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Εξοδος πλήθους 26

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1 Και θελεις καμει την σκηνην, δεκα παραπετασματα εκ βυσσου κεκλωσμενης και κυανου και πορφυρου και κοκκινου· με χερουβειμ εντεχνως ενειργασμενα θελεις καμει αυτα.

2 Το μηκος του ενος παραπετασματος εικοσιοκτω πηχων, και το πλατος του ενος παραπετασματος τεσσαρων πηχων· παντα τα παραπετασματα του αυτου μετρου.

3 Τα πεντε παραπετασματα θελουσι συναπτεσθαι το εν μετα του αλλου· και τα αλλα πεντε παραπετασματα θελουσι συναπτεσθαι το εν μετα του αλλου.

4 Και θελεις καμει θηλυκωτηρια κυανα επι της ακρας του πρωτου παραπετασματος, κατα το πλαγιον οπου γινεται η ενωσις· ομοιως θελεις καμει και επι της τελευταιας ακρας του δευτερου παραπετασματος, οπου γινεται η ενωσις του δευτερου·

5 πεντηκοντα θηλυκωτηρια θελεις καμει εις το εν παραπετασμα, και πεντηκοντα θηλυκωτηρια θελεις καμει εις την ακραν του παραπετασματος την κατα την ενωσιν του δευτερου, δια να αντικρυζωσι τα θηλυκωτηρια προς αλληλα.

6 Και θελεις καμει πεντηκοντα περονας χρυσας, και με τας περονας θελεις συναψει τα παραπετασματα προς αλληλα· ουτως η σκηνη θελει εισθαι μια.

7 Και θελεις καμει παραπετασματα εκ τριχων αιγων, δια να ηναι καλυμμα επι της σκηνης· ενδεκα θελεις καμει τα παραπετασματα ταυτα·

8 το μηκος του ενος παραπετασματος τριακοντα πηχων, και το πλατος του ενος παραπετασματος τεσσαρων πηχων· του αυτου μετρου θελουσιν εισθαι τα ενδεκα παραπετασματα.

9 Και θελεις συναψει τα πεντε παραπετασματα χωριστα, και τα εξ παραπετασματα χωριστα· το εκτον ομως παραπετασμα θελεις επιδιπλωσει κατα το προσωπον της σκηνης.

10 Και θελεις καμει πεντηκοντα θηλυκωτηρια επι της ακρας του ενος παραπετασματος του τελευταιου κατα την ενωσιν, και πεντηκοντα θηλυκωτηρια επι της ακρας του παραπετασματος, το οποιον ενονεται με το δευτερον.

11 Θελεις καμει και πεντηκοντα περονας χαλκινας, και θελεις εμβαλει τας περονας εις τα θηλυκωτηρια, και θελεις συναψει την σκηνην, ωστε να ηναι μια.

12 Το δε υπολοιπον, το περισσευον εκ των παραπετασματων της σκηνης, το ημισυ του παραπετασματος του εναπολειπομενου, θελει κρεμασθαι επι τα οπισθεν της σκηνης.

13 Και μια πηχη εκ του ενος πλαγιου και μια πηχη εκ του αλλου πλαγιου εκ του εναπολειπομενου εις το μηκος των παραπετασματων της σκηνης θελει κρεμασθαι επανωθεν επι τα πλαγια της σκηνης εντευθεν και εντευθεν, δια να καλυπτη αυτην.

14 Και θελεις καμει κατακαλυμμα δια την σκηνην εκ δερματων κριων κοκκινοβαφων και επικαλυμμα υπερανωθεν εκ δερματων θωων.

15 Και θελεις καμει δια την σκηνην σανιδας εκ ξυλου σιττιμ ορθιας·

16 δεκα πηχων το μηκος της μιας σανιδος, και μιας πηχης και ημισειας το πλατος της μιας σανιδος.

17 Δυο αγκωνισκοι θελουσιν εισθαι εις την μιαν σανιδα αντικρυζοντες προς αλληλους· ουτω θελεις καμει εις πασας τας σανιδας της σκηνης.

18 Και θελεις καμει τας σανιδας δια την σκηνην, εικοσι σανιδας απο το νοτιον μερος προς μεσημβριαν.

19 και υποκατω των εικοσι σανιδων θελεις καμει τεσσαρακοντα υποβασια αργυρα· δυο υποβασια υποκατω της μιας σανιδος δια τους δυο αγκωνισκους αυτης, και δυο υποβασια υποκατω της αλλης σανιδος δια τους δυο αγκωνισκους αυτης.

