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Exodus 40

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1 και-C λαλεω-VAI-AAI3S κυριος-N2--NSM προς-P *μωυσης-N1M-ASM λεγω-V1--PAPNSM

2 εν-P ημερα-N1A-DSF εις-A1A-DSF ο- A--GSM μην-N3--GSM ο- A--GSM πρωτος-A1--GSMS νουμηνια-N1A-DSF ιστημι-VF--FAI2S ο- A--ASF σκηνη-N1--ASF ο- A--GSN μαρτυριον-N2N-GSN

3 και-C τιθημι-VF--FAI2S ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN και-C σκεπαζω-VF--FAI2S ο- A--ASF κιβωτος-N2--ASF ο- A--DSN καταπετασμα-N3M-DSN

4 και-C ειςφερω-VF--FAI2S ο- A--ASF τραπεζα-N1S-ASF και-C προτιθημι-VF--FAI2S ο- A--ASF προθεσις-N3I-ASF αυτος- D--GSF και-C ειςφερω-VF--FAI2S ο- A--ASF λυχνια-N1A-ASF και-C επιτιθημι-VF--FAI2S ο- A--APM λυχνος-N2--APM αυτος- D--GSF

5 και-C τιθημι-VF--FAI2S ο- A--ASN θυσιαστηριον-N2N-ASN ο- A--ASN χρυσους-A1C-ASN εις-P ο- A--ASN θυμιαω-V3--PAN εναντιον-P ο- A--GSF κιβωτος-N2--GSF και-C επιτιθημι-VF--FAI2S καλυμμα-N3M-ASN καταπετασμα-N3M-GSN επι-P ο- A--ASF θυρα-N1A-ASF ο- A--GSF σκηνη-N1--GSF ο- A--GSN μαρτυριον-N2N-GSN

6 και-C ο- A--ASN θυσιαστηριον-N2N-ASN ο- A--GPN καρπωμα-N3M-GPN τιθημι-VF--FAI2S παρα-P ο- A--APF θυρα-N1A-APF ο- A--GSF σκηνη-N1--GSF ο- A--GSN μαρτυριον-N2N-GSN

8 και-C περιτιθημι-VF--FAI2S ο- A--ASF σκηνη-N1--ASF και-C πας-A3--APN ο- A--APN αυτος- D--GSF αγιαζω-VF--FAI2S κυκλος-N2--DSM

9 και-C λαμβανω-VF--FMI2S ο- A--ASN ελαιον-N2N-ASN ο- A--GSN χρισμα-N3M-GSN και-C χριω-VF--FAI2S ο- A--ASF σκηνη-N1--ASF και-C πας-A3--APN ο- A--APN εν-P αυτος- D--DSF και-C αγιαζω-VF--FAI2S αυτος- D--ASF και-C πας-A3--APN ο- A--APN σκευος-N3E-APN αυτος- D--GSF και-C ειμι-VF--FMI3S αγιος-A1A-APN

10 και-C χριω-VF--FAI2S ο- A--ASN θυσιαστηριον-N2N-ASN ο- A--GPN καρπωμα-N3M-GPN και-C πας-A3--APN αυτος- D--GSN ο- A--APN σκευος-N3E-APN και-C αγιαζω-VF--FAI2S ο- A--ASN θυσιαστηριον-N2N-ASN και-C ειμι-VF--FMI3S ο- A--ASN θυσιαστηριον-N2N-ASN αγιος-A1A-ASN ο- A--GPN αγιος-A1A-GPN

12 και-C προςαγω-VF--FAI2S *ααρων-N---ASM και-C ο- A--APM υιος-N2--APM αυτος- D--GSM επι-P ο- A--APF θυρα-N1A-APF ο- A--GSF σκηνη-N1--GSF ο- A--GSN μαρτυριον-N2N-GSN και-C λουω-VF--FAI2S αυτος- D--APM υδωρ-N3T-DSN

13 και-C ενδυω-VF--FAI2S *ααρων-N---ASM ο- A--APF στολη-N1--APF ο- A--APF αγιος-A1A-APF και-C χριω-VF--FAI2S αυτος- D--ASM και-C αγιαζω-VF--FAI2S αυτος- D--ASM και-C ιερατευω-VF--FAI3S εγω- P--DS

14 και-C ο- A--APM υιος-N2--APM αυτος- D--GSM προςαγω-VF--FAI2S και-C ενδυω-VF--FAI2S αυτος- D--APM χιτων-N3W-APM

