4277. 'And he touched the hollow of his thigh' means where celestial-spiritual good is joined to natural good meant by 'Jacob'. This is clear from the meaning of 'the thigh' as conjugial love, and consequently as all celestial and spiritual love, since these are derived from conjugial love as offspring from their parent, dealt with in 3021; and from the meaning of 'the hollow' or socket or cavity of it - that is to say, of the thigh - as the place where the joining together exists, and here therefore where celestial-spiritual good is joined to natural good meant by 'Jacob'. But no one can be told anything about that conjunction unless he knows first of all what celestial-spiritual good, meant by 'Israel', is, and what natural good, meant by 'Jacob', is. It will be told below at verse 28 where Jacob, who at that point is named Israel, is the subject and also further on where Jacob's descendants are the subject.

6265. 'And Joseph brought them away from his thighs' means that the good belonging to the will and the truth belonging to the understanding were brought away from an affection originating in love on the part of spiritual good. This is clear from the representation of 'Joseph' as the internal celestial, dealt with in 5869, 5877; from the representation of Manasseh and Ephraim, the ones here whom 'Joseph brought away', as the good belonging to the will and the truth belonging to the understanding, dealt with in 5354, 6222; from the meaning of 'the thighs' as an affection originating in love, dealt with in 3021, 4277, 4280, 4575, 5050-5062; and on the part of spiritual good is meant because they were brought away from Israel, who represents spiritual good, 6253. The words used here mean that the internal celestial took good belonging to the will and truth belonging to the understanding away from spiritual good, that is, away from the affection arising from its love; they have this meaning because 'Israel', who represents spiritual good, had made that goodness and truth draw near him. Besides this they had to be brought to him by Joseph, who represents the internal celestial; for that reason they were brought away and after that, as described in what follows, were brought to him again by Joseph.

[2] The explanation for all this is that the inflow of love came to that goodness and truth from the internal celestial by way of spiritual good - in keeping with true order. That external procedure had therefore to be strictly adhered to when they were going to be blessed; for they were being presented to the Lord, the Source of the foretelling meant here by the blessing, 6254. This now explains why Joseph brought his sons away from his father's thighs, and why he himself after that brought them to him again.

9865. 'A ruby, a topaz, a carbuncle' means the celestial love of good. This is clear from the meaning of these stones as the good of celestial love, celestial love being love to the Lord, received from the Lord. Those stones mean that love on account of their red and flaming colour; for 'red' means love, 3300, and so does 'flaming', 3222, 6832, 7620-7622, 9570. But here celestial love is meant because those stones are in the first row; and those in the first row correspond to the realities that exist in the inmost heaven, where celestial love, which is love to the Lord, reigns. Since the twelve stones in the breastplate represented all the truths that spring from good they also represented the whole of heaven; for heaven is heaven by virtue of the Divine Truth emanating from the Lord's Divine Good, the angels there who constitute heaven being recipients of that Truth. So it is that the three stones which are in the first row represent the inmost heaven, consequently the love that reigns there, which is called the celestial love of good and celestial love of truth. The stones in the first row represent the celestial love of good, those in the second row the celestial love of truth. These stones represent that love, as has been stated, on account of their colour; for what precious stones represent is determined by their colours.

[2] In heaven colours of indescribable beauty appear; for they are modifications of heavenly light, and heavenly light is Divine Truth emanating from the Lord. From this it is evident that colours present themselves there in accord with variations of goodness and truth; thus they are modifications of the light emanating from the Lord, through the angels. The light emanating from the Lord appears in the inmost heaven as a flame; therefore the colours resulting from it are red and flashing. But the same light appears in the middle heaven as a brilliantly white light; therefore the colours resulting from it are brilliant, and to the extent that they have good within them they are gleaming. This explains why there are two basic colours to which all others are related, namely the colour red and the colour white; and the colour red is representative of good, while the colour white is representative of truth, see 9467.

[3] From all this it is now clear why it was that stones of so many colours were set in rows in the breastplate, namely in order that they might represent all the forms of good and the truths that exist in heaven in their proper order, and consequently represent the whole of heaven. The reason why the stones in the first row - a ruby, a topaz, and a carbuncle - represented the celestial love of good is that they are different hues of red. Furthermore the noun used in the original language for 'a ruby', the first in the row, is derived from a word that means 'redness'; and that for 'a carbuncle', the third in the row, is derived from a word meaning 'flashing', as if from fire. But as for the derivation of 'a topaz', the middle one in the row, this is unknown, though it very probably comes from something describing a red and flaming colour. This may be why in Job something similar is said of a topaz as is said of gold,

With wisdom the topaz of Ethiopia will not compete, it cannot be valued in pure gold. Job 28:19.

'Gold' too means the good of love, 113, 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9510.