567. And I heard a voice from the four horns of the golden altar which is before God, signifies revelation from the Lord out of the spiritual heaven. This is evident from the signification of "to hear a voice," as being revelation, because what was revealed by this voice follows; also from the signification of "the golden altar which is before God," as being the Divine spiritual (of which presently); also from the signification of "its four horns," as being the Divine spiritual in its ultimates; for the horns were in the ultimates of both altars, both the altar of burnt-offering and the altar of incense which is the golden altar; and as the horns were the ultimates of these altars they signified the Divine in respect to power, for all power is in ultimates; from this it is that "the horns of the altars" signified the Divine in relation to omnipotence (respecting which signification see above, n. 316. That "the altar of burnt-offering" signifies the Divine celestial, which is Divine good, may be seen above (n. 391, 496); while the "altar of incense" (or the golden altar) represented and thence signified the Divine spiritual, which is Divine truth proceeding from the Lord, as is evident from its description, which will be found below.

[2] It shall first be told here why the voice was heard "from the four horns of the altar." The "horns" that projected and stood out at the ultimate parts of the above-named altars signified all things belonging to them in respect to power, as can be seen from what has been shown above (n. 346, 417), and also from what has been said and shown respecting ultimates in the Arcana Coelestia, as that interiors flow in successively into externals, even into things extreme or ultimate, and that there they exist and subsist (n. 634, 6239, 6465, 9215, 9216); that they not only flow in successively, but also form in the ultimate what is simultaneous, in what order (n. 5897, 6451, 8603, 10099); that thus strength and power are in ultimates (n. 9836); and that thence responses and revelations were given in ultimates (n. 9905, 10548). Since responses and revelations were made from ultimates, it is evident why "the voice was heard from the four horns of the golden altar," namely, because the "golden altar" signifies the Divine spiritual, which is Divine truth which reveals, and because the "horns" signify its ultimates, through which revelation is made. The "golden altar" upon which incense was offered signifies the Divine spiritual, which is Divine truth proceeding from the Lord, because the "incense" that was offered upon the altar signified worship from spiritual good, and the hearing and acceptance of it by the Lord (See above, n. 324, 491, 492, 494).

[3] That "the altar of incense" signified the Divine spiritual, and that "offering incense" upon it signified worship from spiritual good, and the grateful hearing and acceptance of such worship by the Lord, is evident from the construction of that altar, every particular in which represented and signified these things. Its construction is thus described in Moses:

Thou shalt make an altar to burn incense upon; of shittim wood shalt thou make it. A cubit shall be the length thereof, and a cubit the breadth thereof; foursquare shall it be; and two cubits shall be the height of it; its horns shall be from it. And thou shalt overlay it with pure gold, its roof, and its walls round about, and its horns; and thou shall make for it a rim of gold round about. And two rings shalt thou make for it from under its rim, upon the two ribs thereof, upon the two sides of it shalt thou make them; and they shall be for places for the staves with which to bear it. And thou shalt make the staves of shittim wood, and overlay them with gold. And thou shalt put it before the veil that is over the ark of the Testimony, before the mercy-seat that is over the Testimony, where I will meet with thee. And Aaron shall burn thereon incense of spices in the morning; in the morning, when dressing the lamps he shall burn it; and when Aaron maketh the lamps to ascend between the evenings he shall burn it, a perpetual incense before Jehovah in your generations. Ye shall make no strange incense to ascend upon it, nor burnt-sacrifice, nor meal-offering; nor shall ye pour drink-offering upon it. And Aaron shall make expiation upon the horns of it once in the year of the blood of the expiations of sin; once in the year shall he make expiation upon it in your generations: this is the holy of holies unto Jehovah (Exodus 30:1-10).

That these particulars respecting that altar signify in the internal sense worship from spiritual good, which is the good of charity towards the neighbor, as also the grateful hearing and acceptance by the Lord, may be seen in the Arcana Coelestia (n. Arcana Coelestia 10176), where they are explained in series.

