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Ծննդոց第31章:30

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30 Արդ, գնում ես, որովհետեւ շատ ես ցանկանում գնալ քո հօր տունը: Բայց ինչո՞ւ գողացար իմ աստուածները»:

来自斯威登堡的著作

 

Arcana Coelestia#4138

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4138. 'With drums and with harps' means as regards spiritual good, that is to say, the state in which - thinking from the proprium - it had believed itself to be as regards that good. This is clear from the fact that 'drums and harps' has reference to good - spiritual good - as may be recognized from many places in the Word. Spiritual good is that which is called the good of faith, and is charity, whereas celestial good is that which is called the good of love, and is love to the Lord. The Lord has two kingdoms in the heavens, the first being called His celestial kingdom and consisting of those who are governed by love to the Lord, and the second being referred to as the spiritual kingdom and consisting of those who are governed by charity towards the neighbour. These kingdoms are quite distinct and separate, and yet in the heavens they act as one. Regarding these distinct and separate kingdoms - the celestial and the spiritual - see what has been stated many times already.

[2] In the Churches of long ago various kinds of musical instruments were used, such as drums, lyres, flutes, harps, instruments of ten strings, and many others. Some of these belonged to the group connected with celestial things, and some to the group connected with spiritual. When these instruments are mentioned in the Word they imply such celestial or spiritual things, so that from the instrument mentioned one can know which kind of good forms the subject - whether spiritual good or celestial good. Drums and harps belonged to the group connected with spiritual things, and that is why the phrase 'as regards spiritual good' is being used in this paragraph. For 'a harp' is used in reference to spiritual things, and stringed instruments serve to mean spiritual things, but wind instruments celestial ones, see 418-420.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

来自斯威登堡的著作

 

Arcana Coelestia#418

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418. The previous verse deals with celestial things, which are the attributes of love, the present verse with spiritual things, which are the attributes of faith. These spiritual things are portrayed as 'the harp and organ'. That stringed instruments, such as harps and others like them, meant the spiritual things of faith is clear from many points of view. In the worship of the representative Church instruments like these, and the singing likewise, had no other representation. This was why there were so many singers and musicians, the main reason for such representation being that all heavenly joy produces gladness of heart, which was expressed by means of singing, and subsequently by means of stringed instruments that strove to match the singing and uplifted it. Every affection of the heart also has this capacity to produce singing and therefore the things which go with singing. Affection of the heart is something celestial, singing issuing from it something spiritual.

[2] That singing and the like means that which is spiritual has also become clear to me from angelic choirs, of which there are two kinds, celestial and spiritual. From the vibrant quality of their singing, to which the sound of stringed instruments may be likened, spiritual choirs are readily distinguished from celestial choirs. This will in the Lord's Divine mercy be described later on. What is more, the most ancient people related that which was celestial to the province of the heart, and that which was spiritual to the province of the lungs. In so doing they related that which was spiritual to whatever involved the lungs, such as singing voices and other similar things, and so to the voices or sounds of such instruments. The reason for their so relating them was not only that the heart and lungs represent a kind of marriage, like that of love and faith, but also that celestial angels belong to the province of the heart whereas spiritual angels belong to that of the lungs. It can also be recognized that such considerations are meant here from the fact that this is the Word of the Lord, which would contain no life at all if its message were merely that Jubal was the father of those who play on harp and organ. Nor would any use be served in anyone's knowing it.

  
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Thanks to the Swedenborg Society for the permission to use this translation.