IBhayibheli

 

西番雅書 1

Funda

1 猶大王亞們的兒子約西亞在位的時候,耶和華的臨到希西家的玄孫,亞瑪利雅的曾孫,基大利的孫子,古示的兒子西番雅。

2 耶和華:我必從地上除滅萬類。

3 我必除滅人和牲畜,與空中的裡的魚,以及絆腳石和惡人;我必將人從地上剪除。這是耶和華的。

4 我必伸攻擊猶大耶路撒冷的一切居民,也必從這地方剪除所下的巴力,並基瑪林的名和祭司

5 與那些在房頂上敬拜上萬象的,並那些敬拜耶和華指著他起誓,又指著瑪勒堪起誓的,

6 與那些去不跟從耶和華的,和不尋求耶和華也不訪問他的。

7 你要在耶和華面前靜默無聲,因為耶和華的日子快到。耶和華已經預備祭物,將他的客分別為

8 到了我─耶和華獻祭的日子,必懲罰首領和王子,並一切穿外邦衣服的。

9 到那日,我必懲罰一切跳過門檻、將強暴和詭詐得來之物充滿房屋的。

10 耶和華:當那日,從魚必發出悲哀的聲音,從二城發出哀號的聲音,從山間發出破裂的響聲。

11 瑪革提施的居民哪,你們要哀號,因為迦南的商民都滅亡了!凡搬運子的都被剪除。

12 那時,我必用巡查耶路撒冷;我必懲罰那些如酒在渣滓上澄清的;他們心裡耶和華必不降福,也不降禍。

13 他們的財寶必成為掠物;他們的房屋必變為荒場。他們必建造房屋,卻不得在其內;栽種葡萄園,卻不得所出的酒。

14 耶和華的日臨近,臨近而且甚快,乃是耶和華日子的風聲;勇士必痛痛地哭號。

15 那日是忿怒的日子,是急難困苦的日子,是荒廢淒涼的日子,是黑暗幽冥、密烏黑的日子,

16 是吹角吶喊的日子,要攻擊堅固城和大的城樓。

17 我必使災禍臨到人身上,使他們行走如同瞎眼的,因為得罪了我。他們的血必倒出如灰塵;他們的肉必拋棄如糞土。

18 耶和華發怒的日子,他們的不能救他們;他的忿怒如必燒滅全,毀滅這的一切居民,而且大大毀滅。

Okususelwe Emisebenzini kaSwedenborg

 

Apocalypse Explained #501

Funda lesi Sigaba

  
Yiya esigabeni / 1232  
  

501. Verse 7. And the first angel sounded, and there followed hail and fire mingled with blood; and they were cast upon the earth; and the third part of the trees was burnt up, and all green grass was burnt up. "The first angel sounded," signifies influx out of heaven, and thence the first change; “and there followed hail and fire, mingled with blood," signifies infernal falsity and evil destroying, intermingled with the truths and goods of the Word, to which violence was done; "and they were cast upon the earth," signifies progression toward the lower parts;" and the third part of the trees was burnt up," signifies that the perceptions and cognitions of truth and good, were destroyed by unbridled desires springing from evil loves; "and all green grass was burnt up," signifies that all scientific truth (scientificum verum) also perished through the unbridled desires of the same loves.

  
Yiya esigabeni / 1232  
  

Translation by Isaiah Tansley. Many thanks to the Swedenborg Society for the permission to use this translation.

Okususelwe Emisebenzini kaSwedenborg

 

