχεων η αυλαια η μια εσται μετρον το αυτο εσται πασαις ταις αυλαιαις

3 πεντε δε αυλαιαι εσονται εξ αλληλων εχομεναι η ετερα εκ της ετερας και πεντε αυλαιαι εσονται συνεχομεναι ετερα τη ετερα

4 και ποιησεις αυταις αγκυλας υακινθινας επι του χειλους της αυλαιας της μιας εκ του ενος μερους εις την συμβολην και ουτως ποιησεις επι του χειλους της αυλαιας της εξωτερας προς τη συμβολη τη δευτερα

5 πεντηκοντα αγκυλας ποιησεις τη αυλαια τη μια και πεντηκοντα αγκυλας ποιησεις εκ του μερους της αυλαιας κατα την συμβολην της δευτερας αντιπροσωποι αντιπιπτουσαι αλληλαις εις εκαστην

6 και ποιησεις κρικους πεντηκοντα χρυσους και συναψεις τας αυλαιας ετεραν τη ετερα τοις κρικοις και εσται η σκηνη μια

7 και ποιησεις δερρεις τριχινας σκεπην επι της σκηνης ενδεκα δερρεις ποιησεις αυτας

8 το μηκος της δερρεως της μιας εσται τριακοντα πηχεων και τεσσαρων πηχεων το ευρος της δερρεως της μιας μετρον το αυτο εσται ταις ενδεκα δερρεσι

9 και συναψεις τας πεντε δερρεις επι το αυτο και τας εξ δερρεις επι το αυτο και επιδιπλωσεις την δερριν την εκτην κατα προσωπον της σκηνης

10 και ποιησεις αγκυλας πεντηκοντα επι του χειλους της δερρεως της μιας της ανα μεσον κατα συμβολην και πεντηκοντα αγκυλας ποιησεις επι του χειλους της δερρεως της συναπτουσης της δευτερας

11 και ποιησεις κρικους χαλκους πεντηκοντα και συναψεις τους κρικους εκ των αγκυλων και συναψεις τας δερρεις και εσται εν

12 και υποθησεις το πλεοναζον εν ταις δερρεσιν της σκηνης το ημισυ της δερρεως το υπολελειμμενον υποκαλυψεις το πλεοναζον των δερρεων της σκηνης υποκαλυψεις οπισω της σκηνης

13 πηχυν εκ τουτου και πηχυν εκ τουτου εκ του υπερεχοντος των δερρεων εκ του μηκους των δερρεων της σκηνης εσται συγκαλυπτον επι τα πλαγια της σκηνης ενθεν και ενθεν ινα καλυπτη

14 και ποιησεις κατακαλυμμα τη σκηνη δερματα κριων ηρυθροδανωμενα και επικαλυμματα δερματα υακινθινα επανωθεν

15 και ποιησεις στυλους τη σκηνη εκ ξυλων ασηπτων

16 δεκα πηχεων ποιησεις τον στυλον τον ενα και πηχεος ενος και ημισους το πλατος του στυλου του ενος

17 δυο αγκωνισκους τω στυλω τω ενι αντιπιπτοντας ετερον τω ετερω ουτως ποιησεις πασι τοις στυλοις της σκηνης

18 και ποιησεις στυλους τη σκηνη εικοσι στυλους εκ του κλιτους του προς βορραν

19 και τεσσαρακοντα βασεις αργυρας ποιησεις τοις εικοσι στυλοις δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

20 και το κλιτος το δευτερον το προς νοτον εικοσι στυλους

21 και τεσσαρακοντα βασεις αυτων αργυρας δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου

22 και εκ των οπισω της σκηνης κατα το μερος το προς θαλασσαν ποιησεις εξ στυλους

23 και δυο στυλους ποιησεις επι των γωνιων της σκηνης εκ των οπισθιων

24 και εσται εξ ισου κατωθεν κατα το αυτο εσονται ισοι εκ των κεφαλιδων εις συμβλησιν μιαν ουτως ποιησεις αμφοτεραις ταις δυσιν γωνιαις εστωσαν

25 και εσονται οκτω στυλοι και αι βασεις αυτων αργυραι δεκα εξ δυο βασεις τω στυλω τω ενι εις αμφοτερα τα μερη αυτου και δυο βασεις τω στυλω τω ενι

26 και ποιησεις μοχλους εκ ξυλων ασηπτων πεντε τω ενι στυλω εκ του ενος μερους της σκηνης

27 και πεντε μοχλους τω στυλω τω κλιτει της σκηνης τω δευτερω και πεντε μοχλους τω στυλω τω οπισθιω τω κλιτει της σκηνης τω προς θαλασσαν

