9868. 'A chrysoprase, a sapphire, and a diamond' means the celestial love of truth, from which the things that follow spring. This is clear from the meaning of these stones as the celestial love of truth, dealt with below. The reason for saying 'from which the things that follow spring' is that all the forms of good and truths that follow emanate in order from those that go before; for the existence of anything unconnected with others prior to itself is not possible. First in order is the celestial love of good; second is the celestial love of truth; third is the spiritual love of good; and fourth is the spiritual love of truth. This order is what was represented in the rows of stones in the breastplate of judgement, and it is the actual order of the forms of good and the truths in the heavens. In the inmost heaven there is the celestial love of good and the celestial love of truth, the celestial love of good constituting the internal part of that heaven, and the celestial love of truth the external part of it. But in the second heaven there is the spiritual love of good, which constitutes the internal part of it, and the spiritual love of truth, which constitutes the external part of it. Each love furthermore flows into the next in the same order, and they constitute a unified whole so to speak. From this it is evident what should be understood by 'from which the things that follow spring'.

[2] As regards the stones belonging to this row, they derive their meaning, as the previous ones and also all the others do, from their colours. For the meaning of precious stones is determined by their colours, see above in 9865; colours in heaven are modifications of the light and shade there, and so are diverse forms of intelligence and wisdom among angels, 3993, 4530, 4677, 4742, 4922, 9466, the light in heaven being Divine Truth emanating from the Lord, the source of all intelligence and wisdom. Being of different shades of red the stones belonging to the first row mean the celestial love of good; but the stones belonging to the present row are of different shades of blue that is the product of red. For there is blue which is the product of red and blue which is the product of white. Blue which is the product of red shines inwardly from a source that is flaming; this is the kind of blue by which the celestial love of truth is meant. But blue which is the product of white, such as is present in the stones belonging to the next row, which means the spiritual love of good, does not shine inwardly from a source that is flaming but from one that is clear and bright.

[3] Whether chrysoprase, the first stone belonging to this row, was of a blue colour cannot be proved from the derivation of that word in the original language. But the fact that it means the celestial love of truth is evident in Ezekiel,

Syria was your merchant because of the multitude of your handiworks; [they exchanged for your wares] chrysoprase, purple, and embroidered work. Ezekiel 27:16.

This refers to Tyre, by which wisdom and intelligence arising from cognitions or knowledge of goodness and truth are meant, 1201. Chrysoprase is linked here with purple, and since 'purple' means the celestial love of good, 9467, it follows that 'chrysoprase' means the celestial love of truth; for wherever good is spoken of in the prophetical part of the Word, truth belonging to the same class is also spoken of, on account of the heavenly marriage in every detail there, 9263, 9314. 'Syria' too, which was 'the merchant', means cognitions of good, 1232, 1234, 3249, 4112, the cognitions of good being the truths of celestial love.

[4] A sapphire, the second stone belonging to this row, is - as is well known - of a blue colour, like that of the sky; therefore it says in the Book of Exodus,

Seventy of the elders saw the God of Israel, and under His feet there was so to speak a work of sapphire, and it was like the substance of the sky for clearness. Exodus 24:10.

This stone means what is translucent with inner truths, which are the truths of celestial love, see 9407.

[5] But a diamond, the third stone belonging to this row, means the truth of celestial love, on account of its translucence that tends to have a blueness in it. Thus it is through this stone, being the last, that the colours of the stones belonging to this row and also the previous one shine, and are then brought in contact with those in the next row. The situation is similar with the goodness and truths in the inmost heaven and the goodness and truths in the heavens that come after it. The latter goodness and truths derive their life of charity and faith from the former by transmission, as if by a shining through.

