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Éxodo 27

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1 Harás también altar de madera de cedro de cinco codos de longitud, y de cinco codos de anchura; será cuadrado el altar, y su altura de tres codos.

2 Y harás sus cuernos a sus cuatro esquinas; sus cuernos serán de lo mismo; y lo cubrirás de bronce.

3 Harás también sus calderos para limpiar su ceniza; y sus paletas, y sus tazones, y sus garfios, y sus braseros; harás todos sus vasos de bronce.

4 Y le harás un enrejado de bronce de hechura de red; y sobre la red harás cuatro anillos de bronce a sus cuatro esquinas.

5 Y lo has de poner dentro del cerco del altar abajo; y llegará aquella red hasta el medio del altar.

6 Harás también varas para el altar, varas de madera de cedro, las cuales cubrirás de bronce.

7 Y sus varas se meterán por los anillos; y estarán aquellas varas a ambos lados del altar, cuando hubiere de ser llevado.

8 De tablas lo harás, hueco; de la manera que te fue mostrado en el monte, así lo harán.

9 Asimismo harás el atrio del tabernáculo: al lado del mediodía, al austro, tendrá el atrio cortinas de lino torcido, de cien codos de longitud cada lado;

10 sus veinte columnas, y sus veinte basas serán de bronce; los capiteles de las columnas y sus molduras, de plata.

11 Y de la misma manera al lado del aquilón habrá a lo largo cortinas de cien codos de longitud, y sus veinte columnas, con sus veinte basas de bronce; los capiteles de sus columnas y sus molduras, de plata.

12 Y el ancho del atrio del lado occidental tendrá cortinas de cincuenta codos; sus columnas serán diez, con sus diez basas.

13 Y en el ancho del atrio por la parte de levante, al oriente, habrá cincuenta codos.

14 Y las cortinas de un lado serán de quince codos; sus columnas tres, con sus tres basas.

15 Al otro lado quince codos de cortinas; sus columnas tres, con sus tres basas.

16 Y a la puerta del atrio habrá una cortina de veinte codos, de cárdeno, y púrpura, y carmesí, y lino torcido, de obra de bordador; sus columnas cuatro, con sus cuatro basas.

17 Todas las columnas del atrio en derredor serán ceñidas de plata; sus capiteles de plata, y sus basas de bronce.

18 La longitud del atrio será de cien codos, y la anchura cincuenta por un lado y cincuenta por el otro, y la altura de cinco codos: sus cortinas de lino torcido, y sus basas de bronce.

19 Todos los vasos del tabernáculo en todo su servicio, y todas sus estacas, y todas las estacas del atrio, serán de bronce.

20 Y tú mandarás a los hijos de Israel que te traigan aceite de olivas, claro, molido, para la luminaria, para hacer arder continuamente las lámparas.

21 En el tabernáculo del testimonio, afuera del velo que estará delante del testimonio, las pondrá en orden Aarón y sus hijos, delante del SEÑOR desde la tarde hasta la mañana, por estatuto perpetuo de los hijos de Israel por sus generaciones.

   

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Apocalypse Revealed # 725

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725. 17:4 The woman was arrayed in purple and scarlet. This symbolizes the celestial Divine good and truth contained in the Word among Roman Catholics.

Purple symbolizes celestial Divine good, and scarlet symbolizes celestial Divine truth, as will be seen presently. To be arrayed in them means, symbolically, to have these about them, thus among them. They have these among them from the Word, because the scarlet beast on which the woman was sitting symbolizes the Word (no. 723).

People know that Roman Catholics have the Divine good and truth in the Word about them, thus among them, as a kind of garment, for they venerate the Word outwardly and not inwardly. They acknowledge it, because it tells about the Lord and about His authority over heaven and the church, which they have transferred to themselves. It also tells about the keys given to Peter, whose successors they say they are. So, because they found their majesty, grandeur and power on these two points, of necessity they acknowledge the holiness of the Word. But still the Word is for them only a kind of garment of purple and scarlet, and of gold, precious stones and pearls, upon a harlot holding a golden cup in her hand, full of abominations and the filthiness of her licentiousness.

[2] Since the verse mentions purple and scarlet, and then gold, precious stones and pearls, and since purple and scarlet symbolize celestial Divine good and truth, while gold and precious stones symbolize spiritual Divine good and truth, both emanating from the Word, therefore we must say something about celestial Divinity and spiritual Divinity:

The Lord's whole heaven has been divided into two kingdoms - the celestial kingdom and the spiritual kingdom. The celestial kingdom consists of angels who are impelled by love from the Lord, and the spiritual kingdom of angels who are impelled by wisdom from the Lord. Each kingdom has in it goodness and truth. The goodness and truth among angels in the celestial kingdom are symbolized by purple and scarlet, while the goodness and truth among angels in the spiritual kingdom are symbolized by gold and precious stones. Angels have both the one and the other goodness and truth from the Lord by means of the Word. Consequently the Word has in it two interior levels of meaning, one celestial and the other spiritual.

This now is the reason that the woman sitting on the scarlet beast appeared arrayed in purple and scarlet and adorned with gold, precious stones and pearls.

[3] Like the symbolism of the woman here is the symbolism of the "rich man who was clothed in purple and fine linen and fared sumptuously every day," at whose gate Lazarus lay prostrate, "desiring to be fed with the crumbs which fell from the rich man's table" (Luke 16:19-21). The rich man clothed in purple and fine linen refers to the Jews, who had the Word, and Lazarus refers to the gentiles who did not have it.

Similar symbolic meanings are found in the following places:

Those who ate delicacies are devastated in the streets; those who were brought up on scarlet embrace dunghills. (Lamentations 4:5)

When you are plundered, what will you do? Though you clothe yourself with scarlet, though you adorn yourself with ornaments of gold..., in vain you will make yourself fair. (Jeremiah 4:30)

O daughters of Israel, weep over Saul, who clothed you in scarlet, with luxury, (and) who put ornaments of gold on your apparel. (2 Samuel 1:24)

Fine embroidered linen... was what you spread...; blue and purple... was your covering. (Ezekiel 27:7)

The last is said of Tyre, which symbolizes concepts of truth and goodness from the Word.

[4] Since purple and scarlet symbolize celestial goodness and truth, therefore Aaron's vestments and the veil and curtains of the Tabernacle were woven of blue, purple, scarlet and fine linen (Exodus 25:4; 26:31, 36; 27:16; 28:6, 15). Regarding the curtains (Exodus 26:1). The veil before the Ark (Exodus 26:31). The hem of the robe of the ephod (Exodus 28:33). The scarlet cloth over the showbread (Numbers 4:8).

It is apparent from this what is symbolized by the purple and scarlet with which the woman sitting on the scarlet beast appeared arrayed.

So likewise in the following passage, where we read:

Alas..., the great city that was clothed in fine linen, purple, and scarlet..., adorned with gold and precious stones and pearls! For in one hour such great riches were laid waste. (Revelation 18:16-17)

Moreover, purple and scarlet, gold, precious stones and pearls were among the merchandise of Babylon (Revelation 18:12).

  
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Many thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.