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Εξοδος πλήθους 15:2

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2 Ο Κυριος ειναι η δυναμις μου και το ασμα μου, και εσταθη η σωτηρια μου· αυτος ειναι Θεος μου και θελω δοξασει αυτον· Θεος του πατρος μου, και θελω υψωσει αυτον.

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Arcana Coelestia # 8337

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8337. And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand. That this signifies glorification of the Lord from the good of faith, is evident from the representation of Miriam, as being the good of faith; for Moses represents the truth of faith which proceeds immediately from the Lord, thus internal truth; while Aaron represents the truth of faith which proceeds mediately from the Lord, thus external truth (see n. 7009, 7089, 7382); consequently “Miriam” denotes the good of faith which proceeds mediately from the Lord; for when men represent truth, their women represent good (n. 6014). As Miriam with the women represent external good, therefore it is added “the sister of Aaron,” and it is not said “the sister of Moses.” Moreover good and truth are circumstanced like sister and brother (n. 3160). But be it known that women represent good, and men truth, when the spiritual church is treated of; whereas women represent truth, and men good, when the celestial church is treated of (n. 4823). From the signification of “the prophetess,” as being one who teaches (n. 2534, 7269), here who praises the Lord, or what is the same, glorifies Him from the good of faith, because she sang to Jehovah, as Moses and the men of Israel had done (that “to sing” denotes to glorify, see n. 8261, 8263, 8267); and from the signification of “taking a timbrel in the hand,” as being to glorify from the good of faith, for a “timbrel” is predicated of spiritual good, or what is the same, of the good of faith (n. 4138).

[2] Formerly in Divine worship many kinds of musical instruments were employed, but with much distinction. In general, by wind instruments were expressed affections of good, and by stringed instruments affections of truth, and this from the correspondence of every sounding thing with the affections. It is known that some natural affections are expressed by certain kinds of musical instruments, and others by certain other ones, and that when a fitting harmony joins in accord, they actually excite these affections. They who are skilled in music are aware of these things, and make an accordant use of them. The cause of this fact arises from the very nature of sound and of its accord with the affections. Men learned this at first, not from science and art, but from the hearing and its exquisite sense: from this it is clear that it does not come from any origin in the natural world, but from an origin in the spiritual world, and accordingly from the correspondence with things in the spiritual world of those things in the natural world which flow from order. Harmonious sound and its varieties correspond to states of joy and gladness in the spiritual world; and states of joy and gladness there arise from the affections, which in that world are affections of good and truth. From this then it can be seen that musical instruments correspond to the delights and pleasantnesses of spiritual and celestial affections, and that some instruments correspond to celestial affections, and some to spiritual affections (see what has been said and shown before on this subject, n. 418-420, 4138).

[3] As regards the timbrel specifically, it corresponds to spiritual good, that is, to the good of truth. The reason is that the timbrel is not a stringed instrument, neither is it a wind instrument, but as it is made with a skin, it is as it were a continuous stringed instrument, and moreover its sound is graver and deeper than is the sound of stringed instruments. This can also be seen from the Word, where the “timbrel” is mentioned, as in Isaiah:

The joy of the timbrels shall cease, the tumult of the joyous shall cease, the joy of the harp shall cease (24:8);

“the joy of the timbrels” denotes the delights of the affections of the good of faith; “the joy of the harp,” the delight of the affection of the truth of faith.

In Jeremiah:

Anew I will build thee, that thou shalt be built, O virgin of Israel; anew shalt thou adorn thy timbrels, and shalt go forth into the dance of them that play (31:4);

“to adorn the timbrels” denotes to glorify God from spiritual good, for it treats of the spiritual church, which is the “virgin of Israel.”

[4] In like manner in Ezekiel:

Thou hast been in Eden the garden of God, the work of thy timbrels and of thy pipes was in thee, in the day that thou wast created they were prepared (28:13);

speaking of Tyre, by which are signified the knowledges of good and of truth, and by “timbrels and pipes” the affections of the former, and the joys of the latter.

In David:

They have seen Thy goings, O God, the goings of my God in the sanctuary. The singers went before, after them the players, in the midst of the virgins playing on timbrels (Psalms 68:24-25).

Shout to the God of Jacob, lift up a song, and give a timbrel, a pleasant harp with a psaltery (Psalms 81:1-2).

Sing to Jehovah a new song, let them praise His name in the dance, let them sing psalms to Him with timbrel and harp (Psalms 149:1, 3);

here “to praise with timbrel” denotes to glorify from the delight of the affection of the good of faith; and “to praise with harp” denotes the pleasantness of the affection of the truth of faith.

[5] In the same:

Praise ye God with timbrel and dance, praise ye Him with stringed instruments and organ, praise Him with cymbals of sound, praise Him with cymbals of noise (Psalms 150:4-5);

“to praise with timbrel and dance” denotes from the good and truth of faith; “with stringed instruments and organ” denotes from truths and the good thence derived. As by correspondence all instruments signified the delights and pleasantnesses of spiritual and celestial affections, many of the Psalms of David have an inscription, and it is told how they are to be sung, as “upon Neginoth,” “upon Nechiloth,” “upon the Octave,” “Shigajon,” “Gitthith,” “Muth-labben,” “Sheminith,” “Shoshannim,” “Machalath.”

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.

