954. Verse 7. And one of the four animals gave unto the seven angels seven golden vials, full of the anger of God, who liveth unto the ages of the ages, signifies all the falsities of evil that have destroyed the spiritual life of the men of the church made manifest by the Lord by means of the Divine truth or the Word. This is evident from the signification of "the four animals," as being the inmost heaven (See n. 277, 322, 462), and as being the Word n. 717, consequently the Lord as to heaven and the Word, for heaven is heaven from the Lord, and the same is true of the Word. Also from the signification of "the seven angels," as being manifestations through the Divine truth or the Word (See above, n. 949). Also from the signification of "the seven vials," as being all falsities and evils, for "the seven vials" have a like signification as "the seven plagues" (verse 6), namely, evils and falsities therefrom, and falsities and evils therefrom (See above, n. 949). These are said to be "full of the anger of God, who liveth unto the ages of the ages," because these devastate the church and destroy the spiritual life of the men of the church. These are what are signified by "the anger of God." All this makes clear that the words, "one of the four animals gave unto the seven angels seven golden vials, full of the anger of God, who liveth unto the ages of the ages," signify all the falsities of evil that have destroyed the spiritual life of the men of the church, made manifest by the Lord by means of the Divine truth or the Word. "Vials" are mentioned instead of plagues because vials are the containants, and plagues are the contents; and in the Word the containants are frequently mentioned instead of the contents, because the containants are the ultimates, in order that the sense of the letter of the Word may be in ultimates. Likewise "cups" and "chalices" are mentioned instead of wine. (But see further on this subject in the following chapter, where the seven vials and the seven plagues therein are treated of.)

(Continuation respecting the First Commandment)

[2] So far as a man resists his own two loves, which are the love of ruling from the mere delight of ruling and the love of possessing the goods of the world from the mere delight of possession, thus so far as he shuns as sins the evils forbidden in the Decalogue, so far there flows in through heaven from the Lord, that there is a God, who is the Creator and Preserver of the universe, yea also that God is one. This then flows in for the reason that when evils have been removed heaven is opened, and when heaven is opened man no longer thinks from self but from the Lord through heaven; and that there is a God and that God is one is the universal principle in heaven which comprises all things. That from influx alone man knows, and as it were sees that God is one, is evident from the common confession of all nations, and from a repugnance to thinking that there are many gods. Man's interior thought, which is the thought of his spirit, is either from hell or from heaven; it is from hell before evils have been removed, but from heaven, when they have been removed. When this thought is from hell man sees no otherwise than that nature is God, and that the inmost of nature is what is called the Divine. When such a man after death becomes a spirit he calls anyone a god who is especially powerful; and also himself strives for power that he may be called a god. All the evil have such madness lurking inwardly in their spirit. But when a man thinks from heaven, as he does when evils have been removed, he sees from the light in heaven that there is a God and that He is one. Seeing from light out of heaven is what is meant by influx.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.