28 και ο μοχλος ο μεσος ανα μεσον των στυλων διικνεισθω απο του ενος κλιτους εις το ετερον κλιτος

29 και τους στυλους καταχρυσωσεις χρυσιω και τους δακτυλιους ποιησεις χρυσους εις ους εισαξεις τους μοχλους και καταχρυσωσεις τους μοχλους χρυσιω

30 και αναστησεις την σκηνην κατα το ειδος το δεδειγμενον σοι εν τω ορει

31 και ποιησεις καταπετασμα εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου νενησμενης εργον υφαντον ποιησεις αυτο χερουβιμ

32 και επιθησεις αυτο επι τεσσαρων στυλων ασηπτων κεχρυσωμενων χρυσιω και αι κεφαλιδες αυτων χρυσαι και αι βασεις αυτων τεσσαρες αργυραι

33 και θησεις το καταπετασμα επι τους στυλους και εισοισεις εκει εσωτερον του καταπετασματος την κιβωτον του μαρτυριου και διοριει το καταπετασμα υμιν ανα μεσον του αγιου και ανα μεσον του αγιου των αγιων

34 και κατακαλυψεις τω καταπετασματι την κιβωτον του μαρτυριου εν τω αγιω των αγιων

35 και θησεις την τραπεζαν εξωθεν του καταπετασματος και την λυχνιαν απεναντι της τραπεζης επι μερους της σκηνης το προς νοτον και την τραπεζαν θησεις επι μερους της σκηνης το προς βορραν

36 και ποιησεις επισπαστρον εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου κεκλωσμενης εργον ποικιλτου

37 και ποιησεις τω καταπετασματι πεντε στυλους και χρυσωσεις αυτους χρυσιω και αι κεφαλιδες αυτων χρυσαι και χωνευσεις αυτοις πεντε βασεις χαλκας

   

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Arcana Coelestia # 9671

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9671. 'From violet and purple and twice-dyed scarlet and fine twined linen' means the forms of the good of love and faith that are joined together there. This is clear from the meaning of 'violet' as the celestial love of truth, dealt with in 9466; from the meaning of 'purple' as the celestial love of good, dealt with in 9467; from the meaning of 'twice-dyed scarlet' as spiritual good, dealt with in 4922, 9468; and from the meaning of 'fine twined linen' as truth from a celestial origin, dealt with in 9469. From all this it is evident that those four mean forms of the good of love and faith that are joined together within the uniting intermediary. The implications of this are that those in heaven who belong to the uniting intermediary represented by the veil have forms of the good of love and forms of the good of faith joined together within themselves. Through the forms of the good of love they are joined to celestial angels who are in the inmost heaven, and through the forms of the good of faith to the spiritual ones who are in the middle heaven. For the good of love to the Lord is called celestial good, and the good of faith in Him is called spiritual good.

[2] Those in heaven who belong to the uniting intermediary are called celestial-spiritual and spiritual-celestial, the former being represented in the Word by Joseph, the latter by Benjamin. For the meaning of Joseph in the representative sense as the celestial-spiritual, see 4286, 4592, 4963, 5249, 5307, 5331, 5332, 5417, 5869, 5877, 6224, 6526, and Benjamin as the spiritual-celestial, 3969, 4592. Joseph is accordingly the internal uniting intermediary and Benjamin the external uniting intermediary, 4585, 4592, 4594, 5411, 5413, 5443, 5639, 5686, 5688, 5689, 5822. What the celestial-spiritual and the spiritual-celestial are, see 1577, 1824, 2184, 4585, 4592, 4594.

[3] The difference between those in the heavens who are celestial and those who are spiritual may also be recognized from their opposites in the hells. Those in the hells who are the opposites of celestial angels are called genii, while those in them who are the contraries of spiritual angels are called spirits. The genii, the opposites of celestial angels, are at the back, whereas the spirits, the opposites of spiritual ones, are at the front; and those between genii and spirits are at the sides. Being the opposites of celestial angels the genii are steeped in evil more internal than that present with spirits. Regarding spirits and genii, see what has been said about them from experience in 5977, 8593, 8622, 8625. The hell of genii has been set completely apart from the hell of spirits, so completely that those in one cannot pass over into the other. For there are intermediate spirits there who link the two together; and these spirits are the opposites of the intermediate angels in the heavens.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia # 8593

