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Exodus 36

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1 "Bezalel and Oholiab shall work with every wise-hearted man, in whom Yahweh has put wisdom and understanding to know how to work all the work for the service of the sanctuary, according to all that Yahweh has commanded."

2 Moses called Bezalel and Oholiab, and every wise-hearted man, in whose heart Yahweh had put wisdom, even everyone whose heart stirred him up to come to the work to do it:

3 and they received from Moses all the offering which the children of Israel had brought for the work of the service of the sanctuary, with which to make it. They brought yet to him freewill offerings every morning.

4 All the wise men, who performed all the work of the sanctuary, each came from his work which they did.

5 They spoke to Moses, saying, "The people bring much more than enough for the service of the work which Yahweh commanded to make."

6 Moses gave commandment, and they caused it to be proclaimed throughout the camp, saying, "Let neither man nor woman make anything else for the offering for the sanctuary." So the people were restrained from bringing.

7 For the stuff they had was sufficient for all the work to make it, and too much.

8 All the wise-hearted men among those who did the work made the tabernacle with ten curtains; of fine twined linen, blue, purple, and scarlet, with cherubim, the work of the skillful workman, they made them.

9 The length of each curtain was twenty-eight cubits, and the breadth of each curtain four cubits. All the curtains had one measure.

10 He coupled five curtains to one another, and the other five curtains he coupled one to another.

11 He made loops of blue on the edge of the one curtain from the edge in the coupling. Likewise he made in the edge of the curtain that was outmost in the second coupling.

12 He made fifty loops in the one curtain, and he made fifty loops in the edge of the curtain that was in the second coupling. The loops were opposite one to another.

13 He made fifty clasps of gold, and coupled the curtains one to another with the clasps: so the tabernacle was a unit.

14 He made curtains of goats' hair for a covering over the tabernacle. He made them eleven curtains.

15 The length of each curtain was thirty cubits, and four cubits the breadth of each curtain. The eleven curtains had one measure.

16 He coupled five curtains by themselves, and six curtains by themselves.

17 He made fifty loops on the edge of the curtain that was outmost in the coupling, and he made fifty loops on the edge of the curtain which was outmost in the second coupling.

18 He made fifty clasps of brass to couple the tent together, that it might be a unit.

19 He made a covering for the tent of rams' skins dyed red, and a covering of sea cow hides above.

20 He made the boards for the tabernacle of acacia wood, standing up.

21 Ten cubits was the length of a board, and a cubit and a half the breadth of each board.

22 Each board had two tenons, joined one to another. He made all the boards of the tabernacle this way.

23 He made the boards for the tabernacle: twenty boards for the south side southward.

24 He made forty sockets of silver under the twenty boards; two sockets under one board for its two tenons, and two sockets under another board for its two tenons.

25 For the second side of the tabernacle, on the north side, he made twenty boards,

26 and their forty sockets of silver; two sockets under one board, and two sockets under another board.

27 For the far part of the tabernacle westward he made six boards.

28 He made two boards for the corners of the tabernacle in the far part.

29 They were double beneath, and in the same way they were all the way to its top to one ring. He did thus to both of them in the two corners.

30 There were eight boards, and their sockets of silver, sixteen sockets; under every board two sockets.

31 He made bars of acacia wood; five for the boards of the one side of the tabernacle,

32 and five bars for the boards of the other side of the tabernacle, and five bars for the boards of the tabernacle for the hinder part westward.

33 He made the middle bar to pass through in the midst of the boards from the one end to the other.

34 He overlaid the boards with gold, and made their rings of gold for places for the bars, and overlaid the bars with gold.

35 He made the veil of blue, purple, scarlet, and fine twined linen: with cherubim. He made it the work of a skillful workman.

36 He made four pillars of acacia for it, and overlaid them with gold. Their hooks were of gold. He cast four sockets of silver for them.

37 He made a screen for the door of the tent, of blue, purple, scarlet, and fine twined linen, the work of an embroiderer;

38 and the five pillars of it with their hooks. He overlaid their capitals and their fillets with gold, and their five sockets were of brass.

   

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'To measure' signifies knowing and exploring the quality of something.

(Odkazy: Apocalypse Revealed 486, 904)

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Arcana Coelestia # 5319

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5319. 'And clothed him in robes of fine linen' means an outward sign denoting the celestial of the spiritual, 'robes of fine linen' being truths going forth from the Divine. This is clear from the meaning of 'robes' as truths, dealt with in 1073, 2576, 4545, 4763, 5248. The reason 'robes of fine linen' means truths going forth from the Divine is that a robe made of fine linen was absolutely white and at the same time shining, and truth going forth from the Divine is represented by robes which have that kind of brightness and splendour. And the reason for this is that heaven derives its brightness and splendour from the light that flows from the Lord; and the light that flows from the Lord is Divine Truth itself, 1053, 1521-1533, 1619-1632, 1776, 3195, 3222, 3339, 3485, 3636, 3643, 3862, 4415, 4419, 4526, 5219. This explains why, when the Lord was transfigured before Peter, James, and John, His clothing appeared as the light, Matthew 17:2; glistening, intensely white like snow, as no fuller on earth could bleach them, Mark 9:3; and dazzling, Luke 9:29. It was Divine Truth itself going forth from the Lord's Divine Human that was represented in this manner. But they are exterior truths that are represented in heaven by the brightness of robes, whereas interior truths are represented by the brightness and splendour of the face. This is why 'being clothed in robes of fine linen' at this point means an outward sign denoting truth going forth from the celestial of the spiritual, for this was what the Lord's Divine consisted in at this time.