62. And having turned, I saw seven golden lampstands, signifies a new heaven and a new church, which are in the good of love. This is evident from the signification of "having turned to see," as being to understand from illustration (See just before, n. 61); and from the signification of "seven," as being what is full and all, and as being predicated where the holy things of heaven and the church are treated of (See above, n. 20, 24); and from the signification of "lampstands," as being the new heaven and the new church (as will be seen in what follows); and from the signification of "gold," as being the good of love (See Arcana Coelestia 113, 1551-1552, 5658, 6914, 6917, 9510, 9874, 9881). That "seven lampstands" signify heaven and the church is evident from the last verse of this chapter, where it is said, "The seven lampstands which thou sawest are the seven churches." That "the seven churches" signify all who are of the church of the Lord, thus the church in general, may be seen above n. 20; they also signify heaven, because heaven and the church make one; moreover, those that have the church in them have heaven in them; for the reason that the good of love and of faith makes the church with man, and makes heaven with him, as it does with angels; consequently, those that had the church, that is, the goods and truths of the church, in them in the world, come into heaven after death. (That this is so, see The Doctrine of the New Jerusalem, n. 12; and in the work on Heaven and Hell, (Heaven and Hell 57, 221-227). The "seven lampstands" here mean the new heaven and the new church, for these are treated of at the end of Revelation (See chapter 21), and thus the conclusion of all things therein; and because that which is last is also first, the prediction respecting these is presented at the beginning. Moreover, it is also customary in the Word to mention in the beginning things that are to take place at the end, because intermediates are thus included; for, in the spiritual sense, the first is the end for the sake of which, as that is both first and last, and to it all other things look (See in The Doctrine of the New Jerusalem 98).

[2] That "lampstand" signifies heaven and the church is evident from the description of the lampstand which was in the tabernacle, for by the tabernacle the whole heaven in the complex was represented; and by the lampstand therein, the spiritual heaven, which is the second heaven (See Arcana Coelestia n. 3478, 9457, 9481, 9485, 9548-9577, 9783). That this is so is clearly evident from John's seeing "in the midst of the seven lampstands one like unto the Son of man;" "the Son of man" is the Lord in respect to His Divine Human, from which is Divine truth, which is the All in all things of heaven and the church. In the spiritual heaven also lampstands appear in much magnificence; by these that heaven is represented. These it has been given me to see. From this it can be seen what is meant in the Word, in the spiritual sense, by "lampstands" and by "lamps," in the following passages. In Revelation:

I will remove thy lampstand out of its place, except thou repent (Revelation 2:5).

"To remove thy lampstand" is to take away from them heaven or the church. In Zechariah:

The angel said to the prophet, What seest thou? And I said, I have seen, and behold a lampstand all of gold, its bowl on the top of it, and its seven lamps thereon, with seven pipes to the lamps (Zechariah 4:2, 3).

Here Zerubbabel is treated of, who was to lay the foundation of the house of God, and to finish it. By Zerubbabel is represented the Lord, that He was about to come and restore heaven and the church: these are the "lampstands" and the holy truths there are "the seven lamps."

[3] Because a lampstand takes its representative meaning from the lamps, and the lamps from light, which in heaven is Divine truth, so the Lord is also called "a lamp," as in Revelation:

The holy Jerusalem hath no need of the sun, neither of the moon, to shine in it; the glory of God shall lighten ¹ it, and the Lamb is the lamp thereof (Revelation 21:23; 22:5).

From this also it is that David, and the kings after him, are called:

Lamps of Israel (2 Samuel 21:17; 1 Kings 11:36; 15:4; 2 Kings 8:19);

for the Lord in respect to His royalty was represented by David, likewise by the kings of Judah and Israel. (For the representation by "David," see Arcana Coelestia 1888, 9954; and by "kings," n. 31, above.) The lampstands that were seen were of gold; because "gold" signifies the good of love, and all that proceeds from the Lord is from Divine love; consequently the Divine of the Lord in the heavens is love to Him and love towards the neighbor, which is charity (as may be seen in the work on Heaven and Hell 13-19). This is why the lampstand here, as well as the lampstand in the tabernacle, was of gold.

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