Arcana Coelestia #8261

Funda lesi Sigaba

  
Yiya esigabeni / 10837  
  

8261. 'Then Moses and the children of Israel sang this song to Jehovah' means that those belonging to the spiritual Church ascribed glory to the Lord because of their deliverance. This is clear from the meaning of 'singing a song' as ascribing glory, dealt with below - ascribing it to the Lord, since 'Jehovah' is used in the Word to mean the Lord, 1343, 1736, 2921, 3023, 3035, 5041, 5663, 6280, 6281, 6905, 6945, 6956; and from the representation of 'Moses and the children of Israel' as those who belong to the spiritual Church. For Moses together with the people represents that Church - Moses its head, since he also represents Divine Truth, and the people or the children of Israel the Church itself. For the representation of 'the children of Israel' as those who belong to the spiritual Church, see 6426, 6637, 6862, 7035, 7062, 7198, 7201, 7215, 7223. The fact that they ascribed glory to the Lord because of their deliverance is evident from what was shown in the previous chapter. There it was shown that those belonging to the spiritual Church were saved solely through the Lord's Coming into the world, and that until then they had been held back on the lower earth, where they were molested by spirits steeped in falsities arising from evil and were delivered by the Lord after He had made Divine the Human within Himself. For the salvation of those belonging to the spiritual Church solely through the Lord's Coming into the world, see 2661, 2716, 2833, 2834, 6372; and for their being held back until then on the lower earth, and their deliverance by the Lord once He had made Divine the Human within Himself, 6854, 6914, 7035, 7091(end), 7828, 7932, 8018, 8054.

[2] The reason why 'singing a song' means ascribing glory, so that 'a song' means an ascription of glory, is that in the Ancient Church, and subsequently in the Jewish Church, songs were prophetic. Their theme was the Lord, in particular His coming into the world, His destruction of the devil's crew, which was prowling around then more than at any other time, and His deliverance of faithful believers from attacks by them. And because the prophetic words of the songs contained such exploits in the internal sense, an ascription of glory to the Lord was therefore meant by them, that is, praise of Him from gladness of heart was meant. For gladness of heart is expressed primarily through singing, the gladness in singing being so to speak a spontaneous eruption into sound. So it is that in songs Jehovah, that is, the Lord, is called Mighty Man, Man of War, God of Hosts, Conqueror, Might, Fortress, Shield, and Salvation; and the devil's crew, which was destroyed, is called the enemy, who was struck, swallowed up, drowned, and cast into hell.

[3] Even in former times those who had no conception of an internal sense thought that when in their external sense songs referred to things of a worldly nature - such as enemies, battles, victories, defeats, drownings - those things were the real meaning. But people who knew that all prophetic utterances embodied realities of a heavenly and Divine nature, and that these were represented within things of a worldly nature, also knew that those utterances were referring to the damnation of the faithless and the salvation of the faithful by the Lord when He came into the world. And in those times when these people who had knowledge of this contemplated it, and were consequently affected by it, they experienced an inner gladness, whereas the others' gladness was purely outward. At the same time the angels too who resided with people ascribed glory to the Lord. Therefore those who sang and those who listened to songs experienced heavenly gladness as a result of the holy and blissful influence from heaven, gladness in which it seemed to them as though they were transported into heaven. Such was the effect the songs of the Church had among the ancients. Such also is the effect they have at the present day, for the affections of spiritual angels are especially stirred by songs which refer to the Lord, His kingdom, and His Church. The songs of the Church had that effect because, for one thing, they inspired gladness of heart, which then burst from within right out into the outermost fibres of the body, making them quiver with a glad and at the same time holy feeling, and, for another thing, because in the heavens glory is ascribed to the Lord by choirs, thus by very many harmonizing with one another. Hence also angelic speech is harmonic; it falls into rhythmic measures. Regarding choirs, see 2595, 2596, 3350, 5182, 8115; regarding angelic speech, that it falls into rhythmic measures, 1648, 1649, 7191(end). So it was that when the ancients who belonged to the Church ascribed glory to the Lord they did so through songs, psalms, and various kinds of musical instruments. For the ancients who belonged to the Church experienced a joy surpassing all other joys when they called to mind the Lord's Coming and the salvation of the human race by Him.

[4] The fact that prophetic songs contained internally an ascription of glory to the Lord is clear from songs in the Word, as in Isaiah,

I Jehovah have called You in righteousness, and I will hold Your hand; I will guard You, and give You to be a covenant of the people, 1 a light of the nations, to open the blind eyes, to bring the bound out of the prison, out of the dungeon-house him who sits in darkness. Sing to Jehovah a new song, His praise, O end of the earth! Let the wilderness and its cities lift up their voice. Let the inhabitants of the rock sing. Let them give glory to Jehovah. Jehovah will go forth as a Mighty Man, as a Man of Wars He will arouse zeal; He will prevail over His enemies. Isaiah 42:6-9ff.