20 Και δια το δευτερον μερος της σκηνης το προς βορραν, θελεις καμει εικοσι σανιδας.

21 και τα τεσσαρακοντα αυτων υποβασια αργυρα, δυο υποβασια υποκατω της μιας σανιδος, και δυο υποβασια υποκατω της αλλης σανιδος.

22 Και δια τα οπισθεν μερη της σκηνης τα προς δυσμας θελεις καμει εξ σανιδας.

23 Θελεις καμει και δυο σανιδας δια τας γωνιας της σκηνης εις τα οπισθεν μερη·

24 και θελουσιν ενωθη κατωθεν και θελουσιν ενωθη ομου ανωθεν δι' ενος κρικου· ουτω θελει εισθαι δι' αυτας αμφοτερας· δια τας δυο γωνιας θελουσιν εισθαι.

25 και θελουσιν εισθαι οκτω σανιδες και τα αργυρα υποβασια αυτων, δεκαεξ υποβασια· δυο υποβασια υποκατω της μιας σανιδος και δυο υποβασια υποκατω της αλλης σανιδος.

26 Και θελεις καμει μοχλους εκ ξυλου σιττιμ· πεντε δια τας σανιδας του ενος μερους της σκηνης,

27 και πεντε μοχλους δια τας σανιδας του αλλου μερους της σκηνης, και πεντε μοχλους δια τας σανιδας του μερους της σκηνης δια το πλαγιον το προς δυσμας.

28 και ο μεσος μοχλος, ο εν τω μεσω των σανιδων, θελει διαπερα απ' ακρου εως ακρου.

29 Και τας σανιδας θελεις περικαλυψει με χρυσιον και τους κρικους αυτων θελεις καμει χρυσους, δια να ηναι θηκαι των μοχλων. και θελεις περικαλυψει τους μοχλους με χρυσιον.

30 Και θελεις ανεγειρει την σκηνην κατα το σχεδιον αυτης το δειχθεν εις σε επι του ορους.

31 Και θελεις καμει καταπετασμα εκ κυανου και πορφυρου και κοκκινου και βυσσου κεκλωσμενης, εντεχνου εργασιας· με χερουβειμ θελει εισθαι κατεσκευασμενον.

32 Και θελεις κρεμασει αυτο επι τεσσαρων στυλων εκ σιττιμ περικεκαλυμμενων με χρυσιον· τα αγκιστρα αυτων θελουσιν εισθαι χρυσα, επι των τεσσαρων αργυρων υποβασιων.

33 Και θελεις κρεμασει το καταπετασμα υπο τας περονας, δια να φερης εκει, εσωθεν του καταπετασματος, την κιβωτον του μαρτυριου· και το καταπετασμα θελει καμνει εις εσας χωρισμα μεταξυ του αγιου και του αγιου των αγιων.

34 Και θελεις επιθεσει το ιλαστηριον επι της κιβωτου του μαρτυριου εν τω αγιω των αγιων.

35 Και θελεις θεσει την τραπεζαν εξωθεν του καταπετασματος και την λυχνιαν αντικρυ της τραπεζης προς το νοτιον μερος της σκηνης· την δε τραπεζαν θελεις θεσει προς το βορειον μερος.

36 Και θελεις καμει δια την θυραν της σκηνης ταπητα εκ κυανου και πορφυρου και κοκκινου και βυσσου κεκλωσμενης, κατεσκευασμενον με εργασιαν κεντητου.

37 Και θελεις καμει δια τον ταπητα πεντε στυλους εκ σιττιμ, και θελεις περικαλυψει αυτους με χρυσιον· τα αγκιστρα αυτων θελουσιν εισθαι χρυσα· και θελεις χυσει δι' αυτους πεντε υποβασια χαλκινα.

