8625. 'And he said, Because [Amalek's] hand is against the throne of Jah' means because they wish to do violence to the Lord's spiritual kingdom. This is clear from the meaning of 'hand against someone' as doing violence; and from the meaning of 'the throne of Jah' as the Lord's spiritual kingdom. The reason why 'the throne of Jah' means the Lord's spiritual kingdom is that 'the throne' has reference to the Lord's kingship, and the Lord's spiritual kingdom corresponds to His kingship. There are two offices attributed to the Lord, which are those of priest and king. The celestial kingdom corresponds to His priesthood, and the spiritual kingdom to His kingship; for the Lord is called priest by virtue of His Divine Goodness, and He is called king by virtue of His Divine Truth. The name Christ holds the latter - Divine Truth - within it, and the name Jesus holds Divine Good, see 1728, 2015, 3004, 3009, 6148. 'The throne' has reference to the Lord's kingship, and therefore to His spiritual kingdom; and the same applies to 'Jah'. For what 'the throne' is, see 5313; and for what 'Jah' is, 8267.

As regards the specific thing meant here, that those represented by 'Amalek' - namely hellish genii steeped in falsity arising from interior evil - wish to do violence to the Lord's spiritual kingdom, this has been explained above in 8593, 8622. Those who were steeped in the falsity of this evil could not be kept away from those belonging to the spiritual Church, before the Lord came into the world and made Divine the Human within Him. When He did so they were shut up in hell, from where they cannot ever rise up; and also contact with that Church, effected through influx, was completely taken away. For in respect of the truth of faith a member of the spiritual Church is in obscurity; and he accepts it as the truth because the Church has said it is, not because he perceives it to be the truth. This truth as it resides with them becomes good and consequently composes their conscience. If wicked genii were to flow into that obscurity they would in a thousand ways destroy such conscience; for they go to work not on the truths of faith there but on the actual affections. Wherever they detect any degree of affection for good they instantly pervert it; they do this so secretively that it cannot at all be noticed. They attack the person's fundamental ends in view. In short, their wickedness defies description, though it may be compared to a deadly and imperceptible poison that penetrates right into the marrow of the bones. In the Lord's Divine mercy more will be said from experience about these genii at the ends of chapters. ¹

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8337. 'And Miriam the prophetess, Aaron's sister, took a timbrel in her hand' means ascribing glory to the Lord from the good of faith. This is clear from the representation of 'Miriam' as the good of faith, for 'Moses' represents the truth of faith that goes forth directly from the Lord, thus inward truth, whereas 'Aaron' represents the truth of faith that goes forth from the Lord in an indirect way, thus outward truth, 7009, 7089, 7382, so that 'Miriam' is the good of faith which goes forth in an indirect way from the Lord, for when 'men' represent truth, 'their womenfolk' represent good, 6014 (since Miriam along with the women represents external good she is in addition referred to as 'Aaron's sister', though she is not called Moses' sister, the relation between good and truth being like that of sister and brother, 3160. But it should be remembered that 'women' represent good and 'men' truth when the spiritual Church is the subject, whereas 'women' represent truth and 'men' good when the celestial Church is the subject, 4823); from the meaning of 'the prophetess' as one who teaches, dealt with in 2534, 7269, at this point one who joins in praising the Lord, or what amounts to the same thing, one who ascribes glory to Him from the good of faith, since she sang to Jehovah, as Moses and the men of Israel had done (for the meaning of 'singing' as ascribing glory, see 8261, 8263, 8267); and from the meaning of 'taking a timbrel in one's hand' as ascribing glory from the good of faith, since 'a timbrel' has reference to spiritual good, or what amounts to the same thing, to the good of faith, 4138.

[2] In former times many types of musical instruments were used when God was worshipped, but with much discrimination. In general wind instruments were used to express affections for good, and stringed instruments affections for truth; and the origin of this was the correspondence of every sound to the affections. It is well known that some types of musical instruments are used to express one kind of natural affections and other types to express another kind, and that when a fitting melody is played they in actual fact stir the affections. Skilled musicians know all about this and also make proper use of it. The reason for it lies in the very nature of sound, and its accord with the affections. Mankind at first learned about it not from science and art but through the ear and its keen sense of hearing. From this it is plain that the ability does not have its origin in the natural world but in the spiritual world; it, springs from the correspondence of things in the natural world - which flow into it in accordance with true order - with realities in the spiritual world. Harmonious sound and various forms it takes correspond to states of joy and gladness in the spiritual world, and states of joy and gladness there spring from affections, which in that world are affections for what is good and true. From this one may now recognize that musical instruments correspond to delights and pleasures belonging to spiritual and celestial affections, and that some instruments correspond to celestial affections, others to spiritual ones; see what has been stated and shown about them previously in 418-420, 4138.

[3] As regards 'a timbrel' in particular, this corresponds to spiritual good, that is, to the good of truth. This is because a timbrel is neither a stringed nor a wind instrument but, being made of skin, is an instrument of one continuous string so to speak; and it is also because it has a heavier and deeper sound than that made by stringed instruments. This may also be recognized from the Word, in places in which 'a timbrel' is mentioned, as in Isaiah,

The joy of timbrels will cease, the noise of merry ones will cease, the joy of the harp will cease. Isaiah 24:8.

'The joy of timbrels' stands for delights that belong to affections for the good of faith; 'the joy of the harp' stands for delight that belongs to an affection for the truth of faith.

In Jeremiah,

Again I will build you, that you may be built, O virgin of Israel! Again you will adorn your timbrels, ¹ and will go forth in the dance of the merrymakers. Jeremiah 31:4.

'Adorning timbrels' stands for ascribing glory to God from spiritual good, for it refers to the spiritual Church, meant by 'the virgin of Israel'.

[4] Similarly in Ezekiel,

You were in Eden, the garden of God. The workmanship of your timbrels and your pipes was within you; on the day you were created they were prepared. Ezekiel 28:13.

This refers to Tyre, by which cognitions or knowledge of good and of truth are meant, 'timbrels' meaning affections for the former and 'pipes' feelings of joy in the latter.

In David,

They have seen Your goings, O God, the goings of my God, my King, in the sanctuary. The singers went before, players [of stringed instruments] after, in the midst of the virgins playing timbrels. Psalms 68:24-25.

In the same author,

Shout to the God of Jacob; raise a song, and sound the timbrel, the delightful harp with the lyre. Psalms 81:1-2.

In the same author,

Sing to Jehovah a new song; let them praise His name in dancing, with timbrel and harp let them make melody to Him. Psalms 149:1, 3.

Here 'praising with timbrel' stands for ascribing glory from the feeling of delight that belongs to an affection for the good of faith, and 'praising with harp' for the pleasant feeling that belongs to an affection for the truth of faith.

[5] In the same author,

Praise God with timbrel and dance; praise Him with stringed instruments and organ praise Him with sounding cymbals ² ; praise Him with clanging cymbals. ³ Psalms 150:3-5

'Praising with timbrel and dance' stands for doing so from the good and truth of faith; 'on stringed instruments and organ' stands for doing so from truths and consequently from good. Since all instruments corresponded to and were signs of the delights and pleasant feelings that belong to spiritual and celestial affections a large number of the Psalms of David have titles indicating how they were to be accompanied, such as On Neginoth, On the Nehiloth, On the Octave, ⁴ Shiggaion, the Gittith Muthlabben, the Sheminith, Shoshannim, or Mahalath.

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