15 και-C αλειφω-VF--FAI2S αυτος- D--APM ος- --ASM τροπος-N2--ASM αλειφω-VAI-AAI2S ο- A--ASM πατηρ-N3--ASM αυτος- D--GPM και-C ιερατευω-VF--FAI3P εγω- P--DS και-C ειμι-VF--FMI3S ωστε-C ειμι-V9--PAN αυτος- D--DPM χρισμα-N3M-NSN ιερατεια-N1A-GSF εις-P ο- A--ASM αιων-N3W-ASM εις-P ο- A--APF γενεα-N1A-APF αυτος- D--GPM

16 και-C ποιεω-VAI-AAI3S *μωυσης-N1M-NSM πας-A3--APN οσος-A1--APN εντελλομαι-VAI-AMI3S αυτος- D--DSM κυριος-N2--NSM ουτως-D ποιεω-VAI-AAI3S

17 και-C γιγνομαι-VBI-AMI3S εν-P ο- A--DSM μην-N3--DSM ο- A--DSM πρωτος-A1--DSMS ο- A--DSN δευτερος-A1A-DSN ετος-N3E-DSN εκπορευομαι-V1--PMPGPM αυτος- D--GPM εκ-P *αιγυπτος-N2--GSF νουμηνια-N1A-DSF ιστημι-VCI-API3S ο- A--NSF σκηνη-N1--NSF

18 και-C ιστημι-VAI-AAI3S *μωυσης-N1M-NSM ο- A--ASF σκηνη-N1--ASF και-C επιτιθημι-VAI-AAI3S ο- A--APF κεφαλις-N3D-APF και-C δια ενβαλλω-VBI-AAI3S ο- A--APM μοχλος-N2--APM και-C ιστημι-VAI-AAI3S ο- A--APM στυλος-N2--APM

19 και-C εκτεινω-VAI-AAI3S ο- A--APF αυλαια-N1A-APF επι-P ο- A--ASF σκηνη-N1--ASF και-C επιτιθημι-VAI-AAI3S ο- A--ASN κατακαλυμμα-N3M-ASN ο- A--GSF σκηνη-N1--GSF επι-P αυτος- D--GSF ανωθεν-D καθα-D συντασσω-VAI-AAI3S κυριος-N2--NSM ο- A--DSM *μωυσης-N1M-DSM

20 και-C λαμβανω-VB--AAPNSM ο- A--APN μαρτυριον-N2N-APN ενβαλλω-VBI-AAI3S εις-P ο- A--ASF κιβωτος-N2--ASF και-C υποτιθημι-VAI-AAI3S ο- A--APM διωστηρ-N3--APM υπο-P ο- A--ASF κιβωτος-N2--ASF

21 και-C ειςφερω-VAI-AAI3S ο- A--ASF κιβωτος-N2--ASF εις-P ο- A--ASF σκηνη-N1--ASF και-C επιτιθημι-VAI-AAI3S ο- A--ASN κατακαλυμμα-N3M-ASN ο- A--GSN καταπετασμα-N3M-GSN και-C σκεπαζω-VAI-AAI3S ο- A--ASF κιβωτος-N2--ASF ο- A--GSN μαρτυριον-N2N-GSN ος- --ASM τροπος-N2--ASM συντασσω-VAI-AAI3S κυριος-N2--NSM ο- A--DSM *μωυσης-N1M-DSM

22 και-C τιθημι-VAI-AAI3S ο- A--ASF τραπεζα-N1S-ASF εις-P ο- A--ASF σκηνη-N1--ASF ο- A--GSN μαρτυριον-N2N-GSN επι-P ο- A--ASN κλιτος-N3E-ASN ο- A--GSF σκηνη-N1--GSF ο- A--GSN μαρτυριον-N2N-GSN ο- A--ASN προς-P βορεας-N1T-ASM εξωθεν-D ο- A--GSN καταπετασμα-N3M-GSN ο- A--GSF σκηνη-N1--GSF

23 και-C προτιθημι-VAI-AAI3S επι-P αυτος- D--GSF αρτος-N2--APM ο- A--GSF προθεσις-N3I-GSF εναντι-P κυριος-N2--GSM ος- --ASM τροπος-N2--ASM συντασσω-VAI-AAI3S κυριος-N2--NSM ο- A--DSM *μωυσης-N1M-DSM

24 και-C τιθημι-VAI-AAI3S ο- A--ASF λυχνια-N1A-ASF εις-P ο- A--ASF σκηνη-N1--ASF ο- A--GSN μαρτυριον-N2N-GSN εις-P ο- A--ASN κλιτος-N3E-ASN ο- A--GSF σκηνη-N1--GSF ο- A--ASN προς-P νοτος-N2--ASM

