Bible

 

耶利米书 44:12

Studie

       

12 那定意进入埃及、在那里寄居的,就是所剩下的犹大人,我必使他们尽都灭绝,必在埃及仆倒,必因刀饥荒灭绝;从最小的到至的都必遭刀饥荒而,以致令人辱骂、惊骇、咒诅、羞辱。

Bible

 

耶利米书 11:17

Studie

       

17 原来栽培你的万军之耶和华已经说,要降祸攻击你,是因以色列家和犹大家行恶,向巴力烧香,惹我发怒,是自作自受。

Ze Swedenborgových děl

 

Arcana Coelestia # 5278

Prostudujte si tuto pasáž

  
/ 10837  
  

5278. 'And all the abundance of corn in the land of Egypt will be thrust into oblivion' means the removal of truth and the seeming deprivation of it in both parts of the natural. This is clear from the meaning of forgetting or 'being thrust into oblivion' as a removal and the seeming deprivation that results from this; from the meaning of 'the abundance of corn' as the multiplication of truth, that is, truth that has been multiplied, dealt with just above in 5276; and from the meaning of 'the land of Egypt' as the natural mind or a person's natural, both parts of it in this case, as just above in 5276.

[2] The reason forgetting or 'being thrust into oblivion' means a removal and seeming deprivation is that something akin to this happens to the memory and to thought that relies on it. The actual matters that a person is thinking about are immediately beneath his attention, while related matters spread out in order around them, extending to unrelated ones furthest away, which at that time are in oblivion. Matters of a contrary nature are separated from these, hanging downwards and revealing themselves underneath, where they serve to counterbalance what is above them. This ordered arrangement is effected by means of good flowing in. Such is the way in which the whole of a person's thought is ordered. The truth of this can be seen from people's thoughts in the next life. There in the light of heaven it is quite normal for people's thoughts to be presented sometimes in a visual manner, at which times the form in which those thoughts are arranged is demonstrated. From this it may be seen that 'forgetting' in the internal sense means nothing else than a removal and seeming deprivation.

  
/ 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.