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Arcana Coelestia # 1343

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1343. That “Eber” was a nation called, from Eber as its father, the Hebrew nation, and that thereby is signified the worship in general of the Second Ancient Church, is evident from those historical parts of the Word wherein it is spoken of. From that nation, because the new worship commenced there, all were called Hebrews who had a similar worship. Their worship was of the kind that was afterwards restored among the descendants of Jacob; and its chief characteristic consisted in their calling their God “Jehovah,” and in their having sacrifices. The Most Ancient Church with unanimity acknowledged the Lord, and called Him Jehovah, as is evident from the first chapters of Genesis, and elsewhere in the Word. The Ancient Church, that is, the church after the flood, also acknowledged the Lord, and called Him Jehovah, especially those who had internal worship, and were called “sons of Shem.” The others, who were in external worship, also acknowledged Jehovah, and worshiped Him. But when internal worship became external, and still more when it became idolatrous, and when each nation began to have its own god whom it worshiped, the Hebrew nation retained the name Jehovah, and called their God Jehovah; and hereby were distinguished from the other nations.

[2] Together with their external worship, the descendants of Jacob in Egypt lost this also-that they called their God Jehovah; nay, Moses himself did so; and therefore they were instructed first of all that Jehovah was the God of the Hebrews, and the God of Abraham, of Isaac, and of Jacob; as may be seen from these words in Moses:

Jehovah said unto Moses, Thou shalt come in, thou and the elders of Israel, to the king of Egypt, and ye shall say unto him, Jehovah the God of the Hebrews hath met with us; and now let us go, we pray thee, a three days’ journey into the wilderness, and we will sacrifice to Jehovah our God (Exodus 3:18). Again:

Pharaoh said, Who is Jehovah, that I should hearken unto His voice to let Israel go? I know not Jehovah, and moreover I will not let Israel go. And they said, The God of the Hebrews hath met with us; let us go, we pray thee, a three days’ journey into the wilderness, and we will sacrifice to Jehovah our God (Exodus 5:2-3).

[3] That together with the worship the descendants of Jacob in Egypt lost also the name of Jehovah, may be seen from these words in Moses:

Moses said unto God, Behold, when I come unto the sons of Israel, and shall say unto them, The God of your fathers hath sent me unto you, and they shall say to me, What is His name? what shall I say unto them? And God said unto Moses, I AM WHO I AM. And He said, Thus shalt thou say unto the sons of Israel, I AM hath sent me unto you. And God said moreover unto Moses, Thus shalt thou say unto the sons of Israel, Jehovah the God of your fathers, the God of Abraham, the God of Isaac, and the God of Jacob, hath sent me unto you; this is My name to eternity (Exodus 3:13-15).

[4] From these words it is evident that even Moses did not know Jehovah; and that they were distinguished from others by the name of Jehovah the God of the Hebrews. Hence in other places also Jehovah is called the God of the Hebrews:

Thou shalt say unto Pharaoh, Jehovah the God of the Hebrews hath sent me unto thee (Exodus 7:16).

Go in unto Pharaoh, and tell him, Thus saith Jehovah the God of the Hebrews (Exodus 9:1, 13).

And Moses and Aaron went in unto Pharaoh, and said unto him, Thus saith Jehovah the God of the Hebrews (Exodus 10:3).

And in Jonah:

I am a Hebrew; and I fear Jehovah the God of the heavens (Jonah 1:9).

And also in Samuel:

The Philistines heard the voice of the shouting, and said, What meaneth the voice of this great shouting in the camp of the Hebrews? And they knew that the ark of Jehovah was come into the camp. And the Philistines said, Woe unto us! Who shall deliver us out of the hand of these august gods? These are the gods that smote the Egyptians with all manner of plagues in the wilderness. Be like men, O ye Philistines, that ye be not servants unto the Hebrews (1 Samuel 4:6, 8-9).

Here also it is evident that the nations were distinguished by the gods on whose name they called, and the Hebrew nation by Jehovah.

[5] That the second essential of the worship of the Hebrew nation consisted in sacrifices, is also evident from passages cited above (Exodus 3:18; 5:2-3); as well as from the fact that the Egyptians abominated the Hebrew nation on account of this worship, as is evident from these words in Moses:

Moses said, It is not right so to do, for we shall sacrifice the abomination of the Egyptians to Jehovah our God; lo, shall we sacrifice the abomination of the Egyptians before their eyes, and will they not stone us? (Exodus 8:26).

For this reason the Egyptians so abominated the Hebrew nation that they would not eat bread with them (Genesis 43:32). It is also evident from all this that the posterity of Jacob was not the only Hebrew nation, but all who had such worship; and therefore in Joseph’s time the land of Canaan was called the land of the Hebrews:

Joseph said, I was stolen away out of the land of the Hebrews (Genesis 40:15).

[6] That there were sacrifices among the idolaters in the land of Canaan, may be seen from many passages, for they sacrificed to their gods-to the Baals and others; and moreover Balaam, who was from Syria where Eber dwelt and whence the Hebrew nation came, not only offered sacrifices before the descendants of Jacob came into the land of Canaan, but also called Jehovah his God. That Balaam was from Syria, whence came the Hebrew nation, see Numbers 23:7; that he offered sacrifices, Numbers 22:39-40; 23:1-3, 14, 29; that he called Jehovah his God, Numbers 22:18, and throughout the chapter. What is said of Noah (Genesis 8:20), that he offered burnt-offerings to Jehovah, is not true history, but is history so made up, because by burnt-offerings there is signified the holy of worship, as may there be seen. From all this it is now evident what is signified by “Ber,” or by the Hebrew nation.

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.