IBhayibheli

 

Hosea 8

Funda

   

1 Set the trumpet to thy mouth. [He cometh] as an eagle against the house of Jehovah, because they have transgressed my covenant, and rebelled against my law.

2 They shall cry unto me, My God, we know thee; [we], Israel.

3 Israel hath cast off good: the enemy shall pursue him.

4 They have set up kings, but not by me; they have made princes, and I knew it not; of their silver and their gold have they made them idols, that they may be cut off.

5 Thy calf, O Samaria, hath cast [thee] off; mine anger is kindled against them: how long will they be incapable of purity?

6 For from Israel is this also: -- a workman made it, and it is no God: for the calf of Samaria shall be [broken in] pieces.

7 For they have sown the wind, and they shall reap the whirlwind: it hath no stalk; should it sprout, it would yield no meal; if so be it yield, strangers shall swallow it up.

8 Israel is swallowed up: now are they become among the nations as a vessel wherein is no pleasure.

9 For they are gone up [to] Assyria [as] a wild ass alone by himself: Ephraim hath hired lovers.

10 Although they hire among the nations, now will I gather them, and they shall begin to be straitened under the burden of the king of princes.

11 Because Ephraim hath multiplied altars to sin, altars shall be unto him to sin.

12 I have prescribed unto him the manifold things of my law: they are counted [as] a strange thing.

13 They sacrifice flesh [for] the sacrifices of mine offerings, and eat it; Jehovah hath no delight in them. Now will he remember their iniquity, and visit their sins: they shall return to Egypt.

14 For Israel hath forgotten his Maker, and buildeth temples; and Judah hath multiplied fenced cities: but I will send a fire upon his cities, and it shall devour the palaces thereof.

   

Amazwana

 

Cry

  
According to ancient Greek mythology, the giant Prometheus created the first man out of clay and gave him fire, essential for the development of technology and the arts, by which men became more like gods themselves. Zeus, the king of the gods, punished him for this, chaining him to a mountainside and sending an eagle that every day pecked out Prometheus's liver, which re-grew overnight. He was eventually freed by Hercules.

As with most common verbs, the spiritual meaning of “crying” or “crying out” (meaning a shout or wail, not weeping) is highly dependent on context. Who is crying out? To whom? Why? In most cases, though, crying has to do with speaking falsely, and of the emotions arising from the conflict between truth and falsity. When people cry out in distress it is most often an indication that they are being overwhelmed by false ideas. In other cases – especially regarding more joyful cries – it is a celebration of the triumph of truth.

Okususelwe Emisebenzini kaSwedenborg

 

Arcana Coelestia #5079

Funda lesi Sigaba

  
Yiya esigabeni / 10837  
  

5079. 'Against their lord the king of Egypt' means that these - the external or bodily senses, meant by 'the cupbearer and the baker' - were contrary to the new state in the natural man. This is clear from the meaning of 'the king of Egypt' as factual knowledge in general, dealt with in 1164, 1165, 1186, 1462, 4749, 4964, 4966; for, the king being the head of the nation, 'the king of Egypt' is similar in meaning to 'Egypt', the same as in other places where the king of any nation is referred to or named, 4789. Since factual knowledge in general is meant by 'the king of Egypt', so also is the natural man meant by him; for all factual knowledge is truth as it exists in the natural man, 4967. While the actual good there is meant by 'the lord', 4973. The reason a new state in the natural man is meant is that the previous chapter dealt with the interior aspects of the natural, which were made new, or - in the highest sense, in which the Lord is the subject - were glorified, whereas the present chapter deals with the exterior aspects of the natural which are to be brought into accord or agreement with those interior ones. These interior aspects of the natural which have been made new - or, what amounts to the same, a new state in the natural man - are what are meant by 'the lord the king of Egypt', while the exterior aspects which have not been brought into a state of order and are consequently contrary to it are meant by 'the cupbearer and the baker'.

[2] There are interior aspects of the natural and there are exterior ones. The interior aspects of the natural are known facts and the affections for them, but the exterior aspects are both kinds of sensory perception spoken of above in 5077. When a person dies he leaves behind those exterior aspects of the natural; but the interior aspects of the natural he takes with him into the next life where they serve as the foundation on which spiritual and celestial things can be based; for when a person dies he loses nothing apart from his flesh and bones. He keeps his memory in which everything he has done, spoken, or thought is recorded, and he keeps every natural affection and desire, and so every interior aspect of the natural. He does not need its exterior aspects, for he does not see anything that is in the world, or hear anything that is in the world, or smell, taste, or touch anything that is in the world, only what is in the next life. Things in the next life, it is true, seem for the most part to be like those in the world, but they are not, for they hold what is living within them, such as things proper to the natural world do not hold within them. For every single thing in the next life owes the beginning and the continuance of its existence to the Sun there, which is the Lord, as a consequence of which it has that which is living within it. But every single thing in the natural world owes the beginning and the continuance of its existence to the sun there, which is material fire, as a consequence of which it does not have that which is living within it. What gives it the appearance of having life within it is that its origin lies solely in the spiritual world, that is, in the Lord through the spiritual world.

  
Yiya esigabeni / 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.