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خروج 26

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1 واما المسكن فتصنعه من عشر شقق بوص مبروم واسمانجوني وارجوان وقرمز. بكروبيم صنعة حائك حاذق تصنعها.

2 طول الشقة الواحدة ثمان وعشرون ذراعا وعرض الشقة الواحدة اربع اذرع. قياسا واحدا لجميع الشقق.

3 تكون خمس من الشقق بعضها موصول ببعض وخمس شقق بعضها موصول ببعض.

4 وتصنع عرى من اسمانجوني على حاشية الشقق الواحدة في الطرف من الموصل الواحد. وكذلك تصنع في حاشية الشقة الطرفية من الموصّل الثاني.

5 خمسين عروة تصنع في الشقة الواحدة وخمسين عروة تصنع في طرف الشقة الذي في الموصّل الثاني. تكون العرى بعضها مقابل لبعض.

6 وتصنع خمسين شظاظا من ذهب. وتصل الشقتين بعضهما ببعض بالاشظة. فيصير المسكن واحدا

7 وتصنع شققا من شعر معزى خيمة على المسكن. احدى عشرة شقة تصنعها.

8 طول الشقة الواحدة ثلاثون ذراعا وعرض الشقة الواحدة اربع اذرع. قياسا واحدا للاحدى عشرة شقة.

9 وتصل خمسا من الشقق وحدها وستّا من الشقق وحدها. وتثني الشقة السادسة في وجه الخيمة.

10 وتصنع خمسين عروة على حاشية الشقة الواحدة الطرفية من الموصّل الواحد وخمسين عروة على حاشية الشقة من الموصّل الثاني.

11 وتصنع خمسين شظاظا من نحاس. وتدخل الاشظّة في العرى وتصل الخيمة فتصير واحدة.

12 واما المدلّى الفاضل من شقق الخيمة نصف الشقة الموصلة الفاضل فيدلّى على مؤخر المسكن.

13 والذراع من هنا والذراع من هناك من الفاضل في طول شقق الخيمة تكونان مدلاتين على جانبي المسكن من هنا ومن هناك لتغطيته.

14 وتصنع غطاء للخيمة من جلود كباش محمرّة. وغطاء من جلود تخس من فوق

15 وتصنع الالواح للمسكن من خشب السنط قائمة.

16 طول اللوح عشر اذرع وعرض اللوح الواحد ذراع ونصف.

17 وللّوح الواحد رجلان مقرونة احداهما بالاخرى. هكذا تصنع لجميع الواح المسكن.

18 وتصنع الالواح للمسكن عشرين لوحا الى جهة الجنوب نحو التيمن.

19 وتصنع اربعين قاعدة من فضة تحت العشرين لوحا. تحت اللوح الواحد قاعدتان لرجليه وتحت اللوح الواحد قاعدتان لرجليه.

20 ولجانب المسكن الثاني الى جهة الشمال عشرين لوحا.

21 واربعين قاعدة لها من فضة. تحت اللوح الواحد قاعدتان وتحت اللوح الواحد قاعدتان.

22 ولمؤخر المسكن نحو الغرب تصنع ستة الواح.

23 وتصنع لوحين لزاويتي المسكن في المؤخر.

24 ويكونان مزدوجين من اسفل. وعلى سواء يكونان مزدوجين الى راسه الى الحلقة الواحدة. هكذا يكون لكليهما. يكونان للزاويتين.

25 فتكون ثمانية الواح وقواعدها من فضة ست عشرة قاعدة. تحت اللوح الواحد قاعدتان وتحت اللوح الواحد قاعدتان

26 وتصنع عوارض من خشب السنط. خمسا لالواح جانب المسكن الواحد.

27 وخمس عوارض لالواح جانب المسكن الثاني. وخمس عوارض لالواح جانب المسكن في المؤخر نحو الغرب.

28 والعارضة الوسطى في وسط الالواح تنفذ من الطرف الى الطرف.

29 وتغشّي الالواح بذهب. وتصنع حلقاتها من ذهب بيوتا للعوارض. وتغشّي العوارض بذهب.

30 وتقيم المسكن كرسمه الذي أظهر لك في الجبل

31 وتصنع حجابا من اسمانجوني وارجوان وقرمز وبوص مبروم. صنعة حائك حاذق يصنعه بكروبيم.

32 وتجعله على اربعة اعمدة من سنط مغشّاة بذهب. رززها من ذهب. على اربع قواعد من فضة.

33 وتجعل الحجاب تحت الاشظّة. وتدخل الى هناك داخل الحجاب تابوت الشهادة. فيفصل لكم الحجاب بين القدس وقدس الاقداس.

34 وتجعل الغطاء على تابوت الشهادة في قدس الاقداس.

35 وتضع المائدة خارج الحجاب والمنارة مقابل المائدة على جانب المسكن نحو التيمن. وتجعل المائدة على جانب الشمال

36 وتصنع سجفا لمدخل الخيمة من اسمانجوني وارجوان وقرمز وبوص مبروم صنعة الطرّاز.

37 وتصنع للسجف خمسة اعمدة من سنط وتغشّيها بذهب. رززها من ذهب. وتسبك لها خمس قواعد من نحاس

   

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Arcana Coelestia # 9605

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9605. 'And you shall make loops of violet' means a joining together by means of the celestial love of truth. This is clear from the meaning of 'loops' as a joining together, the reason why this is meant by 'loops' being that they serve to join things together; and from the meaning of 'violet' as the celestial love of truth, dealt with in 9466.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia # 9466

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9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, 1 with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

Poznámky pod čarou:

1. literally, with perfections

  
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Thanks to the Swedenborg Society for the permission to use this translation.