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Exodus 27

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1 και-C ποιεω-VF--FAI2S θυσιαστηριον-N2N-ASN εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN πεντε-M πηχυς-N3E-GPM ο- A--ASN μηκος-N3E-ASN και-C πεντε-M πηχυς-N3E-GPM ο- A--ASN ευρος-N2--ASN τετραγωνος-A1B-NSN ειμι-VF--FMI3S ο- A--ASN θυσιαστηριον-N2N-ASN και-C τρεις-A3--GPM πηχυς-N3E-GPM ο- A--ASN υψος-N3E-ASN αυτος- D--GSM

2 και-C ποιεω-VF--FAI2S ο- A--APN κερας-N3T-APN επι-P ο- A--GPF τεσσαρες-A3--GPF γωνια-N1A-GPF εκ-P αυτος- D--GSM ειμι-VF--FMI3S ο- A--APN κερας-N3T-APN και-C καλυπτω-VF--FAI2S αυτος- D--APN χαλκους-A1C-DSM

3 και-C ποιεω-VF--FAI2S στεφανη-N1--ASF ο- A--DSN θυσιαστηριον-N2N-DSN και-C ο- A--ASM καλυπτηρ-N3H-ASM αυτος- D--GSM και-C ο- A--APF φιαλη-N1--APF αυτος- D--GSM και-C ο- A--APF κρεαγρα-N1A-APF αυτος- D--GSM και-C ο- A--ASN πυρειον-N2N-ASN αυτος- D--GSM και-C πας-A3--APN ο- A--APN σκευος-N3E-APN αυτος- D--GSM ποιεω-VF--FAI2S χαλκους-A1C-APN

4 και-C ποιεω-VF--FAI2S αυτος- D--DSM εσχαρα-N1A-ASF εργον-N2N-DSN δικτυωτος-A1--DSN χαλκους-A1C-ASF και-C ποιεω-VF--FAI2S ο- A--DSF εσχαρα-N1A-DSF τεσσαρες-A3--APM δακτυλιος-N2--APM χαλκους-A1C-APM επι-P ο- A--APN τεσσαρες-A3--APN κλιτος-N3E-APN

5 και-C υποτιθημι-VF--FAI2S αυτος- D--APM υπο-P ο- A--ASF εσχαρα-N1A-ASF ο- A--GSN θυσιαστηριον-N2N-GSN κατωθεν-D ειμι-VF--FMI3S δε-X ο- A--NSF εσχαρα-N1A-NSF εως-P ο- A--GSN ημισυς-A3U-GSN ο- A--GSN θυσιαστηριον-N2N-GSN

6 και-C ποιεω-VF--FAI2S ο- A--DSN θυσιαστηριον-N2N-DSN φορεω-V2--PAI2S εκ-P ξυλον-N2N-GPN ασηπτος-A1B-GPN και-C περιχαλκοω-VF--FAI2S αυτος- D--APM χαλκους-A1C-DSM

7 και-C ειςαγω-VF--FAI2S ο- A--APM φορεω-V2--PAI2S εις-P ο- A--APM δακτυλιος-N2--APM και-C ειμι-V9--PAD3P ο- A--NPM φορεω-V2--PAI2S κατα-P ο- A--APN πλευρα-N1A-APN ο- A--GSN θυσιαστηριον-N2N-GSN εν-P ο- A--DSN αιρω-V1--PAN αυτος- D--ASN

8 κοιλος-A1--ASN σανιδωτος-A1--ASN ποιεω-VF--FAI2S αυτος- D--ASN κατα-P ο- A--ASN παραδεικνυω-VC--APPASN συ- P--DS εν-P ο- A--DSN ορος-N3E-DSN ουτως-D ποιεω-VF--FAI2S αυτος- D--ASN

