9881. 'From pure gold' means through celestial good. This is clear from the meaning of 'gold' as the good of love, dealt with in 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510; and since the words 'pure gold' are used celestial good is what is meant. For there is celestial good and there is spiritual good, both of which may be internal or external, celestial good being the good of love to the Lord, and spiritual good the good of love towards the neighbour. In the Word all those kinds of good are called 'gold'. But they are distinguished from one another by being called gold 'from Uphaz', 'from Ophir', 'from Sheba' and 'Havillah', and also 'from Tarshish' - gold from Uphaz in Jeremiah 10:9; Daniel 10:5, by which celestial good is meant; gold from Ophir in Isaiah 13:12; Psalms 45:9; Job 22:24; 28:16, by which spiritual good is meant; gold from Sheba in Isaiah 60:6; Ezekiel 27:22; Psalms 72:15, by which good on the level of religious knowledge is meant, as it is by gold from Havillah in Genesis 2:11-12; and also silver and gold from Tarshish, in Isaiah 60:9, by which truth and good on the level of factual knowledge are meant.

The word "woman" is used a number of different ways in the Bible – as a simple description, as someone connected to a man ("his woman"), as a temptation to the men of Israel (women of other nations) and even as a term of address (Jesus addresses Mary as "woman" twice). There are also various spiritual meanings, and context is important. In most cases, a "woman" in the Bible represents a church, either a true one following the Lord or a false one out to deceive. This follows from the idea that the true character of an organization – or of an individual person – is determined by its goals, its mission, what it cares about most. This is well represented by women, because women are, at their inmost levels, forms of affection and love. Men, by contrast, are forms of thought and intellect, which appear prominent but actually play the secondary role of describing and supporting the defining loves and affections. The most central of a woman's loves and affections is the love of truth. On an individual scale this is central to the union between a wife and a husband: She loves his intellect and ideas, and blends them with her own to produce acts of love and kindness; meanwhile her love inspires him to seek more true ideas and greater wisdom so those acts of love and kindness can be ever better. The relationship between the church and the Lord is different, obviously, because the Lord is perfect love and perfect wisdom in balance, and is ultimately both masculine and feminine. The church is also not specifically feminine, being made up of men and women working in harmony. Even so, the defining aspect of a church is its love for truth, and how it receives ideas from the Lord. So while "woman" sometimes represents a church in general, it can also represents the love of truth that exists in that church, or the love of truth itself. Not all churches are true, of course. The reason the people of Israel were so strongly forbidden to intermarry with the people that surrounded them was that the foreign women represented false churches and false beliefs. And for an Israeli woman to take a foreign husband represented introducing falsity into the Israeli church. Two other uses of "woman" are more limited, primarily to the Book of Genesis. One of them is Eve, the first woman, formed from the rib of Adam. In that story Adam represents the Most Ancient Church, and the woman represents what the Writings call the "proprium," a sense of self, of identity, of control that the Lord gave to people of the church at that time. In a way this fits with the more general representation, because the love of truth is an important way we can feel a sense of power in our own spiritual growth, but the representation of Eve is relatively unique. Much of the rest of Genesis is dealing rather directly with the Lord's own development during his childhood on earth. Since the Lord thought and felt more deeply than we can possibly imagine, the women in this stories – Sarah, Rebecca, Leah, Rachel and others – represent true ideas themselves, rather than affections for truth.