This refers, as is self-evident, to the Lord, to His future coming to deliver those in spiritual captivity. Therefore it says, 'Sing to Jehovah a new song' and 'Let the inhabitants of the rock sing'. A similar example occurs in the same prophet,

I have given You as a covenant of the people - to restore the land; to share out the devastated inheritances; to say to the bound, Go out; to those who are in darkness, Reveal yourselves. They will feed along the ways, and on all slopes will their pastures be. Sing, O heavens! And be exultant, O earth! And resound, O mountains, with song! For Jehovah has comforted His people, and will have mercy on His afflicted. Isaiah 49:8-10, 13ff.

This too refers to the Coming of the Lord and the deliverance of the bound.

[5] In David,

Sing to Jehovah a new song; bless His name; declare His glory among the nations. All the gods of the peoples are idols, 2 but Jehovah made the heavens. Glory and honour are before Him; strength and beauty are in His sanctuary. Give to Jehovah glory and strength; give to Jehovah the glory of His name. Say among the nations, Jehovah reigns; the world also is firmly established, and will not be moved. Jehovah comes He comes to judge the earth. Psalms 96:1-end.

In the same author,

Jehovah caused me to come up out of the pit of vastation, out of the muddy clay, and He set my feet upon a rock. And He put into my mouth a new song, praise to our God; many will see and be confident. Psalms 40:2-3.

From these quotations too it is clear that 'a song' means an ascription of glory to the Lord because of deliverance. For songs included both gladness of heart and exaltation of the Lord - gladness of heart because of the Lord's Coming and salvation then, and exaltation because of victory over spiritual enemies. Gladness of heart coupled with exaltation of the Lord is what is meant by an ascription of glory.

[6] The fact that gladness of heart was meant by 'songs' is evident in David,

Confess Jehovah with the harp, make melody to Him on a ten-stringed lyre. Sing to Him a new song, play skillfully with a loud note. For He gathers the waters of the sea together as a heap; He places the depths in storehouses. Psalms 33:2-7.

In Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. They will not drink wine with singing. Isaiah 24:8-9.

And in Amos,

I will turn your feasts into mourning, and all your songs into lamentation. Amos 8:10.

The fact that exaltation of Jehovah, that is, the Lord, was effected by means of songs may be seen in David,

David the servant of Jehovah, who spoke to Jehovah the words of this song. [I will love You,] O Jehovah, my strength. Jehovah is my rock (petra), and my fortress, and my deliverer; my God, my rock (rupee) in which I trust, my shield, and the horn of my salvation, my refuge. On Him who is to be praised, on Jehovah I will call; then I shall be saved from my enemies. Psalms 18:1-3.

In the same author,

Jehovah is my strength and my shield; therefore with song I will confess Him. Jehovah is their strength, and the saving strength of His anointed. Psalms 28:7-8.

In the same author,

Your salvation, O God, will bring me on high. I will praise the name of God with a song and will magnify Him with confession. Psalms 69:29-30.

[7] The fact that the Lord was the theme in their songs is also clear in John,

The twenty-four elders sang a new song, saying, You are worthy to take the book, and to open its seals; for You were slain, and have redeemed us to God by Your blood. Revelation 5:9-10.

Also in the same author,

I saw seven angels, and those who were singing the song of Moses, the servant of God, and the song of the Lamb, saying, Great and marvellous are Your works, O Lord God Almighty! Just and true are Your ways, O King of saints! Who would not fear You, O Lord, and glorify Your name? Revelation 15:1-4.

'The song of Moses and of the Lamb' is a song which in this chapter is called 'the song of the Lamb' because an ascription of glory to the Lord is the theme in it.

Imibhalo yaphansi:

1. The Latin means for the people but the Hebrew means of the people, which Swedenborg has in some other places where he quotes this verse.

2. literally, vanities

  
Yiya esigabeni / 10837  
  

Thanks to the Swedenborg Society for the permission to use this translation.