9 και-C ποιεω-VF--FAI2S αυλη-N1--ASF ο- A--DSF σκηνη-N1--DSF εις-P ο- A--ASN κλιτος-N3E-ASN ο- A--ASN προς-P λιψ-N3--ASM ιστιον-N2N-APN ο- A--GSF αυλη-N1--GSF εκ-P βυσσος-N2--GSF κλωθω-VT--XMPGSF μηκος-N3E-ASN εκατον-M πηχυς-N3E-GPM ο- A--DSN εις-A3--DSN κλιτος-N3E-DSN

10 και-C ο- A--NPM στυλος-N2--NPM αυτος- D--GPM εικοσι-M και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM εικοσι-M χαλκους-A1C-NPF και-C ο- A--NPM κρικος-N2--NPM αυτος- D--GPM και-C ο- A--NPF ψαλις-N3D-NPF αυτος- D--GPM αργυρους-A1C-NPF

11 ουτως-D ο- A--DSN κλιτος-N3E-DSN ο- A--DSN προς-P απηλιωτης-N1M-ASM ιστιον-N2N-APN εκατον-M πηχυς-N3E-GPM μηκος-N3E-ASN και-C ο- A--NPM στυλος-N2--NPM αυτος- D--GPM εικοσι-M και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM εικοσι-M χαλκους-A1C-NPF και-C ο- A--NPM κρικος-N2--NPM και-C ο- A--NPF ψαλις-N3D-NPF ο- A--GPM στυλος-N2--GPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM περιαργυροω-VM--XMPNPF αργυρος-N2--DSM

12 ο- A--ASN δε-X ευρος-N2--ASN ο- A--GSF αυλη-N1--GSF ο- A--ASN κατα-P θαλασσα-N1S-ASF ιστιον-N2N-NPN πεντηκοντα-M πηχυς-N3E-GPM στυλος-N2--NPM αυτος- D--GPM δεκα-M και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM δεκα-M

13 και-C ευρος-N2--NSN ο- A--GSF αυλη-N1--GSF ο- A--ASN προς-P νοτος-N2--ASM ιστιον-N2N-NPN πεντηκοντα-M πηχυς-N3E-GPM στυλος-N2--NPM αυτος- D--GPM δεκα-M και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM δεκα-M

14 και-C πεντεκαιδεκα-M πηχυς-N3E-GPM ο- A--ASN υψος-N3E-ASN ο- A--GPN ιστιον-N2N-GPN ο- A--DSN κλιτος-N3E-DSN ο- A--DSN εις-A3--DSN στυλος-N2--NPM αυτος- D--GPN τρεις-A3--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τρεις-A3--NPF

15 και-C ο- A--ASN κλιτος-N3E-ASN ο- A--ASN δευτερος-A1A-ASN δεκα-M πεντε-M πηχυς-N3E-GPM ο- A--GPN ιστιον-N2N-GPN ο- A--ASN υψος-N3E-ASN στυλος-N2--NPM αυτος- D--GPM τρεις-A3--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τρεις-A3--NPF

16 και-C ο- A--DSF πυλη-N1--DSF ο- A--GSF αυλη-N1--GSF καλυμμα-N3M-NSN εικοσι-M πηχυς-N3E-GPM ο- A--ASN υψος-N3E-ASN εκ-P υακινθος-N2--GSF και-C πορφυρα-N1A-GSF και-C κοκκινος-A1--GSN κλωθω-VT--XMPGSN και-C βυσσος-N2--GSF κλωθω-VT--XMPGSF ο- A--DSF ποικιλια-N1A-DSF ο- A--GSN ραφιδευτος-A1--GSN στυλος-N2--NPM αυτος- D--GPN τεσσαρες-A3--NPM και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM τεσσαρες-A3--NPF

17 πας-A3--NPM ο- A--NPM στυλος-N2--NPM ο- A--GSF αυλη-N1--GSF κυκλος-N2--DSM κατααργυροω-VM--XMPNPM αργυριον-N2N-DSN και-C ο- A--NPF κεφαλις-N3D-NPF αυτος- D--GPM αργυρους-A1C-NPF και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM χαλκους-A1C-NPF