25 και-C επιτιθημι-VAI-AAI3S ο- A--APM λυχνος-N2--APM αυτος- D--GSF εναντι-P κυριος-N2--GSM ος- --ASM τροπος-N2--ASM συντασσω-VAI-AAI3S κυριος-N2--NSM ο- A--DSM *μωυσης-N1M-DSM

26 και-C τιθημι-VAI-AAI3S ο- A--ASN θυσιαστηριον-N2N-ASN ο- A--ASN χρυσους-A1C-ASN εν-P ο- A--DSF σκηνη-N1--DSF ο- A--GSN μαρτυριον-N2N-GSN απεναντι-P ο- A--GSN καταπετασμα-N3M-GSN

27 και-C θυμιαω-VAI-AAI3S επι-P αυτος- D--GSN ο- A--ASN θυμιαμα-N3M-ASN ο- A--GSF συνθεσις-N3I-GSF καθαπερ-D συντασσω-VAI-AAI3S κυριος-N2--NSM ο- A--DSM *μωυσης-N1M-DSM

29 και-C ο- A--ASN θυσιαστηριον-N2N-ASN ο- A--GPN καρπωμα-N3M-GPN τιθημι-VAI-AAI3S παρα-P ο- A--APF θυρα-N1A-APF ο- A--GSF σκηνη-N1--GSF

33 και-C ιστημι-VAI-AAI3S ο- A--ASF αυλη-N1--ASF κυκλος-N2--DSM ο- A--GSF σκηνη-N1--GSF και-C ο- A--GSN θυσιαστηριον-N2N-GSN και-C συντελεω-VAI-AAI3S *μωυσης-N1M-NSM πας-A3--APN ο- A--APN εργον-N2N-APN

34 και-C καλυπτω-VAI-AAI3S ο- A--NSF νεφελη-N1--NSF ο- A--ASF σκηνη-N1--ASF ο- A--GSN μαρτυριον-N2N-GSN και-C δοξα-N1S-GSF κυριος-N2--GSM πιμπλημι-VSI-API3S ο- A--NSF σκηνη-N1--NSF

35 και-C ου-D δυναμαι-VSI-API3S *μωυσης-N1M-NSM ειςερχομαι-VB--AAN εις-P ο- A--ASF σκηνη-N1--ASF ο- A--GSN μαρτυριον-N2N-GSN οτι-C επισκιαζω-V1I-IAI3S επι-P αυτος- D--ASF ο- A--NSF νεφελη-N1--NSF και-C δοξα-N1S-GSF κυριος-N2--GSM πιμπλημι-VSI-API3S ο- A--NSF σκηνη-N1--NSF

36 ηνικα-D δε-X αν-X αναβαινω-VZI-AAI3S ο- A--NSF νεφελη-N1--NSF απο-P ο- A--GSF σκηνη-N1--GSF αναζευγνυω-VAI-AAI3P ο- A--NPM υιος-N2--NPM *ισραηλ-N---GSM συν-P ο- A--DSF απαρτια-N1A-DSF αυτος- D--GPM

37 ει-C δε-X μη-D αναβαινω-VZI-AAI3S ο- A--NSF νεφελη-N1--NSF ου-D αναζευγνυω-VAI-AAI3P εως-P ο- A--GSF ημερα-N1A-GSF ος- --GSF αναβαινω-VZI-AAI3S ο- A--NSF νεφελη-N1--NSF

38 νεφελη-N1--NSF γαρ-X ειμι-V9--IAI3S επι-P ο- A--GSF σκηνη-N1--GSF ημερα-N1A-GSF και-C πυρ-N3--NSN ειμι-V9--IAI3S επι-P αυτος- D--GSF νυξ-N3--GSF εναντιον-P πας-A3--GSM *ισραηλ-N---GSM εν-P πας-A1S-DPF ο- A--DPF αναζυγη-N1--DPF αυτος- D--GPM

   

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Apocalypse Explained # 393

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393. Verse 10. And they cried out with a great voice, signifies their grief of mind. This is evident from the signification of "to cry out," as being vehement grief of mind, for this manifests itself by the sound of crying out in speech; consequently "crying out" in the Word signifies grief. Moreover, every affection, whether of grief or joy, expresses itself by sounds, and ideas of thought by the expressions in the sound. This is why sound in speech manifests both the quality and measure of the affection, and this more clearly in the spiritual world than in the natural world, for the reason that it is not permitted there to show forth any affections other than those that are the mind's own. In the spiritual world, therefore, anyone who is wise can hear and perceive the affection of another, solely from his speech. (That with spirits and angels sounds belong to affection, and words to the ideas of the thought, see in the work on Heaven and Hell 241, and above, n. 323.) That "to cry out," and "a crying out," in the Word, signify grief, is evident from many passages there, of which I will cite this only from Isaiah:

Heshbon cried out, and Elealeh; their voice was heard even to Jahaz; therefore the armed men of Moab shall shout; his soul shall be ill within him. My heart crieth out over Moab: for a crying out closeth round about the border of Moab, the howling thereof even unto Eglaim (Isaiah 15:4, 6, 8).

