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Exodus 27

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1 και ποιησεις θυσιαστηριον εκ ξυλων ασηπτων πεντε πηχεων το μηκος και πεντε πηχεων το ευρος τετραγωνον εσται το θυσιαστηριον και τριων πηχεων το υψος αυτου

2 και ποιησεις τα κερατα επι των τεσσαρων γωνιων εξ αυτου εσται τα κερατα και καλυψεις αυτα χαλκω

3 και ποιησεις στεφανην τω θυσιαστηριω και τον καλυπτηρα αυτου και τας φιαλας αυτου και τας κρεαγρας αυτου και το πυρειον αυτου και παντα τα σκευη αυτου ποιησεις χαλκα

4 και ποιησεις αυτω εσχαραν εργω δικτυωτω χαλκην και ποιησεις τη εσχαρα τεσσαρας δακτυλιους χαλκους επι τα τεσσαρα κλιτη

5 και υποθησεις αυτους υπο την εσχαραν του θυσιαστηριου κατωθεν εσται δε η εσχαρα εως του ημισους του θυσιαστηριου

6 και ποιησεις τω θυσιαστηριω φορεις εκ ξυλων ασηπτων και περιχαλκωσεις αυτους χαλκω

7 και εισαξεις τους φορεις εις τους δακτυλιους και εστωσαν οι φορεις κατα τα πλευρα του θυσιαστηριου εν τω αιρειν αυτο

8 κοιλον σανιδωτον ποιησεις αυτο κατα το παραδειχθεν σοι εν τω ορει ουτως ποιησεις αυτο

9 και ποιησεις αυλην τη σκηνη εις το κλιτος το προς λιβα ιστια της αυλης εκ βυσσου κεκλωσμενης μηκος εκατον πηχων τω ενι κλιτει

10 και οι στυλοι αυτων εικοσι και αι βασεις αυτων εικοσι χαλκαι και οι κρικοι αυτων και αι ψαλιδες αυτων αργυραι

11 ουτως τω κλιτει τω προς απηλιωτην ιστια εκατον πηχων μηκος και οι στυλοι αυτων εικοσι και αι βασεις αυτων εικοσι χαλκαι και οι κρικοι και αι ψαλιδες των στυλων και αι βασεις αυτων περιηργυρωμεναι αργυρω

12 το δε ευρος της αυλης το κατα θαλασσαν ιστια πεντηκοντα πηχων στυλοι αυτων δεκα και αι βασεις αυτων δεκα

13 και ευρος της αυλης το προς νοτον ιστια πεντηκοντα πηχεων στυλοι αυτων δεκα και αι βασεις αυτων δεκα

14 και πεντεκαιδεκα πηχεων το υψος των ιστιων τω κλιτει τω ενι στυλοι αυτων τρεις και αι βασεις αυτων τρεις

15 και το κλιτος το δευτερον δεκα πεντε πηχων των ιστιων το υψος στυλοι αυτων τρεις και αι βασεις αυτων τρεις

16 και τη πυλη της αυλης καλυμμα εικοσι πηχων το υψος εξ υακινθου και πορφυρας και κοκκινου κεκλωσμενου και βυσσου κεκλωσμενης τη ποικιλια του ραφιδευτου στυλοι αυτων τεσσαρες και αι βασεις αυτων τεσσαρες

17 παντες οι στυλοι της αυλης κυκλω κατηργυρωμενοι αργυριω και αι κεφαλιδες αυτων αργυραι και αι βασεις αυτων χαλκαι

18 το δε μηκος της αυλης εκατον εφ' εκατον και ευρος πεντηκοντα επι πεντηκοντα και υψος πεντε πηχων εκ βυσσου κεκλωσμενης και αι βασεις αυτων χαλκαι

19 και πασα η κατασκευη και παντα τα εργαλεια και οι πασσαλοι της αυλης χαλκοι

20 και συ συνταξον τοις υιοις ισραηλ και λαβετωσαν σοι ελαιον εξ ελαιων ατρυγον καθαρον κεκομμενον εις φως καυσαι ινα καηται λυχνος δια παντος

21 εν τη σκηνη του μαρτυριου εξωθεν του καταπετασματος του επι της διαθηκης καυσει αυτο ααρων και οι υιοι αυτου αφ' εσπερας εως πρωι εναντιον κυριου νομιμον αιωνιον εις τας γενεας υμων παρα των υιων ισραηλ

   

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Arcana Coelestia # 887

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887. The waters abated from over the earth' means that all this was so because the obstructive falsities were now fewer. This is clear from the meaning of the same words that have appeared already in verse 8. As regards the obstructive falsities being fewer than previously in this second state which is the subject here, all the falsities a person has acquired so remain with him that not one is done away with, as stated already. But when a person is being regenerated truths are planted in him towards which falsities are turned by the Lord. It thus appears as though they have been dispersed, dispersed by means of the goods which he is given.

  
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Thanks to the Swedenborg Society for the permission to use this translation.

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Arcana Coelestia # 3493

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3493. 'And his eyes were becoming dark so that he could not see' means when the Rational wished to enlighten the Natural from the Divine. This is clear from the meaning of 'the eyes' as interior or rational sight, dealt with in 2701, and from the meaning of 'seeing' as recognizing and understanding, dealt with in 2150, 2325, 2807. Consequently when 'the eyes' are said 'to be becoming dark' the meaning is that no discernment exists any longer, in this case no discernment of the things present in the natural. This being the meaning of these words, the fact that the Rational wished to enlighten the Natural from the Divine is meant. What this implies may be seen from the following things stated and shown already about the rational and the natural with man when he is being regenerated: The rational is regenerated before the natural, for the reason that the rational is interior and so closer to the Divine, and also is purer and so more suited to receiving the Divine than the natural is; and for the further reason that the natural has to be regenerated by way of the rational, see 3286, 3288, 3321.

[2] When therefore the rational has been regenerated but not the natural the former in that case seems to itself to be made dark, for no correspondence exists between the two. Actually the rational receives its sight from the light of heaven, whereas the natural receives its sight from the light of the world; but unless a correspondence exists between the two the rational is unable to see anything that is in the natural. Everything there is like shadow or even like thick darkness. But once a correspondence does exist, things that are in light in the natural are then apparent to the rational, for things that belong to the light of the world are then enlightened by those that belong to the light of heaven, which are so to speak shining through. But these matters are more clearly evident from what has been stated and shown already about correspondence see 2987, 2989-2991, 3002, 3138, 3167, 3222, 3223, 3225, 3337, 3485. Through what is stated and shown in these paragraphs one may grasp to some extent that the words 'Isaac's eyes were becoming dark so that he could not see' mean that the Rational wished to enlighten the Natural from the Divine, that is to say, to make even the Natural Divine, for the subject in the highest sense is the Lord. Light is thereby shed on this matter by what occurs with man when he is being regenerated and which has been described already; for man's regeneration is an image of the Lord's glorification, 3043, 3138, 3212, 3296, 3490.

  
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Thanks to the Swedenborg Society for the permission to use this translation.