18 ο- A--ASN δε-X μηκος-N3E-ASN ο- A--GSF αυλη-N1--GSF εκατον-M επι-P εκατον-M και-C ευρος-N2--NSN πεντηκοντα-M επι-P πεντηκοντα-M και-C υψος-N3E-NSN πεντε-M πηχυς-N3E-GPM εκ-P βυσσος-N2--GSF κλωθω-VT--XMPGSF και-C ο- A--NPF βασις-N3I-NPF αυτος- D--GPM χαλκους-A1C-NPF

19 και-C πας-A1S-NSF ο- A--NSF κατασκευη-N1--NSF και-C πας-A3--APN ο- A--NPN εργαλειον-N2N-NPN και-C ο- A--NPM πασσαλος-N2--NPM ο- A--GSF αυλη-N1--GSF χαλκους-A1C-NPM

20 και-C συ- P--NS συντασσω-VA--AAD2S ο- A--DPM υιος-N2--DPM *ισραηλ-N---GSM και-C λαμβανω-VB--AAD3P συ- P--DS ελαιον-N2N-ASN εκ-P ελαιον-N2N-GPN ατρυγος-A1B-ASN καθαρος-A1A-ASN κοπτω-VP--XMPASN εις-P φως-N3T-ASN καιω-VA--AAN ινα-C καιω-V1--PMS3S λυχνος-N2--NSM δια-P πας-A3--GSM

21 εν-P ο- A--DSF σκηνη-N1--DSF ο- A--GSN μαρτυριον-N2N-GSN εξωθεν-D ο- A--GSN καταπετασμα-N3M-GSN ο- A--GSN επι-P ο- A--GSF διαθηκη-N1--GSF καιω-VF--FAI3S αυτος- D--ASN *ααρων-N---NSM και-C ο- A--NPM υιος-N2--NPM αυτος- D--GSM απο-P εσπερα-N1A-GSF εως-P πρωι-D εναντιον-P κυριος-N2--GSM νομιμος-A1--NSN αιωνιος-A1B-NSN εις-P ο- A--APF γενεα-N1A-APF συ- P--GP παρα-P ο- A--GPM υιος-N2--GPM *ισραηλ-N---GSM

   

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Arcana Coelestia # 9873

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9873. From all this it can now be seen what was signified by “the twelve precious stones” in the breastplate of judgment, namely, all the goods and truths of heaven in their order. Heaven is divided into two kingdoms, the celestial and the spiritual. The good of the celestial kingdom was represented by the first two rows, which were on the right side of the breastplate; and the good of the spiritual kingdom by the following two rows, which were on the left side. The internal good of the celestial kingdom is the good of love to the Lord, and this good is what is meant by “the celestial love of good;” and the external good of the celestial kingdom is the good of mutual love, and this good is what is meant by “the celestial love of truth.” The internal good of the spiritual kingdom is the good of charity toward the neighbor, and this good is what is meant by “the spiritual love of good;” and the external good of the spiritual kingdom is the good of faith, and this good is what is meant by “the spiritual love of truth” (That goods and truths in this order constitute the heavens, see n. 9468, 9473, 9680, 9683, 9780)

[2] From this it is now evident what was represented by the twelve stones, which were called “the Urim and Thummim.” But in what manner Divine truths, which were answers, were shown by them, will be told below (n. 9905). That the good of love was in the first place among them, and the truth of faith in the last place, is evident from the first stone, which was a ruby, and the last, which was a jasper; thus from the color of the first stone which was red, and of the last stone which was white, both of them being translucent. (That “red” signifies the good of love, see n. 3300, 9467; and that “white” signifies the truth of faith, n. 3301, 3993, 4007, 5319)