Because "crying out" signifies grief, it is customary to speak of "crying out unto God," when the mind is in a state of grief (as in Isaiah 19:20; 30:19; 65:19; Jeremiah 14:2 elsewhere). That "crying out" in the Word is predicated of various affections, such as interior lamentation, beseeching and supplication from anguish, attestation and indignation, confession, supplication, and also exultation and other states (See Arcana Coelestia 2240, 2821, 2841, 4779, 5016, 5018, 5027, 5323, 5365, 5870, 6801, 6802, 6862, 7119, 7142, 7782, 8179, 8353, 9202).

  
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Thanks to the Swedenborg Foundation for their permission to use this translation.

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Arcana Coelestia # 2177

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2177. That 'meal of fine flour' means the spiritual and celestial ingredients [of the rational] which were present at that time with the Lord, and 'cakes' the same when both had been joined together, is quite clear from the sacrifices of the representative Church and from the minchah presented at the same time, which consisted of fine flour mixed with oil and made into cakes. Representative worship consisted primarily in burnt offerings and sacrifices. What these represented has been stated above where 'bread' was the subject, in 2165, namely the celestial things of the Lord's kingdom in heaven and of the Lord's kingdom on earth, which is the Church, and also the things of the Lord's kingdom or Church as it exists with every individual, and in general everything that is in essence love and charity, since these are celestial entities. In those times all the sacrifices were called 'bread'. Along with those sacrifices a minchah was included - which, as has been stated, consisted of fine flour mixed with oil to which also incense was added - and also a wine-offering.

[2] What these latter represented becomes clear too, namely things similar to those represented by sacrifices but of a lower order, thus the things which belong to the spiritual Church, and also those which belong to the external Church. It may become clear to anyone that such things would never have been prescribed unless they had represented Divine things, and also that each one represented some specific thing. For unless they had represented Divine things they would have been no different from similar things found among gentiles, among whom also there were sacrifices, minchahs, libations, and incense, as well as perpetual fires and many other things which had come down to them from the Ancient Church, especially from the Hebrew Church. But because they were separated from the internal, that is, the Divine things represented by them, those external forms of worship were nothing but idolatrous, as they also came to be among the Jews, who likewise sank into all kinds of idolatry. From this it may become clear to anyone that heavenly arcana were present within every form of ritual, especially so within the sacrifices and every detail of them.

[3] As regards the minchah, the nature of it and how it was to be made into cakes is described in a whole chapter in Moses - in Leviticus 2; also Numbers 15, and elsewhere. The law regarding the minchah is described in Leviticus in the following words,

Fire shall be kept burning unceasingly on the altar; it shall not be put out. And this is the law of the minchah: Aaron's sons shall bring it before Jehovah to the front of the altar, and he shall take up from it a fistful of fine flour of the minchah and of the oil of it and all the frankincense which is on the minchah, and he shall burn it on the altar; it is an odour of rest for a memorial to Jehovah. And the rest of it Aaron and his sons shall eat. Unleavened bread shall be eaten in a holy place. In the court of the tent of meeting shall they eat it. It shall not be cooked leavened; I have given it as their portion from My fire-offerings; it is most holy. Leviticus 6:13-17.

[4] The fire which was to be kept burning unceasingly on the altar represented the Lord's love, that is, His mercy, which is constant and eternal. 'Fire' in the Word means love, see 934, and therefore 'the fire-offerings made for an odour of rest' means the good pleasure which the Lord takes in those things that belong to love and charity. That 'odour' means good pleasure, that is, that which is pleasing, see 925, 1519. Their 'taking a fistful' represented their being required to love with all their soul or strength, for 'the hand' or 'the palm' of the hand means power, as shown in 878, from which 'the fist' also means the same. 'The fine flour together with the oil and the frankincense' represented all things of charity - 'fine flour' the spiritual ingredient of it, 'oil' the celestial, and 'frankincense' that which was in this manner pleasing. That 'fine flour' represents the spiritual ingredient is evident from what has just been stated and from what is stated below. That 'oil' represents the celestial ingredient, or the good or charity, see 886, and that 'frankincense' on account of its odour represents that which is pleasing and acceptable, 925.