[2] There are other places too in the Word where truth going forth from the Divine is meant by 'fine linen' and 'robes of fine linen', as in Ezekiel,

I clothed you with embroidered cloth, and shed you with badger, and swathed you in fine linen, and covered you in silk. Thus were you adorned with gold and silver, and your robes were fine linen, and silk, and embroidered cloth. Ezekiel 16:10, 13.

This refers to Jerusalem, which is used in these verses to mean the Ancient Church. The truths of this Church are described by robes made of embroidered cloth, fine linen, and silk, and by being adorned with gold and silver. 'Embroidered cloth' means truths existing as facts, 'fine linen' natural truths, and 'silk' spiritual truths.

[3] In the same prophet,

Fine linen with embroidered work from Egypt was your sail, that it might be to you an ensign; violet and purple from the islands of Elishah was your covering. Ezekiel 27:7.

This refers to Tyre, which too is used to mean the Ancient Church, but so far as cognitions of good and truth are concerned. 'Fine linen with embroidered work from Egypt, which was its sail' means truth obtained from factual knowledge, which was the outward sign of that Church.

[4] In John,

The merchants of the earth will weep and mourn over Babylon, since no one buys their wares any more, wares of gold, and silver, and precious stones, and pearls, and fine linen, and purple, and silk, and scarlet, and all thyine wood, and every vessel of ivory, and every vessel made of most precious wood, and bronze, and iron, and marble. Revelation 18:11-12.

All the specific commodities mentioned here mean the kinds of things that have to do with the Church and so truth and goodness. Here however they are used in the contrary sense because they are spoken of in reference to Babylon. Anyone may see that such commodities would never have been listed in the Word which has come down from heaven unless each one held something heavenly within it. What other reason can there be for a list of worldly wares when Babylon, meaning an unholy Church, is the subject? Similarly in the same book,

Woe, woe, the great city, you that were clothed in fine linen, and purple, and scarlet, covered 1 with gold, and precious stones, and pearls. Revelation 18:16.

[5] The fact that each commodity means something Divine and heavenly is quite evident in the same book where it states what fine linen is, namely the righteous acts of the saints,

The time of the marriage of the Lamb has come, and His wife has made herself ready. At that time she was given fine linen, clean and shining, to wear; for the fine linen is the righteous acts of the saints. Revelation 19:7-8.

'Fine linen' is 'the righteous acts of the saints' for the reason that all those with whom truth received from the Divine exists are clothed with the Lord's righteousness. For their robes which are bright and shining are products of the light which flows from the Lord. Therefore in heaven truth itself is represented by 'brightness', 3301, 3997, 4007; and people who are being raised to heaven from a state of vastation are seen to be clothed with brightness because they are at this point casting off the robe of their own righteousness and putting on that of the Lord's righteousness.

[6] So that truth from the Divine might be represented in the Jewish Church, they were commanded to use cotton or fine linen in Aaron's vestments, and also in the curtains around the Ark, referred to in Moses as follows,

You shall make in chequered pattern for Aaron a tunic of cotton, and you shall make a turban of cotton. Exodus 28:39.

They made tunics of cotton, the work of a weaver, for Aaron and his sons. Exodus 39:27.

You shall make the Dwelling-place, ten curtains - fine-twined cotton, violet and purple and twice-dyed scarlet. Exodus 26:1; 36:8.

You shall make the court of the Dwelling-place. The hangings for the court shall be of fine-twined cotton. Exodus 27:9, 18; 38:9.

The screen for the gate of the court, the work of an embroiderer, violet and purple, and twice-dyed scarlet, and fine-twined cotton. Exodus 38:18.

Cotton is fine linen, which they were commanded to use because each object in the Ark and around the Ark, also every detail of Aaron's vestments, were representative of spiritual and celestial realities. From this one may see that a person has only a meagre understanding of the Word if he does not know what such things represent, and scarcely any understanding at all if he thinks that the Word possesses no holiness other than that which presents itself in the letter.

[7] When angels with whom truth from the Divine is present are seen by anyone they are clothed so to speak in fine linen, that is, in shining brightness, as is evident in John where 'a white horse' is referred to,

The One seated on a white horse was clothed in a garment dyed with blood, and His name is called the Word. His armies in heaven were following Him on white horses; they were clothed in fine linen, white and clean. Revelation 19:11, 13-14.

These words show quite plainly that 'fine linen' is an outward sign denoting truth from the Divine, for 'the One seated on a white horse' is the Lord as to the Word; indeed those words state quite explicitly that He is the Word. The Word is truth itself received from the Divine, and 'a white horse' is the internal sense of the Word, see 2760-2762. Consequently truths received from the Divine are meant by 'white horses', for such truths constitute the whole of the internal sense of the Word. This was why His armies were seen 'on white horses' and why 'they were clothed in fine linen, white and clean'.

Poznámky pod čarou:

1. literally, gilded

  
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Thanks to the Swedenborg Society for the permission to use this translation.