[3] The like that was signified by the stones in the breastplate was also signified by the materials interwoven in the ephod. The ephod was woven of blue, of crimson, of scarlet double-dyed, and of fine linen, as appears from the sixth verse of the present chapter; and by “the blue” was signified the truth of celestial love, by “the crimson,” the good of celestial love, by “the scarlet double-dyed,” the good of spiritual love, and by “the fine linen,” the truth of spiritual love (n. 9833). The reason was that “the ephod” signified heaven in ultimates, in like manner as “the breastplate” (n. 9824); but the goods and truths are there enumerated in a different order, because “the ephod” signified the spiritual heaven, while “the breastplate” signified the whole heaven from first to last. And as the Habitation with the Tent also represented heaven (n. 9457, 9481, 9485, 9615), therefore the materials of which the curtains and the veils were interwoven consisted in like manner of blue, of crimson, of scarlet double-dyed, and of fine linen (see Exodus 26:1, 31, 36, and 27:16; also n. 9466-9469).

[4] Be it known further that in a general sense “the SAPPHIRE” signifies the external of the celestial kingdom, and “the ONYX” the external of the spiritual kingdom; and as these two stones had this signification, they were the middle stones of the last rows; namely, the sapphire was the middle stone of the second row, and the onyx the middle stone of the fourth row. The stones of the second row signified the external good of the celestial kingdom, which is called “the celestial love of truth,” and the stones of the fourth row signified the external good of the spiritual kingdom, which is called “the spiritual love of truth;” as may be seen from what has been said about them in this article above.

[5] That “the sapphire” signifies the external of the celestial kingdom is evident from the passages in the Word where it is mentioned, as in the book of Exodus:

Seventy of the elders saw the God of Israel; and there was under His feet as it were a work of sapphire, and as the substance of heaven in respect to cleanness (Exodus 24:10).

Thus is described the external of the celestial kingdom, for it is said “under His feet,” by which is meant what is external; and where “the God of Israel” is, that is, the Lord, there is heaven.

In Isaiah:

O thou afflicted, and tossed with tempests, and not comforted, behold I set thy stones with antimony, and lay thy foundations in sapphires (Isaiah 54:11).

In this chapter the subject treated of is the celestial kingdom; “the foundations which are laid in sapphires” denote the external things of this kingdom, for the foundations are laid underneath.

[6] In Jeremiah:

Her Nazirites were whiter than snow; they were brighter than milk, their bones were more ruddy than pearls, a sapphire was their polishing (Lam. 4:7).

The Nazirites represented the celestial man; therefore it is said that “a sapphire was their polishing;” the “polishing” denotes what is external.

In Ezekiel:

Above the expanse that was over the head of the cherubs was the likeness of a throne, as the appearance of a sapphire stone; and upon the likeness of the throne was as it were the appearance of a man sitting upon it (Ezekiel 1:26; 10:1).

Here also the external of the celestial kingdom is described by “a sapphire;” for that which is above the expanse, or round about it, denotes what is without; the inmost being denoted by “him that sitteth upon the throne.”

[7] As “the sapphire stone” signifies the external of the celestial kingdom, so “the onyx stone” signifies the external of the spiritual kingdom. Therefore this was the stone that was put on the two shoulderpieces of the ephod with the names of the sons of Israel engraved upon it (see verses 9 to 14 of this chapter); for by the ephod was represented the external of the spiritual kingdom (n. 9824). As in a general sense “the onyx” and “the sapphire” signified the external things of the two heavens, they were placed, as before said, in the middle of the three stones of the second and fourth rows; for the middle involves the whole (as was shown above in connection with the robe, by which in a general sense was represented the spiritual kingdom, because it was in the middle, n. 9825). As these two stones involve all that is signified by the rest in these rows, therefore it is said in Job:

Wisdom cannot be compared to the gold of Ophir, to the precious onyx, and the sapphire (Job 28:16).

  
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Thanks to the Swedenborg Foundation for the permission to use this translation.