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Izlazak 26

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1 A šator ćeš načiniti od deset zavesa od tankog platna uzvedenog i od porfire i od skerleta i od crvca; i po njima da budu vezeni heruvimi.

2 Jedan zaves neka bude dvadeset i osam lakata dug i četiri lakta širok; svi zavesi da budu jedne mere.

3 Pet zavesa neka se sastavljaju jedan s drugim, i pet drugih zavesa neka se sastavljaju jedan s drugim.

4 I načini petlje od porfire po kraju jednog zavesa, gde će se krajevi sastavljati, i tako načini po kraju drugog zavesa, gde će se krajevi sastavljati.

5 Pedeset petalja načini na jednom zavesu, a Pedeset petalja načini na kraju drugog zavesa, gde će se sastavljati s drugim, a petlje da budu jedna prema drugoj.

6 I načini pedeset kuka od zlata, da zapneš zavese jedan za drugi kukama, i tako će biti šator jedan.

7 I načini zavese od kostreti za naslon nad šatorom; jedanaest takvih zavesa načini.

8 Zaves jedan neka bude trideset lakata dug, a širok četiri lakta; tih jedanaest zavesa da su jedne mere.

9 I sastavi pet zavesa zajedno, a šest ostalih zajedno, na dvoje ćeš previti šesti zaves s prednje strane naslonu.

10 I načini pedeset petalja na stražnjem kraju prvog zavesa, gde će se sastavljati, a pedeset petalja na kraju drugog zavesa, gde će se sastavljati.

11 I načini kuka bronzanih pedeset, i zapni kuke na petlje, i sastavi naslon, da bude jedno.

12 A što je više u zavesa na naslonu, polovina zavesa što pretiče, neka visi na stražnjoj strani šatoru.

13 I lakat s jedne strane a lakat s druge strane što ima više u dužinu u zavesa na naslonu, neka visi šatoru sa strane i tamo i amo, da ga zaklanja.

14 I načini pokrivač naslonu od koža ovnujskih crvenih obojenih, i svrh njega pokrivač od koža jazavičijih.

15 I načini za šator daske od drveta sitima, koje će stajati pravo.

16 Deset lakata neka bude svaka daska duga a podrug lakta široka.

17 Dva čepa neka budu na dasci, jedan prema drugom najednako; tako načini na svakoj dasci za šator.

18 Tako načini daske za šator, dvadeset dasaka na južnoj strani.

19 A pod dvadeset dasaka načini četrdeset stopica od srebra: dve stopice pod jednu dasku za dva čepa njena, i dve stopice pod drugu dasku za dva čepa njena.

20 A na drugoj strani šatora prema severu dvadeset dasaka.

21 Sa četrdeset stopica srebrnih, dve stopice pod jednu dasku i dve stopice pod drugu dasku.

22 A na zapadnoj strani šatora načini šest dasaka,

23 I dve daske na dva ugla od šatora.

24 I one neka se sastavljaju ozdo i neka se sastavljaju ozgo biočugom; tako neka bude u obe koje će biti na oba ugla.

25 Tako će biti osam dasaka sa stopicama srebrnim, sa šesnaest stopica, dve stopice pod jednu dasku, a dve stopice pod drugu dasku.

26 I načini prevornice od drveta sitima, pet za daske na jednoj strani šatora,

27 I pet prevornica za daske na drugoj strani šatora, i pet prevornica za daske na zapadnoj strani šatora do oba ugla.

28 A srednja prevornica da ide preko srede dasaka od jednog kraja do drugog.

29 A daske okuj zlatom, i biočuge im načini od zlata, da se kroz njih provuku prevornice, a i prevornice okuj zlatom.

30 Tako ćeš podignuti šator po slici koja ti je pokazana na gori.

31 I načini zaves od porfire i od skerleta i od crvca i od tankog platna uzvedenog, i po njemu neka budu vezeni heruvimi.