9466. 'And violet' means the celestial love of truth. This is clear from the meaning of 'violet' as the celestial love of truth, the reason why 'violet' has this meaning being that it is a celestial colour, and by this colour truth from a celestial origin is meant, that is, truth springing from the good of love to the Lord. This good predominates in the inmost heaven, revealing itself in the middle or second heaven as the colours purple and violet. The actual good reveals itself as purple, and the truth springing from it as violet. For when colours appear in the next life, and in heaven itself, they are most beautiful ones; and they all have their origin in goodness and truth. For the sphere of affections for goodness and truth is revealed to the eyes of angels and of spirits also by means of colours, specific things being revealed by means of objects variously coloured, and also to their nostrils by means of odours. For every celestial reality belonging to good or spiritual reality belonging to truth is represented in the lower heavens by means of the kinds of things that appear in the natural order, and by this means is revealed to the actual external senses of spirits and angels in those heavens. The reason why the spheres of affection for goodness and truth are revealed visually by means of colours is that colours are modifications of heavenly light, and so of intelligence and wisdom, see 4530, 4677, 4742, 4922.

[2] This now explains why the materials that were to be gathered together for the tabernacle and Aaron's garments included violet, purple, twice-dyed scarlet, and skins of red rams; for the tabernacle represented the Lord's heaven, the materials which were used to construct and cover it represented the celestial and spiritual realities that belong to goodness and truth, and Aaron's garments had a like representation, 9457. It explains why the veil within which the ark of the Testimony was placed was woven from violet, purple, twice-dyed scarlet, and fine linen thread, Exodus 26:31, as likewise was the covering for the door of the tent, Exodus 26:36, and the covering for the gate of the court as well, Exodus 27:16, and why the loops on the edge of the curtain were made of violet, Exodus 26:4. It also explains why the ephod was made of gold, violet, purple, twice-dyed scarlet, and linen thread woven together, as was the breastplate of judgement, Exodus 28:6, 15.

[3] 'Violet' means the celestial love of truth, and 'garments made of violet' cognitions or knowledge of truth present as a result of that love, in Ezekiel,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. They were your traders with choice wares, ¹ with balls of violet, and embroidery, and with chests of precious garments. Ezekiel 27:7, 24.

This refers to Tyre, by which cognitions of truth and good are meant, 1201. Knowledge and understanding acquired from these is described by 'embroidered work from Egypt', and by 'violet and purple from the islands of Elishah'. 'Embroidered work from Egypt' is factual knowledge of truth, and 'violet and purple from the islands of Elishah' is an understanding of truth and good.

[4] In the same prophet,

Two women, the daughters of one mother, in their youth committed whoredom in Egypt - Oholah and Oholibah. Oholah committed whoredom under Me and doted on the Assyrians her neighbours - clothed in violet, governors and leaders, horsemen riding on horses. Ezekiel 23:2-6.

'Oholah' stands for Samaria, and 'Oholibah' for Jerusalem, Samaria in this instance being the corrupted spiritual Church. 'Committing whoredom in Egypt' means falsifying truths by means of factual knowledge, 'doting on the Assyrians her neighbours' stands for having a love of reasonings based on those falsifications, and 'clothed in violet' stands for ideas which look like truth springing from good because they are derived from the literal sense of the Word interpreted wrongly.

[5] Something similar occurs in Jeremiah,

Beaten silver is brought from Tarshish, and gold from Uphaz, the work of the smith and of the hands of the molder. Their clothing is violet and purple. These are all the work of the wise. Jeremiah 10:9.

This refers to the idols of the house of Israel, by which false teachings, supported by distortions of the outward sense of the Word, are meant, 9424. 'The work of the smith and of the hands of the molder', and also 'these are all the work of the wise', stand for the fact that they are the product of self-intelligence. 'Silver from Tarshish, and gold from Uphaz' stands for their seeming to outward appearance to be true and good because they are taken from the Word; and much the same is meant by 'violet and purple' of which their clothing consisted.

[6] In John,

I saw horses in the vision, and those seated on them had breastplates of fire and violet and brimstone, by whom a third part of mankind was killed. Revelation 9:17-18.

'Horses' and 'those seated on them' stand for a topsy-turvy and corrupted understanding of truth. 'Breastplates of fire, violet, and brimstone' stands for defence of falsities that arise from the evils of devilish kinds of love. In this instance therefore 'fire' stands for the hellish love of evil, and 'violet' for the hellish love of falsity. They are accordingly used in the contrary sense; for the majority of things in the Word also have a contrary meaning.

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