[5] Its being 'unleavened bread' or not fermented means that it was to be genuine, thus something offered from genuineness of heart and having no uncleanness. The eating of the rest by Aaron and his sons represented man's reciprocation and his making it his own, and thus represented conjunction by means of love and charity; and it is for this reason that they were commanded to eat it 'in a holy place'. Hence it is called something most holy. These were the things which were represented by the minchah. It was also the way in which the representatives themselves were perceived in heaven; and when the member of the Church understood them in the same way his ideas were like the perception which the angels possess, so that he was in the Lord's kingdom in heaven even though he was on earth.

[6] For more about the minchah - what it was to consist of in any particular kind of sacrifice; the way in which it was to be baked into cakes; what kind was to be offered by those who were being cleansed, and also what kinds on other occasions (all of which would take too long to introduce and explain here) - see what is said about it in Exodus 29:39-41; Leviticus 5:11-13; 6:16-17, 19-21; 10:12-13; 23:10-13, 6, 17; Numbers 5:15 and following verses; 6:15-17, 19-20; 7: in various places; 28:5, 8, 9, 12-13, 20-21, 28-29; 29:3-4, 9-10, 14-15, 18, 21, 24, 27, 30, 33, 37

[7] 'Fine flour made into cakes' had in general the same representation as bread, namely the celestial ingredient of love, while 'meals represented its spiritual ingredient, as becomes clear in the places indicated above. The loaves which were called 'the bread of the Presence' or 'the shewbread' consisted of fine flour, which was made into cakes and placed on the table to provide an unceasing representation of the Lord's love, that is, of His mercy, towards the whole human race, and man's reciprocation. These loaves are spoken of in Moses as follows,

You shall take fine pour and bake it into twelve cakes; two-tenths [of an ephah] shall there be in one cake And you shall place them in two rows, six in a row, on the clean table before Jehovah. And you shall put pure frankincense on each row, and it shall be bread serving as a memorial, a fire-offering to Jehovah. Every sabbath day [Aaron] shall set it out in order before Jehovah continually; it is from the children of Israel as an eternal covenant. And it shall be for Aaron and his sons, and they shall eat it in a holy place, for it is to him the most holy of fire-offerings to Jehovah, by an eternal statute. Leviticus 24:5-9.

Every item and smallest detail mentioned here represented the holiness of love and charity, 'fine flour' having the same representation as meal of fine flour, namely that which is celestial and that which is spiritual that goes with it, and 'cake' the two when joined together.

[8] From this it is clear what the holiness of the Word is to those who possess heavenly ideas, and indeed what holiness was present within this particular representative observance, on account of which it is called 'most holy'. It is also clear how devoid of holiness the Word is to those who imagine that it does not have anything heavenly within it and who keep solely to externals. Exemplifying the latter are those who in the present verse under consideration perceive 'the meal' to be merely meal, 'the fine flour' merely fine flour, and 'the cake' merely a cake, and who imagine that these things have been stated without each one that is mentioned embodying something of the Divine within it. Their attitude is similar to that of those who imagine that the bread and wine of the Holy Supper are no more than a certain religious observance that does not have anything holy within it. Yet in fact it possesses such holiness that the minds of men are linked by means of it to the minds of those in heaven, when from an internal affection they think that the bread and wine mean the Lord's love and man's reciprocation, and by virtue of that interior thought and affection they abide in holiness.

[9] Much the same was implied by the requirement that when the children of Israel entered the land they were to present as a heave-offering to Jehovah a cake made from the first of their dough, Numbers 15:20. The fact that such things are meant is also evident in the Prophets, from' among whom for the moment let this one place in Ezekiel be introduced here,

You were adorned with gold and silver, and your raiment was of fine linen and silk and embroidered cloth. You ate fine flour, honey, and oil. You became exceedingly beautiful, and attained to a kingdom. Ezekiel 16:13.

This refers to Jerusalem, by which is meant the Church, which Church in its earliest days bore an appearance such as this, that is to say, the Ancient Church, which is described by means of raiment and many other adornments. Its affections for truth and good are also described by 'the fine flour, honey, and oil'. It may become clear to anyone that all these details mean in the internal sense something altogether different from what they do in the sense of the letter. And the same applies to Abraham's saying to Sarah, 'Take quickly three measures of meal of fine flour, knead it, and make cakes'. That 'three' means things that are holy has been shown already in 720, 901.

  
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Thanks to the Swedenborg Society for the permission to use this translation.