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8593. 'And Amalek came' means falsity arising from interior evil. This is clear from the representation of 'Amalek' as falsity arising from interior evil, dealt with below. Who exactly are steeped in falsity arising from interior evil, and what they are like, must be stated first. Interior evil is that which resides with a person, hidden inwardly. It is concealed in his will and consequently in his thinking, not a trace of it being apparent outwardly, in his actions, speech, or face. People ruled by this kind of evil strive by every method and skill to hide it away, to conceal it under an outward show of being honourable and righteous, and an outward show of love of the neighbour. Nevertheless their only thought is how to inflict harm, and so far as possible to use others to inflict it, taking care to prevent anyone from seeing that they are the instigators. They also disguise actual evil so that it does not look like evil. The greatest delight of their life is to contemplate such things and secretly try to carry them out. This is called interior evil. Those ruled by this evil are called evil genii and in the next life they have been completely separated from those who are ruled by exterior evil and are called spirits. The former - the evil genii - have their hell behind a person, that is, behind his back, where they live in various caverns. But the evil spirits have their hell in front of a person, and also to the sides. The genii belong in the Grand Man to the province of the cerebellum, and also to that part of the spinal cord which sends out the fibres and nerves that control involuntary actions.

[2] One may say further of the falsity arising from this interior evil that it is not like the falsity arising from evil that the evil spirits possess, because it is in itself evil. Those ruled by this evil do not attack the truths of faith but forms of the good of faith. They act through corrupt affections; through these they pervert good thoughts, doing so in a way almost inconceivable. Because they are like this their hells are completely separated from the hells of evil spirits, so completely that they have scarcely any contact with them; and they are separated in order that they may also be separated from members of the spiritual Church. For if they were to flow in from their hells, the member of that Church would be destroyed because they would act very secretly on his conscience and would pervert it, which they would do by inflating his corrupt affections. Those hellish genii never attack a person openly, or when he can offer strong resistance, but when it is seen that the person is slipping and may therefore give in. At this point they are suddenly at hand, and give him a shove so that he falls completely. This is also represented by Amalek's coming up to attack Israel now, as well as at a later time when the children of Israel set themselves against Jehovah and were afraid of the nations in the land of Canaan,

Then also Amalek came down with the Canaanite from the mountain, and struck down the children of Israel as far as Hormah. Numbers 14:43, 45.

[3] From all this one may recognize what those people are like who are represented by Amalek, and the reason for the judgement pronounced over him by Jehovah that war will be waged against them forever and that the memory of them will be wiped out from under heaven, in accordance with the following words in the final verse of the present chapter,

Because the hand of the evil ones is against the throne of Jah, the war of Jehovah will be against Amalek from generation to generation.

And in Deuteronomy,

Remember what Amalek did to you on the way when you came out of Egypt, that he met you on the way, and cut off at your rear all the weak, when you were tired and weary; he did not fear God. When Jehovah your God has given you rest, you shall wipe out the memory of Amalek from under heaven; you shall not forget. Deuteronomy 25:17-19.

Also in the first book of Samuel,

Jehovah declared to Saul through Samuel, I have resolved to punish 1 what Amalek did to Israel, how he set [himself] against him on the way when he came up from Egypt. Therefore go and strike Amalek, and utterly destroy all that he has; do not spare him, but kill man and woman, infant and suckling, ox and sheep, camel and ass. But Saul spared Agag the king, and the best of the flock and the oxen, and of the fatlings, 2 and the rams, and all that was good. Therefore it was declared to Saul that because of this he would no longer be king over Israel. 1 Samuel 15:2-3, 9, 23.

The declaration that the memory of Amalek should be wiped out and that everything there should be utterly destroyed meant that evil genii should have no contact whatever with those belonging to the spiritual Church; for they are in contact with those who are not governed by truths but from an evil affection uphold falsities.

[4] Who can fail to see that except for some more deeply hidden reason Jehovah would never have said that war was to be waged forever against Amalek, that the memory of him was to be wiped out from under heaven, and that everything there was to be utterly destroyed, though all this was not in fact carried out? That more deeply hidden reason why these things were said and done is embodied in Samuel's words to Agag the king of the Amalekites, whom Saul had spared,

Agag the king of Amalek went to Samuel delicately. 3 But Samuel said, As your sword has bereaved women, so shall your mother become the most bereaved of women. And Samuel cut him in pieces before Jehovah. 1 Samuel 15:32-33.

'Going delicately' means the outwardly charming ways that such people have in the presence of others. 'Your sword has bereaved women' means that their falsity does violence to good affections; 'your mother shall become the most bereaved of women' means that evil affection which originates in the will, not in the understanding, will hold sway among them; 'and Samuel cut him in pieces before Jehovah' means that they were separated from those ruled by falsity arising from evil that originated in the understanding, that is, genii were separated from spirits, as stated above. For the meaning of 'women' as affections, see 568, 6014, 8337; and for 'sword' as falsity engaged in conflict and laying waste, 2799, 4499, 7102.

Poznámky pod čarou:

1. literally, visit

2. literally, of the second sort

3. literally, In delights

  
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Thanks to the Swedenborg Society for the permission to use this translation.