   

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Arcana Coelestia # 9647

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9647. 'And two bases under one board for its two hands' means thus in every single part. This is clear from the consideration that there were to be such bases and hands or tenons situated at the end of each board. This being what the repetition of the same words implies, they mean that it should be so in every single part. It should be remembered that the essential nature of the good and its truths is the same in every detail of a person's mind and of an angel's as it is in the general whole, 920, 1040, 1316, 4345, thus is the same in every single part.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia # 920

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920. In this verse the worship of the Ancient Church in general is described, that is, by 'the altar and its burnt offerings', which were the chief features of all representative worship. First of all however the nature of the worship of the Most Ancient Church must be mentioned, and from that how worship of the Lord by means of representatives arose. For the member of the Most Ancient Church there was no other worship than internal such as is offered in heaven, for among those people heaven so communicated with man that they made one. That communication was perception, which has been frequently spoken of already. Thus, being angelic people, they were internal men. They did indeed apprehend with their senses the external things that belonged to the body and to the world, but they paid no attention to them. In each object apprehended by the senses they used to perceive something Divine and heavenly. For example, when they saw any high mountain they did not perceive the idea of a mountain but that of height, and from height they perceived heaven and the Lord. That is how it came about that the Lord was said to 'live in the highest', and was called 'the Most High and Lofty One', and how worship of the Lord came at a later time to be celebrated on mountains. The same applies to all other objects. For example, when they perceived the morning they did not perceive morning time itself that starts the day but that which is heavenly and is a likeness of the morning and of the dawn in people's minds. This was why the Lord was called the Morning, the East, and the Dawn. Similarly when they perceived a tree and its fruit and leaves they paid no attention to these objects themselves but so to speak saw man represented in them. In the fruit they saw love and charity, and in the leaves faith. Consequently the member of the Church was not only compared to a tree, and also to a tree-garden, and what resided with him to fruit and leaves, but was even called such.

[2] Such is the character of people whose ideas are heavenly and angelic. Everyone may know that a general idea governs all the particular aspects, and this applies to all objects apprehended by the senses, both those which people see and those they hear. Indeed they pay no attention to such objects except insofar as these enter into the general idea a person has. Take the person who has a cheerful disposition; everything he hears and sees seems to him to contain joy and laughter. But for one who has a sad disposition everything he sees and hears seems to be sad and dismal. The same applies to every other kind of person, for their general affection is present within each individual part and causes each individual part to be seen and heard in the general affection. Other features do not even show themselves but are so to speak absent or insignificant. This was so with the member of the Most Ancient Church. Whatever he saw with his eyes was for him heavenly, and so with him every single thing was so to speak alive.

[3] From this the nature of that Church's Divine worship becomes clear, namely that it was internal and not at all external. When however the Church went into decline, as it did among its descendants, and that perception, or communication with heaven, began to die out, a different situation started to emerge. In objects apprehended by the senses they no longer perceived, as they had done previously, that which is heavenly, but that which is worldly. And the more they perceived that which is worldly the less perception remained with them. At length among their final descendants, who came immediately before the Flood, they apprehended nothing at all in such objects except that which was worldly, bodily, and earthly. Thus heaven became separated from mankind and communicated with it in none but an extremely remote way. Man's communication now changed to a communication with hell, and from there he obtained his general idea from which, as has been stated, stem the ideas belonging to every individual part. In this situation, when any heavenly idea came to them, it had no value for them. At length they were not even willing to acknowledge the existence of anything spiritual or celestial. Thus man's state came to be altered and turned upside down.

[4] Because the Lord foresaw that the state of mankind was to become such as this, He also provided for the preservation of doctrinal matters concerning faith so that from them people might know what was celestial and what was spiritual. These matters of doctrine were gathered together from the members of the Most Ancient Church by the people dealt with already called Cain and those called Enoch. This is why it is said of Cain that a sign was placed upon him to prevent anyone killing him, and of Enoch that he was taken by God. Concerning these two, see Chapter 4:15 - in 393, 394 - and Genesis 5:24. These matters of doctrine consisted exclusively in things that were meaningful signs and so things of a seemingly enigmatic nature. That is to say, they consisted in earthly objects which carried spiritual meanings, such as mountains, which meant heavenly things and the Lord; the morning and the east, which also meant heavenly things and the Lord; various kinds of trees and their fruits, which meant man and the heavenly things that are his; and so on. These were the things that their matters of doctrine consisted in, which had been gathered together from the meaningful signs of the Most Ancient Church. Their writings too were consequently of this nature. Now because they wondered at, and to themselves seemed to detect, that which was Divine and heavenly in such matters of doctrine, and also because of the antiquity of these, they began and were allowed to make such things the basis of their worship. This was the origin of their worship on mountains, in groves, and among trees, also of their pillars in the open air, and later on of altars and burnt offerings which ended up as the chief features of all worship. Such worship was begun by the Ancient Church, and from there spread to their descendants and to all the nations round about. These and many other matters as well will in the Lord's Divine mercy be dealt with later on.

  
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Thanks to the Swedenborg Society for the permission to use this translation.