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Esodo第28章:5

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5 e si serviranno d’oro, di filo violaceo, porporino, scarlatto, e di lino fino.

来自斯威登堡的著作

 

Arcana Coelestia#9863

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9863. 'And you shall adorn it with settings of stones' means the actual truths in their proper order, all springing from the one same good. This is clear from the meaning of the breastplate, to which 'it' refers here, as Divine Truth shining forth from the Lord's Divine Good, dealt with in 9823; from the meaning of 'settings of stones' as truths in their proper order. For the breastplate was adorned with stones in accord with the names of the sons of Israel, and in a general sense truths on the lowest level of order are meant by 'stones', 114, 643, 1298, 3720, 6426, 8609, and truths shining forth from good by 'precious stones' such as those in the breastplate, 9476. The expression 'springing from the one same good' is used because there is just one good that all the truths spring from. This good is the good of love within the Lord, thus is the Lord Himself, and is consequently the good of love from the Lord, which is the good of love to the Lord. For the good which flows in from the Lord and resides with man, spirit, or angel, has all the appearance of being theirs; and so it is that love to the Lord is love received from the Lord. This good is the one and only good from which all the truths spring, and from which the order among them begins; for the truths are outward forms of the good.

[2] The fact that the precious stones in the breastplate meant Divine Truths springing from Divine Good is clear from places in the Word where precious stones are mentioned, such as in John's Revelation,

The foundations of the wall of the city, the new Jerusalem, were adorned with every kind of precious stone. The first foundation was jasper, the second sapphire, the third chalcedony, the fourth emerald, the fifth sardonyx, the sixth sardius, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth chrysoprase, the eleventh jacinth, the twelfth amethyst. Revelation 21:19-20.

These precious stones mean the Church's truths, which are God's truths. This is clear from the meaning of 'the city, the new Jerusalem', 'the wall of it', and 'the foundations of the wall'. 'The new Jerusalem' means a new Church which will take the place of the one that is ours at the present day; for the Book of Revelation deals with the state of the Church that exists now, through to its end, and then with a new Church, which is the holy Jerusalem coming down out of heaven. 'The wall of it' means the truths of faith that serve to defend it, and 'the foundations' truths that spring from good. Those actual truths in their proper order are specified by the precious stones mentioned by name there. Anyone may see that no Jerusalem is going to come down out of heaven or that anything else mentioned there is literally going to take place, but that this description in every detail means such things as have to do with the Church. The fact that the truths of faith are meant by the foundations of its wall is clear from the consideration that they are the things which guard the Church from every attack, as walls do a city.

'Jerusalem' is the Church, see 2117, 9166.

'Walls' are the truths of faith guarding the Church, 6419.

'Foundations' are truths springing from good, 9643.

[3] In Ezekiel,

Son of man, take up a lamentation over the king of Tyre, and say to him, Thus said the Lord Jehovih, Full of wisdom, and perfect in beauty, you were in Eden, the garden of God. Every precious stone was your covering - ruby, topaz, and diamond; tarshish, shoham, and jasper; sapphire, chrysoprase, and carbuncle - and gold. You were on the mountain of the holiness of God, you walked in the midst of stones of fire. Ezekiel 28:12-14.

Here also precious stones mean truths springing from good. For 'Tyre' in the representative internal sense is one who has intelligence and wisdom arising from cognitions or knowledge of goodness and truth, 1201. This is why its king is said to be 'full of wisdom, and perfect in beauty'. 'Wisdom' has regard to good, and 'beauty' to truth; for all wisdom in heaven is derived from good, and all beauty there is derived from truths springing from good. 'The garden of Eden' means intelligence composed of good, 100, 'garden' meaning real intelligence, 100, 108, 2702. From this it is evident that the stones there mentioned by name mean truths springing from good.

[4] But precisely which truths springing from good are meant by each of the stones in the breastplate will be clear from what is to follow. The fact that they mean all truths and forms of good in their entirety is clear from the following considerations: They were twelve and had the names of the sons of Israel or the tribes inscribed on them, the forms of good and the truths of heaven and the Church in their entirety being meant by the twelve tribes, 3858, 3926, 3939, 4060, 6335, 6337, 6397; they therefore meant heaven and all the communities there, 7836, 7891, 7996, 7997; the meaning of them varied, depending on the order in which they are mentioned in the Word, 3862, 3926, 3939, 4303, 6337, 6640; and 'twelve' means all, 3272, 3858, 7973.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

来自斯威登堡的著作

 

Arcana Coelestia#5658

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5658. 'Our silver in its full weight' means truths commensurate with each one's state. This is clear from the meaning of 'silver' as truth, dealt with in 1551, 2954; and from the meaning of 'weight' as the state of something as regards good, dealt with in 3104, so that truths commensurate with each one's state means commensurate with the good they are able to receive. Many places in the Word make reference to weights or to measures, but no weight nor any measure is meant in the internal sense. Rather states so far as the good involved in some reality is concerned are meant by 'weights', while states so far as the truth involved in it is concerned are meant by 'measures'. The same applies to the properties of gravity and spatial magnitude; gravity in the natural world corresponds to good in the spiritual world, and spatial magnitude to truth. The reason for this is that in heaven, where correspondences originate, neither the property of gravity nor that of spatial magnitude exists because space has no existence there. Objects possessing these properties do, it is true, seem to exist among spirits, but those objects are appearances that have their origins in the states of goodness and truth in the heaven above those spirits.

[2] It was very well known in ancient times that 'silver' meant truth; therefore the ancients divided up periods of time ranging from the earliest to the latest world epochs into the golden ages, the silver ones, the copper ones, and the iron ones, to which they also added the clay ones. They applied the expression 'golden ages' to those periods when innocence and perfection existed, when everyone was moved by good to do what was good and by righteousness to do what was right. They used 'silver ages' however to describe those times when innocence did not exist any longer, though there was still some sort of perfection, which did not consist in being moved by good to do what was good but in being moved by truth to do what was true. 'Copper ages' and 'iron ages' were the names they gave to the times that were even more inferior than the silver ones.

[3] What led those people to give periods of time these names was not comparison but correspondence. For the ancients knew that 'silver' corresponded to truth and 'gold' to good; they knew this from being in communication with spirits and angels. For when a discussion takes place in a higher heaven about what is good, this reveals itself among those underneath them in the first or lowest heaven as what is golden; and when a discussion takes place about what is true this reveals itself there as what is silvery. Sometimes not only the walls of the rooms where they live are gleaming with gold and silver but also the very air within them. Also, in the homes of those angels belonging to the first or lowest heaven who are moved by good to live among what is good, tables made of gold, lampstands made of gold, and many other objects are seen; but in the homes of those who are moved by truth to live among what is true, similar objects made of silver are seen. But who at the present day knows that correspondence was what led the ancients to call ages golden ones and silver ones? Indeed who at the present day knows anything at all about correspondence? Anyone who does not know this about the ancients, and more so anyone who thinks pleasure and wisdom lie in contesting whether such an idea is true or untrue, cannot begin to know the countless facets there are to correspondence.

  
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Thanks to the Swedenborg Society for the permission to use this translation.