32 I obesi ga o četiri stupa od drveta sitima, okovana zlatom, sa kukama zlatnim, na četiri stopice srebrne.

33 I obesi zaves o kuke, i unesi za zaves kovčeg od svedočanstva, da vam zaves rastavlja svetinju od svetinje nad svetinjama.

34 I metni zaklopac na kovčeg od svedočanstva u svetinji nad svetinjama.

35 I namesti sto pred zaves a svećnjak prema stolu na južnoj strani šatora, da sto stoji na severnoj strani.

36 I na vrata naslonu načinićeš zaves od porfire i od skerleta i od crvca i od tankog platna uzvedenog, vezen;

37 I za taj zaves načinićeš pet stupova od drveta sitima, koje ćeš okovati zlatom, sa kukama zlatnim, i salićeš za njih pet stopica od bronze.

   

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287 - The Lampstand

Napsal(a) Jonathan S. Rose

Title: The Lampstand

Topic: Salvation

Summary: The lampstand in the tabernacle is an image of a permanent capacity in our minds to see God.

Use the reference links below to follow along in the Bible as you watch.

References:
Exodus 25:31-40; 26:35; 27:20-21; 35:10-14; 37:17-22; 39:37; 40:3-4, 24-25
Leviticus 24:1-4
Numbers 8:1-4
1 Kings 7:48-49
2 Kings 4:9-11
2 Chronicles 4:6-8, 19-22
Psalms 119:104-105
2 Chronicles 13:11
Zechariah 4
Matthew 5:8, 14-16; 25:1-12
Mark 4:21-23
Luke 11:33-36
Ephesians 1:17-18
Revelation 1:12-174, 20; 2:1-5; 11:4
Matthew 18:10
Acts of the Apostles 2:25

Přehrát video
Spirit and Life Bible Study broadcast from 12/21/2016. The complete series is available at: www.spiritandlifebiblestudy.com

Ze Swedenborgových děl

 

Arcana Coelestia # 10332

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10332. 'To compose designs, to work in gold, and in silver, and in bronze' means in order to represent the interior and the exterior forms of good and truth that constitute an understanding animated by the will, thus that constitute faith springing from love. This is clear from the meaning of 'composing designs', or inventing devices, as that which is a product of the understanding, dealt with in 9598, 9688; from the meaning of 'working' as that which is a product of the will, dealt with in 9282, for what a person does is a product of his will, in this instance of the will operating through the understanding, since it says 'to compose designs, to work ...'; from the meaning of 'gold' as good, and of 'silver' as truth, dealt with in 1551, 1552, 5658, 6914, 6917, 8932, 9490, 9881, 9874; and from the meaning of 'bronze' as the good of the natural or external man, dealt with in 425, 1551. Consequently interior and exterior forms of good and truth are meant by 'gold, silver, and bronze', interior good by 'gold', interior and exterior truth by 'silver', and external good by 'bronze'. The reason why that which is representative of these forms of good and truth is what is meant is that the representative Church is the subject, and all the things that Bezalel was going to make were representative.

[2] From all this it is evident that 'to compose designs, to work in gold, in silver, and in bronze' means in order to represent interior and exterior forms of good and truth that constitute an understanding animated by the will. The reason why they are also those that constitute faith springing from love is that truths belong to faith, and truths have connection with the understanding, while forms of good belong to love, and forms of good have connection with the will. The expressions 'an understanding animated by the will' and 'faith springing from love' are used because the understanding is nothing at all unless it is animated by the will. For what a person understands but does not also will is not an understanding that is his own but that of another within him; and as a consequence that understanding fades away. But it is different when the understanding is animated by the will; it is then that of the person himself, because the will is the person himself. The like applies to the faith and love; for as has been stated, the truths of faith have connection with the understanding, and forms of the good of love with the will.

  
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Thanks to the Swedenborg Society for the permission to use this translation.